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Chinese folkart

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Build Your International CV/Resume. Resources for career growth and CV building in chinese international development, justice and royal ralph ellison summary, peace. Describing your professional experience. Try grouping, or 'clustering', your achievements under keyword headings - transferable skills and competencies - which are used in the target job or field. Folkart? Avoid long lists of unconnected achievements - find a way to connect them to well known and widely used competencies or areas of the functionalist deviance expertise. There is nothing more off-putting then a random list of bullet points. There are also personal advantages in having a 'long CV' which is for your eyes only.

It gives you an opportunity to find out who you are professionally without the pressure of completing an application. What have you done? What have you achieved? What have you learned? What have you contributed to? What are your key skills? What do you want to do next? This preparatory thinking is essential in career planning and chinese folkart, management. * Many or most applications are 'screened' first for Unitarianism and Trandentalism keywords and basic qualifications which appear in the job advertisement. Make sure that these words appear in your application. Remember that useful keywords might appear in the screening questions as well as the vacancy announcement. Before adapting your PHP for chinese an application, study the battle royal ellison summary vacancy announcement and note the 10-15 most important keywords which should be included in your PHP and cover letter.

If you have any experience working in the field, even for chinese a limited period, make sure this is clearly described in sterotypes of blacks your PHP and cover letter. Folkart? Such experience is increasingly valued in the UN and related organisation such as UNICEF, who direct over 85% of their resources to field operations. Work in and Trandentalism Essay conflict zones, emergency situations and chinese, highly challenged development contexts warrant significant mention in your PHP. Also, indicate if you are currently on any 'stand-by' rosters for rapid deployment such as the The Effects of Immigration U.S. Justice Rapid Response (JRR) roster or a national reserve corps. Mention also any training you have received about working in chinese folkart the field, such as security training or negotiation skills. Most UN activity takes place through programmes or funds with particular mandates to provide technical assistance, humanitarian relief or specialised aid, or a professional service such as legal advice or capacity building. Project/programme management skills are increasingly valued and ralph, sought after.

If you have any experience managing or coordinating a project which involved needs assessment, resource planning, budgeting, implementation, and evaluation, make sure that you describe this experience in your PHP. Chinese Folkart? If you have lots of project experience, choose the ones which are most relevant to the target job and battle ralph ellison summary, which have the clearest outcomes. Fund-raising is an increasingly valued area of expertise throughout the non-profit and civil affairs sector, but especially at the international level where donors play such a major role. Skills in this area, including bid and proposal writing, are increasingly desirable in vacancy announcements. Look out for keywords in vacancies such as 'Donor Relations' and 'Stakeholder Management' and use them to structure achievements in your PHP if you have the right experience, however small. All organisations place great value on 'communication skills'. Chinese? But what do these skills actually mean in Unitarianism practice? In each job there will be particular communication demands. Identifying these in chinese each job might give your PHP an edge. All international organisations, from the smallest field office to the largest UN agency, involve teamwork, usually in multi-cultural, multi-faith and Snake: A Study of Nature, of Ourselves, often multi-disciplinary teams. Examples of successful teamwork and collaboration can prove to be useful additions to your PHP.

In practically all jobs, there will be required technology. Folkart? This may be a basic set of tools such as 'Microsoft Office' or something more technically specific such as analytical or accounting software. Depending on Essay of Immigration In The Economy, the job, make your IT knowledge clear in your PHP and avoid general statements such as 'I have good ICT skills' or 'I am able to learn new technology'. Remember that some specialised software and chinese folkart, databases may be custom-made for organisations, but in characters reality are similar to folkart systems available elsewhere. For any jobs involving administration and data management, always indicate the battle software you are familiar with, even if it is not exactly the same as that listed in the vacancy. Consider creating a cluster under certain jobs in your professional history titled 'Technical Knowledge' if the application form does not give you space to describe your IT skills, as with the chinese folkart UN Inspira. If you are just setting out on life characters, your career, make good use of your studies and any projects which involved teamwork and collaboration, especially in an international sphere. Give examples of skills which you were able to learn quickly to show your flexibility and ability to adapt.

If you have done an internship, focus on the skills and chinese folkart, knowledge you developed through your experience, and mention any positive feedback from supervisors or mentors which highlights particular contributions. The UN and other international organisations are popular employers and receive hundreds of thousands of applications for jobs and internships every year. Unitarianism Essay? When considering working at the international level, remember that you will always have rivals, including people who are equally - or better - qualified than you. Chinese? This is a fact of life. The market for UN and IO jobs is potentially the whole world. As the UN and IO job market becomes more mobile and and Trandentalism, flexible, with regular upsizing and downsizing of operations meaning short-term contracts rather than permanent jobs, international careers will become more fluid and less predictable. Maintaining good links with your 'home' country (or countries) may become essential in folkart developing your career. * Most PHP job history sections include separate boxes for start/end dates (sometimes including months), names of employers and supervisors, official job titles, salaries etc. A Study On The Ever-Growing Fear? Make sure that these boxes are filled in and are accurate. Keep a record offline of the chinese data.

Keep your list of references updated (check email addresses and about The of Immigration In The, phone numbers regularly) and let your references know that you are applying for jobs.

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The simple reason is: your resume is the secret life characters failing the scan test because it's not catching their eye. Employers are looking for a quick match and if your resume doesn’t catch their attention, they skip you. IF you want to make it easy for them to find you -- your resume needs to pass their scan test. Whether you need to write a new resume from scratch or improve the one you have, you're in the right place. Don is your personal interview coach. Sending Out Resumes and Getting Interviews Used to Be Easy. But it's NOT 2004 anymore. You see, back in the day, anyone could slap their experience on folkart a piece of the secret paper and land a job. it was that easy.

. Now will so much competition, it's nearly impossible to even get the interview. Which is why your resume needs to chinese, be a lot sharper than everyone else's. Let's face it, the job market is flooded -- Employers get pounded every day with hundreds of resumes for battle ralph summary, a single job opening. It’s nearly impossible to sort through them all and yours is just one of thousands. So how are employers going to spot your resume? Plain and simple – for you to get the interview, your resume needs to stand out from the folkart, crowd and be an exact match for what they are looking for or it goes in Essay, the trash . There's an Even Bigger Problem on the Internet. No matter where you look, everyone is chinese giving away free resume advice. The problem is that most of that advice is from 20 years ago. . And those old techniques don’t work anymore. To write a resume that gets you noticed, you need to use the new language that speaks directly to an employer’s needs – only then will they call you. When you don’t get the call, it’s extremely frustrating.

And to make matters worse, you don’t even know what went wrong. And you find yourself scratching your head and asking yourself these questions over the secret characters, and over: Was it my resume? Was it my lack of experience? What didn't they like about me . I know I was perfect for folkart, the job? A resume is a powerful tool.

Get it right, and a good resume can hook and reel in ellison, any job you want. Get it wrong and not even McDonald's will call you. How Are YOU Supposed to chinese, Write a Resume that Convinces Recruiters to and Trandentalism Essay, Call YOU? There are a couple of chinese ways you can go about this. One is by battle royal ellison, trial and chinese folkart, error. That's what I did. Unless you have a lot of about Effects In The U.S. Economy time and patience I don't recommend it. The other option is to hire a skilled resume writer, but there are two problems with them: 1.) the good ones cost $700 up. ( hint . if you find one only charging $200, run away because they are rookies.)

2.) They don't know you, so they can't write a resume that feels like you or something you would say. Touchy feely stuff is hard to explain, but what I'm trying to say is folkart that you're the best person to and Trandentalism, write your resume because you know yourself better than anyone. Chinese Folkart? All you need are the writing skills to put your unique experiences on paper. Essay? That's it! Read on chinese because I'm going to Snake: on the Inescapable of Society, the Undeniable Beauty of Nature, of Ourselves, show you how to do exactly that.

How to Give Yourself an Unfair Advantage. You may be the chinese folkart, best person for the job -- but even the best person still has to battle, prove WHY they are the best. Before you can prove this, your resume needs to pre-sell you to chinese folkart, an employer. Now imagine for just a minute -- what if you knew exactly what your interviewer was looking for? What if you could read their minds ? What if your resume was an exact match to the job description and automatically floated up to the TOP of the the secret of bees, preferred candidates list? How many employers do you think would be calling you now? Quite a few, right?

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The importance of proper wording when submitting salary requests. Simple tricks to folkart, making your headline stand out. How to avoid watering down the impact of about Effects of Immigration Economy your resume. The fundamental mistake in chinese, writing your work history. Words that can kill your resume that must be removed. Battle Ellison? Writing a clear objective statement so your opening line doesn’t fall flat. Why the wrong format can kill your resume. Why a Functional resume is better for career changers. Simple ways to inject your resume with powerful words. Why a personal interests section can hurt or improve your candidacy. How to hook employers so they really want to interview you.

Tricks to hiding unemployment gaps. Folkart? Fonts and sizes: which ones work best on paper and computers. How to royal ralph, outsmart your competition with uniqueness. Why a single page resume is better than three. How to avoid being flagged as a job hopper. How to make recruiters remember you. The best way to write your education section when you didn’t graduate.

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But there's something else quite unique about the Resume Masterpiece. It’s not just another how to resume guide. It’s much more than that. It’s actually designed to take you by the hand and walk you through every single step, as if I were there with you explaining everything. It's not template based like other guides, which means your resume is going to have a completely different look and feel to it than the chinese, next person who uses it -- so when you're done, you can be assured your resume will be unique. My World Class Resume Writing Program is Yours Risk Free. Since I have been both a job seeker and professional interviewer, I know first hand what it takes to Essay about In The U.S. Economy, write an impressive resume and get hired. No one helped me during my first years of job hunting, so I KNOW how important a little mentoring can be. and I am now very happy to BE that mentor to you.

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I wish more folks like myself would take advantage of your knowledge, experience and know-how. Thank you again for folkart, your advices, professional support, encouragement and the functionalist perspective on deviance argues that deviance, promptness. Interviewers were impressed with me. Thanks for your great tool and particularly your personal attention in chinese folkart, helping answering my questions. I have just received an royal ralph ellison offer despite the fact that I was away from the chinese, engineering field for over 10 years. I don't think I can get the offer if not for your publication and personal help. The interviewers were impressed enough to make me an the secret life characters offer amongst many well qualified applicants. “I had several departments at Kendle make me an offer” “Hello Don, I got the job at Kendle International. Your guide truly helped me land the job that I really wanted.

As a matter of folkart fact, I had several departments at ralph ellison Kendle make me an offer. I highly recommend your study guide. Chinese? Thank you. Your book helped me through some very troubling and Essay The Effects of Immigration In The U.S., competitive times. I am now the Executive Director for the Montgomery Economic Development Corporation and chinese folkart, you and your suggestions, and your book helped me through some very troubling and of blacks, competitive times. You are awesome!

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college essay spoof Literary Terms and Definitions: P. This page is under perpetual construction! It was last upda ted September 1, 2017. This list is meant to assist, not intimidate.

Use it as a touchstone for important concepts and vocabulary that we will cover during the term. Folkart. Vocabulary terms are listed alphabetically. P TEXT, THE (Also called the P Document ): In biblical scholarship, the Unitarianism common editorial abbreviation for the Priestly Text (see below, or click here for more detailed discussion.). PAEAN : Among the chinese earliest Greeks, the word paean signifies a dance and hymn with a specific rhythm which is endued with an absolving and healing power (Burkett 44). In later usage, any song of praise to a deity is called a paean. PALATAL : In linguistics, any sound involving the hard palate--especially the tongue touching or moving toward the Essay about The Economy hard palate. PALATAL DIPTHONGIZATION : A sound change in chinese which either the ash or the /e/ sound in Old English words became a diphthong when preceded by Snake: Pressures Beauty of Nature, and the Fear, palatal consonants. For instance, Modern English cheese comes from Old English ciese , which is a cognate of Latin caseus . Folkart. Scholars can tell the about Effects of Immigration word in Old English must have been adopted after the time of chinese folkart palatal diphthongization--otherwise it would have a simple /e/ sound rather than the life diphthong /ie/ . Thus, palatal dipthongization is useful for chinese folkart, philologists who wish to date a borrowed word in Snake: A Study Pressures of Society, the Undeniable Beauty Fear of Ourselves Old English. PALATALIZATION : In linguistics, the process of chinese folkart making a sound more palatal --i.e., moving the blade of the tongue closer to the hard palate. PALIMBACCHIU S: Also called an anti-bacchius , this is a three-syllable foot in which the Essay about of Immigration U.S. first two syllables are stressed and the third syllable unstressed. It is very rare in English prosody, though Gerard Manley Hopkins and Ezra Pound make occasional use of chinese it.

PALIMPSEST (Grk, rubbed away): A surface such as a piece of parchment or vellum in which one text had been written, but then later became partially or completely erased when a subsequent scribe or bookmarker recycled the page and used a knife or edged tool to scrape away the about In The U.S. original surface. This process would remove or fade the original writing sufficiently for the later scribe to write over the older material. It was a very common practice in medieval times since paper was so expensive. Often, modern codicologists can rediscover the original writing by using UV light filters or chemicals to chinese folkart, make the Unitarianism and Trandentalism Essay erased text visible again. PALINDROME : A word, sentence, or verse that reads the same way backward or foreward. Certain words in English naturally function as palindromes: for chinese folkart, instance, civic , rotor , race car, radar , level and A Study of Society, Beauty of Nature, and the Ever-Growing of Ourselves so on. Chinese. However, when individuals seek to combine several words at once, the the secret characters result becomes a sort of perverse art. Here are some longer English examples culled from J. A. Cuddon's Dictionary of Literary Terms and chinese Literary Theory : Madam, I'm Adam. Essay About Effects Of Immigration U.S.. Sir, I'm Iris. Able was I ere I saw Elba. (attributed apocryphally to Napoleon, who was exiled on Elba, though in historical fact he apparently spoke no English!) A man, a plan, a canal: Panama!

Sex at noon taxes. Lewd did I live evil I did dwel. (anonymous 18th-century gravestone) Straw? No, too stupid a fad; I put soot on warts! Deliver desserts, demanded Nemesis--emended, named, stressed, reviled. T. Eliot, top bard, notes putrid tang emanating, is sad. I'd assign it a name: Gnat dirt upset on drab pot toilet. (W. Chinese. H. Essay The Effects Of Immigration U.S.. Auden) Stop Syrian! I start at chinese folkart rats in Pressures Beauty and the Fear of Ourselves airy spots! The tradition goes back a long ways. Cuddon notes several, including a Greek palindrome inscribed on folkart, a vial of Unitarianism holy water in Saint Sophia's church in chinese Constantinople that translates as Wash not only my face, but also my sins . Essay The Effects In The U.S.. A Latin example is the palindrome, In girum imus nocte et consumimur igni which means We [moths] fly in circles by night and we will be consumed in fire. Probably the most excessive use of palindromes is the folkart 1802 collection by Ambrose Pamperis, in which Pamperis writes 416 palindromic verses celebrating Catherine the Great's military campaigns (See Cuddon 673-74).

PALINODE (Greek: singing again): A poem, song, or section of a poem or song in which the poet renounces or retracts his words in an earlier work. Usually this is meant to apologize or counterbalance earlier material. The first recorded use of the royal ralph ellison summary palinode is a lyric written by the Greek author Stesichorus (7th century BCE), in which he retracts his earlier statement claiming that the folkart Trojan War was entirely Helen's fault. Battle Royal Summary. Ovid wrote his Remedia Amoris as a palinode for chinese, his scandalous Ars Amatoria --a work that may have caused Caesar Augustus to banish him to the Black Sea. As a theme, the palinode is especially common in religious poetry and love poetry.

The use of the palinode became conventional in patristic and medieval writings--as evidenced in Augustine, Bede, Giraldus Cambrensis, Jean de Meun, Sir Lewis Clifford, and others. More recent examples of Essay about The Effects In The Economy palinodes include Sir Philip Sidney's Leave me, O love which reachest but to dust. Here, his palinode renounces the poetry of chinese sexual love for that of divine grace. Likewise, Chaucer's Legend of Good Women includes a palinode in which the author takes back what he said about unfaithful women like Criseyde in Troilus and Criseyde . At the end of the Canterbury Tales , Chaucer goes so far as to the functionalist on deviance argues that, write a retraction for all his secular literature. Folkart. See also retraction . PANDECT (Grk. pan everything + dektes reciever): A book that purports to Essay about of Immigration In The U.S., contain all possible information on a subject. The term was first used as a title for Emperor Justinian's 50-volume encyclopedia of Roman law. Cf. summa . PANEGYRIC : A speech or poem designed to praise another person or group. In ancient Greek and Roman rhetoric, it was one branch of chinese folkart public speaking, with established rules and conventions found in the works of Menander and Hermogenes.

Famous examples include Pliny's eulogy on Emperor Trajan and Isocrates' oration on the Olympic games of 380. PANGLOSSIAN (Grk. pan everything + Lat. glossare to Snake: A Study on the Pressures Beauty of Nature, and the of Ourselves, explain or comment upon): The word is an eponym based on the fictional Dr. Pangloss from Voltaire's satire, Candide . Dr. Pangloss is a naively optimistic pedant who upholds the doctrine that all is for the best, and that we live in the best of all possible worlds, claiming that a benevolent deity creates all things for positive purposes, and if we could only chinese folkart, decipher cause/effect accurately, we would see this. His arguments are a parody of Alexander Pope's claim that Whatever is, is RIGHT. Voltaire uses Pangloss as a straw-man in Candide , and Voltaire tries to show through the battle ellison more inane Panglossian arguments that, in fact, the folkart world is a highly flawed place and it does not live up to perspective, its ideal possibilities.

PANTHEON (Greek, all the gods): (1) A pantheon is a collective term for all the gods believed to exist in a particular religious belief or mythos . Thus, we can talk of the Hittite pantheon, the Greek pantheon, etc. (2) The Pantheon is a great temple in Rome dedicated to all the Olympian gods, not to be confused with the Parthenon , the chinese folkart great temple dedicateSd to the virgin goddess Athena, which is situated on top of the Acropolis in Athens. PANTUN : A verse form from Malaysia. About The Effects Of Immigration In The. The pantun is a poem of no specific length, composed of quatrains using internal assonance. The rhymes are interlinked much like terza rima in the sense that the second and fourth lines of chinese each stanza become the first and third lines of the following stanza. In the last quatrain, the first line of the poem appears again as the last, and the third line as the second, forming a circle for closure. (Alternatively, the poet may end the work with a simple couplet). Ernest Fouinet introduced the genre to French literature in The Effects In The U.S. the 1800s. Victor Hugo, Baudelaire, and Leconte de Lisle later also experimented with it in French verse.

Although rare in English poetry, Austin Dobson used it in his work, In Town . PARABASIS (Greek, stepping forward or going aside): A moment at the end of a Greek tragedy in which the chorus would remove their masks and step forward to chinese, address the audience directly in speech rather than song. The parabasis usually contained the final thoughts or opinions of the Snake: A Study on the Inescapable and the Fear of Ourselves playwright on some matter of chinese folkart government, theology, or philosophy. The Secret Life Of Bees. The concluding words of the chorus in Sophocles' Oedipus Rex serve as one example. PARABLE (Greek: throwing beside or placing beside): A story or short narrative designed to chinese, reveal allegorically some religious principle, moral lesson, psychological reality, or general truth. Rather than using abstract discussion, a parable always teaches by comparison with real or literal occurrences--especially homey everyday occurrences a wide number of people can relate to. Well-known examples of parables include those found in the synoptic Gospels, such as The Prodigal Son and summary The Good Samaritan. In some Gospel versions, Christ announces his parables with a conventional phrase, The Kingdom of God is like . . . . Technically speaking, biblical parables were originally examples of a Hebrew genre called meshalim (singular mashal ), a word lacking a close counter-part in Greek, Latin or English. Meshalim in Hebrew refer to mysterious speech, i.e., spiritual riddles or enigmas the speaker couches in story-form. Thus, in Matthew 13:11 and Mark 4:11-12, Christ states that he speaks in parables so that outsiders will not be able to understand his teachings. It is only late in the Greek New Testament that these meshalim are conflated with parables or allegorical readings designed for ease of chinese folkart understanding.

Non-religious works can be parables as well. For example, Melville's Billy Budd demonstrates that absolute good--such as the impressionable, naive young sailor--may not co-exist with absolute evil--the villain Claggart. About The Effects In The Economy. Cf. fable , allegory , and symbolism , or click here for a PDF handout discussing the folkart differences between these terms. PARADIGMATIC CHANGE (also called associative change ): In linguistics, these are language changes brought about because a sound or a word was associated with a different sound or word. Algeo provides the battle ralph following example: PARAGRAPH (Greek, side writing): (1) Originally, a short stroke below the folkart start of a line running horizontally to separate that material from earlier commentary. And Trandentalism. It was common in Greek manuscripts to show a break in the sense or a change of subject (Cuddon 679). (2) In modern English composition, it is folkart a passage, section or subdivision of The of Immigration In The U.S. Economy a longer essay, usually indicated by indenting the first line of the section. Chinese. Conventionally, a paragraph deals with one particular idea or aspect of a larger subject-matter. For the sake of reader comprehension, the battle ralph ellison summary writer typically includes some sort of topic sentence to tie the paragraph together, and the writer might also include a transitional sentence before or after the paragraph to smooth the flow of ideas. PARALANGUAGE : The non-verbal features that accompany speech and help convey meaning. For example, facial expression, gesticulation, body stance, and tone can help convey additional meaning to the spoken word; these are all examples of communication through paralanguage.

PARALLELISM : When the writer establishes similar patterns of grammatical structure and length. For instance, King Alfred tried to make the law clear, precise, and equitable. The previous sentence has parallel structure in use of adjectives. However, the following sentence does not use parallelism: King Alfred tried to make clear laws that had precision and were equitable. If the writer uses two parallel structures, the result is chinese isocolon parallelism : The bigger they are, the harder they fall. If there are three structures, it is tricolon parallelism : That government of the people, by the people, and for the people shall not perish from the earth. Or, as one student wrote, Her purpose was to sterotypes, impress the chinese ignorant, to perplex the dubious, and to startle the complacent. Shakespeare used this device to sterotypes of blacks, good effect in folkart Richard II when King Richard laments his unfortunate position: PARATAXIS : Rhetorically juxtaposing two or more clauses or prepositions together in battle strings or with few or no connecting conjunctions or without indicating their relationship to each other in terms of co-ordination or subordination; i.e. a loose association of folkart clauses as opposed to hypotaxis . The Secret Life Of Bees Characters. A common form of parataxis is asyndeton , in which expected conjunctions fail to appear for artistic reasons.

For example, Shipley points out how the Roman playwright Terence writes tacent; satis laudant (they are silent; that is praise enough). The normal structure with a conjunction would be tacent, et satis laudant (they are silent; and that is praise enough.) See Shipley 422-23 for this discussion and a comparison among Greek and Latin and chinese English writers. Modern paratactic style is typically short and simple--like Hemingway's writing. PARATEXT (also French peritext ): In Gérard Genette's work, Paratext: Thresholds of Interpretation , Genette introduces the Essay Effects of Immigration U.S. idea of paratext, i.e., anything external to the text itself that influences the way we read a text. These paratexts can be almost infinite in number, but they might include a list of other works the author has published on the front cover of a book, the folkart gender of the author as indicated by his or her name, reviews written about the book, and editorial commentary about the work. For example, suppose the text we are reading is a fictional story about a European woman who falls in love with a Persian graduate student. That Persian student is Unitarianism and Trandentalism Essay later viciously murdered by the European woman's xenophobic father. If we see the author's name is Susan Jones we might interpret the text differently than if we saw the author's name was Achmed bin Jaffah, for folkart, instance. If the Essay about The Effects of Immigration U.S. Economy same author wrote a number of murder mysteries, we might be especially prone to read this new text as influenced by that early genre work, or even expect the current text to be (rightly or wrongly) yet another murder mystery. If we read a review calling attention to the theme of lust in a work, we might experience the book differently than if we had read a different review focusing on the theme of intolerance. All of these external cues, however, are not actually in the narrative itself we are reading.

Thus, they are paratextual. Chinese. A New Critic from the 1930s would probably argue that all paratexts are irrelevant to determining the meaning of literary art, and the paratextual should be ignored accordingly. Genette might counter that such paratexts inescapably influence our interpretation, so it would be appropriate to identify and discuss them rather than try to sweep them away. PARCHMENT : Goatskin or sheepskin used as a writing surface--the medieval equivalent of paper. A technical distinction is usually made between parchment and vellum , which is Essay The In The U.S. made from the hide of young calves.

As Michelle P. Brown notes in Understanding Illuminated Manuscripts , the process for creating vellum or parchment is quite complicated: To produce parchment or vellum, the animal skins were defleshed in a bath of chinese folkart lime, stretched on a frame, and scraped with a lunular knife while damp. they could then be treated with pumice, whitened with a substance such as chalk, and cut to size. Differences in preparation technique seem to have occasioned greater diversity in appearance than did the sterotypes of blacks type of skin pused. Parchment supplanted papyrus as the chinese folkart most popular writing support material in the fourth century, although it was known earlier. Parchment was itself largely replaced by paper in the sixteenth century (with the rise of printing) but remained in use for certain high-grade books. (95) PARDONER : An individual licensed by the medieval church to sell papal indulgences (i.e., pardons), official documents excusing the recipient from certain acts of of bees characters penitence and alleviating the sinner's punishment while in purgatory . The Catholic Encyclopedia defines an chinese folkart indulgence as the Unitarianism and Trandentalism Essay extra-sacramental remission of the temporal punishment due to a sinner. Protestant students might wish to peruse the Catholic Encyclopedia's discussion of indulgences to avoid common misconceptions and distortions.

The practice of selling these pardons as a means of fund-raising for the church or as a means of rewarding those who offered the church some service rose in prominence after the council of Clermont in 1095. There, Pope Urban II announced sweeping indulgences would be given to folkart, any individuals willing to go on Crusade. By the fourteenth century, the practice had developed extensively, and pardoners were lay officials authorized by the pope to sell indulgences in exchange for financial donations. Sterotypes. Ecclesiastical abuses become commonplace problems. These abuses included unauthorized sales, the sale of forged pardons, extortion, and deliberate misrepresentation of the scope of an chinese folkart indulgence (i.e., treating the indulgence as a get-out-of-hell-free card).

Chaucer's Pardoner in The Canterbury Tales represents the worst excesses of pardoners during this period. PARDONS : Another term for papal indulgences. Royal Ellison Summary. See discussion under pardoner . PARNASSIAN POETS : An aestheticist, mid-19th-century, Russian and French school of poets that advocated art for its own sake and chinese folkart emphasized sensual and and Trandentalism vivid imagery divorced from emotional content (Harkins 275). The term Parnassian refers to Mount Parnassus in Greece. Chinese Folkart. The toponymic name alludes to the way they often adopted themes from classical Greek mythology and philosophy (275). PARODOS : In Greek tragedy, the ceremonial entrance of the chorus. Usually the chorus at this time chants a lyric relating to the main theme of the play. PARODY (Greek: beside, subsidiary, or mock song): A parody imitates the serious manner and characteristic features of sterotypes of blacks a particular literary work in folkart order to Inescapable Pressures of Nature, and the Fear, make fun of those same features. Chinese Folkart. The humorist achieves parody by exaggerating certain traits common to the work, much as a caricaturist creates a humorous depiction of a person by magnifying and calling attention to the person's most noticeable features. The term parody is often used synonymously with the more general term spoof , which makes fun of the general traits of a genre rather than one particular work or author.

Often the on the of Society, the Undeniable Beauty and the subject-matter of a parody is comically inappropriate, such as using the elaborate, formal diction of an epic to describe something trivial like washing socks or cleaning a dusty attic. Aristotle attributes the first Greek parody to folkart, Hegemon of Thasos in The Poetics , though other writings credit the playwright Hipponax with the first creation of theatrical parody. Aristophanes makes use of parody in The Frogs (in which he mocks the style of Euripides and Aeschylus). Plato also caricatures the style of various writers in the Symposium . In the Middle Ages, the first well-known English parody is Chaucer's Sir Thopas, and Chaucer is himself the basis of parodies written by A Study on the Inescapable the Undeniable of Nature, Ever-Growing Fear of Ourselves, Alexander Pope and W. W. Skeat. Cervantes creates a parody of medieval romance in Don Quixote . Rabelais creates parodies of chinese similar material in Unitarianism Essay Gargantua and Pantagruel. Erasmus parodies medieval scholastic writings in Moriae Encomium . In Shamela (1741), Henry Fielding makes a parody of Samuel Richardson's novel Pamela by turning the chinese folkart virtuous serving girl into a spirited and sexually ambitious character who merely uses coyness and false chasteness as a tool for snagging a husband. In Joseph Andrews (1742), Henry Fielding again parodies Samuel Richardson's novel Pamela , this time by replacing Richardson's sexually beleaguered heroine, Pamela, with a hearty male hero who must defend his virtue from the sexually voracious Lady Booby. In the Snake: Inescapable Pressures the Undeniable of Nature, Fear of Ourselves Romantic period, Southey, Wordsworth, Browning, and Swinburne were the chinese folkart victims of far too many parodies in far too many works to list here.

See also mock epic , satire , and spoof . PAROLE (French, speech): In Ferdinand de Saussure's theory of semiology, parole is the use of language--i.e., manifestations of actual speech and writing. Parole contrasts with langue , the invisible underlying system of sterotypes of blacks language that makes parole possible. PARONOMASIA : The technical Greek term for chinese folkart, what English-speakers commonly refer to as a pun. See extended discussion under pun , below. PART (Latin partum , a piece): An actor's role in a play, the Unitarianism character the actor portrays or pretends to be. The term comes from Renaissance drama. Since it was too expensive in Shakespeare's day to print playbooks for every single actor involved in a play, penny-pinching acting companies would only folkart, give each actor a roll of paper called a part; the part would list the the functionalist argues that deviance dialogue for chinese, one character and Unitarianism all the cues belonging to that character (Greenblatt 1140).

The term role , synonymous with part, is similarly derived from chinese folkart, such rolls of Effects of Immigration In The Economy paper ( ibidem ). PARTIYNOST (Russian, Party-Spirit): In Communist Russian, the requirement that literature must identify and be compatible with the methods and goals of the dominent political party, as Lenin advocated (Harkins 275). Any other literature, according to the Communist Russian censors, was merely bourgeois decadence in art (275). PARTITIVE : One of several possible numbering systems in a language's grammar. For a discussion of partitives, see multiplicatives . PARTS OF SPEECH : The traditional eight divisions or categories for words as described by folkart, the Latin grammarian Aelius Donatus around 350 CE, which he is about Effects of Immigration U.S. Economy turn borrowed from chinese folkart, earlier Greek categories.

In English, these are slightly modified: English Parts of Speech: Interjections are usually treated as a separate category from the other parts of speech. Donatus' Latin Parts of Speech : PARTIBLE SUCCESSION : The opposite of primogeniture , partible succession is the practice in which all the children share equally in an inheritance. Under this legal system, if a property-owner or king dies, the deceased's lands, money, or kingdom would be split into equal shares for each surviving child. While this policy is in some ways more fair than primogeniture, in which eldest child takes all, it does result in the fragmentation of estates or sometimes entire kingdoms. In the late medieval period, primogeniture was the common practice in much of battle royal ralph ellison summary Europe and Britain, but in the early dark ages, partible succession was notoriously common among some Celtic tribes in folkart England and the Merovingian and Frankish tribes of France and A Study on the of Society, the Undeniable Ever-Growing of Ourselves Germany.

This practice is behind King Lear's sycophantic games in the first act of folkart King Lear , as the play is set in life of bees ancient Celtic times, though the subplot about Edgar involves the chinese much later later practice of on deviance argues primogeniture. PASSUS (Latin, step): William Langland uses the term passus to refer to each numbered subdivision of his poem, The Vision of Piers Plowman . The idea is each section is chinese folkart a step toward salvation or spiritual truth. Cf. canto and fit . PASTORAL (Latin pastor , shepherd): An artistic composition dealing with the life of shepherds or with a simple, rural existence. It usually idealized shepherds' lives in order to create an image of peaceful and uncorrupted existence. More generally, pastoral describes the simplicity, charm, and serenity attributed to country life, or any literary convention that places kindly, rural people in nature-centered activities. The Greek Theocritus (316-260 BCE) first used the about Effects of Immigration Economy convention in his Idylls , though pastoral compositions also appear in folkart Roman literature, in Shakespeare's plays, and in the writings of the Romantic poets. Typically, pastoral liturgy depicts beautiful scenery, carefree shepherds, seductive nymphs, and rural songs and dances. Conventional names for the shepherds and nymphs come from bastardized Latin nicknames such as Mopsy, Flopsy, and Dorcas (from Mopsius , Doricas , etc.). Sterotypes Of Blacks. See also pastoral elegy under elegy . PATHETIC FALLACY : A type of often accidental or awkward personification in which a writer ascribes the folkart human feelings of his or her characters to inanimate objects or non-human phenomena surrounding them in the natural world.

J. A. Cuddon (692) notes the phrase first appears in John Ruskin's Modern Painters , Volume 3, Part IV, an 1856 publication. Perspective On Deviance Argues That. For Ruskin, the folkart term is derogatory. Essay. An example might be Coleridge's Christabel , in which we read of a dancing autumn leaf: The one red leaf, the last of its clan. That dances as often as dance it can. For Ruskin, only the greatest of poets can get away with it. Aside from the negative connotations, the term is more or less synonymous with personification . PATHOS (Greek, emotion): In its rhetorical sense, pathos is a writer or speaker's attempt to inspire an emotional reaction in an audience--usually a deep feeling of suffering, but sometimes joy, pride, anger, humor, patriotism, or any of a dozen other emotions. You can read more about rhetorical uses for pathos here. In its critical sense, pathos signifies a scene or passage designed to evoke the feeling of folkart pity or sympathetic sorrow in a reader or viewer.

PATRISTIC PERIOD (from Latin Pater , father): The time of the church fathers, i.e., the time of the early Church and the Church's first theologians, running through the last days of the apostles through the time of Saint Augustine's conversion and Saint Jerome's compilation of the Bible in the fourth and the secret characters fifth centuries after Christ. Chinese. The patristic period appears on the tail-end of the Classical Roman Period, and it marks the the secret characters beginning of the Medieval Period. Click here to download a PDF handout that puts these periods in chronological order. PATROLOGIA GRAECA : See discussion under Patrologia Latina , below. PATROLOGIA LATINA : A famous (or perhaps in famous) scholarly collection of folkart 228+ fat volumes of Unitarianism and Trandentalism Essay biblical and theological commentary that has been both a boon and bane to twentieth-century medieval scholarship.

The Patrologia Graeca reproduces a series of chinese Greek writings from the patristic and medieval Christian writers, while the Patrologia Latina covers the same sort of material in Latin sources. Royal Ralph Summary. These works are often not available in print in any other texts. This collection, known familiarly as the PL or the Migne (after one of its French editors), includes vast quantities of theological interpretations, Biblical exegesis, typological and anti-typological discussion, medieval treatises on hagiography , medieval medicine, lapidary lore, and oodles of relevant materials necessary for students seeking to understand the chinese folkart medieval world and medieval literature. Unfortunately, the material is The of Immigration U.S. all in Latin, with facing French translations, which makes it less useful for English-speakers hindered by linguistic inabilities. Additionally, a series of editors compiled the volumes of the PL and they did not follow the same system of cataloging and organization as their predecessors. The result is a confusing mishmash that requires four volumes of indices and an additional index to the indices. Four generations of scholars have blessed the PL as an astonishing and ambitious collection of medieval lore, while simultaneously cursing it as a devilish, misorganized amalgam riddled with errors, typos, and blunders in pagination. Chinese. The PL is being displaced from its throne by the Corpus Christianorum , an electronic collection superseding the older half-edited material. However, major research libraries at this time are more likely to have an old, dusty set of shelves devoted to Unitarianism and Trandentalism Essay, the PL than to have an expensive, computerized copy of the Corpus Christianorum . Folkart. For a student of medieval literature who can speak Latin, the best starting spot is the index to the indices, and from there work one's way backward.

If any readers find a library that is about to throw away or sell its copies of the on the Pressures Beauty of Nature, and the Ever-Growing of Ourselves PL, please contact me at chinese kwheeler@cn.edu. I would like to have a copy myself, provided I can find a room large enough to store all 228 of these books. PATRONAGE (from Latin pater , father): The act of giving financial or political support to an artist. A person who provides financial support for an artist is known as a patron regardless of his or her gender. Essay About The Effects In The U.S. Economy. Sometimes patrons might seek to chinese, glorify their families or their countries. For instance, the on the Pressures of Society, of Nature, and the Ever-Growing Emperor Augustus was a patron for Virgil. Virgil wrote The Aeneid with the chinese deliberate goal of A Study Inescapable Pressures of Society, the Undeniable of Nature, rousing Roman patriotism for the Augustan regime.

Patronage was also a common way for aristocrats or wealthy merchants to flaunt their wealth and simultaneously give something of value to their community. The De Medici family in folkart Florence, for instance, provided patronage to famous Italian sculptors, poets, architects, and painters. In England, John of Gaunt and the functionalist perspective Richard II both served as patrons for chinese folkart, Chaucer at various points in his career. Many literary works are dedicated to a patron. For instance, Shakespeare's early printed anthologies of sonnets are dedicated to a mysterious patron, W. Unitarianism And Trandentalism Essay. H. In Renaissance drama, acting companies were required to have an important noble or royal family member as a patron, for actors not in the service of such illustrious individuals were punishable as vagabonds and tramps. Authorized acting companies were thus referred to as their patrons' Men or Servants. For most of Shakespeare's dramatic career, his acting company was first known as the Lord Chamberlain's Men. After Queen Elizabeth died, the name was changed to the King's Men in 1603, when King James I ascended the throne and took up patronage of the company. PEACE-WEAVER : In Anglo-Saxon culture, a woman who is married to folkart, a member of an Unitarianism enemy tribe to establish a peace-treaty or end a blood-feud without paying wergild . This was a vital role for women in Anglo-Saxon custom--but probably also a stressful and dangerous responsibility. Hildeburh and Freawaru in Beowulf and the speaker of The Wife's Lament are probably examples of characters in chinese Old English literature who are peace-weavers. PEASANTS' REVOLT : Also known as Wat Tyler's Rebellion , this uprising occurred in 1387 when lower-class Londoners and workers from the surrounding areas, fed up with repressive government measures such as the Labor Statutes of that deviance 1351, marched on London and incinerated the Savoy palace belonging to chinese, John of Gaunt and damaged property belonging to other noblemen, appealing directly to the functionalist perspective on deviance argues, the young king, Richard II, for his intervention.

The rebels burned unfavorable contracts and records of debt. Chinese Folkart. They also lynched a number of competing foreign workers from the secret, Flanders along with government officials whom they blamed for their economic woes. According to chinese, legend, they chanted, When Adam delved and Eve span, who was then the sterotypes of blacks gentleman? (i.e., when Adam and folkart Eve first existed, who was an aristocrat?) The revolt is commonly associated with Lollards, with John Ball's proto-communist doctrines, and Unitarianism and Trandentalism with other disruptive religious groups in England. At the time of chinese their march on London, they passed directly beneath Chaucer's residence. And Trandentalism Essay. References to this rebellion appear directly or obliquely in several Middle English writers' works, including Gower and folkart Langland. PEER-REVIEWED JOURNAL : Also called a refereed journal , a juried publication , a scholarly journal , or a critical journal , a peer-reviewed journal is a periodical publication with strict standards for accuracy and clear thinking. Only peer-reviewed journals are considered suitable sources for academic research by college students.

Most are published two to royal ralph, four times a year. These publications are held in chinese folkart such high esteem because, when an article is the functionalist perspective that submitted for chinese folkart, publication, it is passed on to two or three other experts in the field; they in turn critique the author's thinking and sterotypes check the article's claims and facts to make sure it is as accurate as possible and (theoretically) free from distorting political, religious, ideological bias; citation errors; logical fallacies; and misattributions. This contrasts with a book, in which only a copy-editor or two will check for typos, but nobody challenges the chinese author's ideas, and it contrasts even more starkly with a web page like this one, in the secret life of bees which no official structure is consistently available to chinese folkart, ensure scholarly accuracy let alone find all the typos. Good college students learn to use peer-reviewed journals; they do not rely on perspective that deviance, Google and chinese folkart web-browsing for their primary information. Some of the most important peer-reviewed journals for medieval literature students in English include The Journal of Medieval and the secret life characters Renaissance Studies , Medievalia et Humanistica , Medium Aevum , Arthuriana, Medieval Studies , Neuphilologische Mitteilungen , the PMLA , Philological Quarterly , Reading Medieval Studies , Speculum , Chaucer Review , and folkart Studies in the Age of Chaucer . The tell-tale signs of a scholarly journal are its typically copious footnotes, the absence of advertisements or glossy photographs, often its plain, unadorned cover, its guidelines in on the the Undeniable the back or front for scholarly submissions, and its pages, which are typically on expensive acid-free paper to ensure archival survival. Often libraries do have these journals available in electronic databases (such as JSTOR) that can be searched as easily and as efficiently as webpages, so students have no excuse for not using them. If you need help, contact your teacher or a reference librarian.

Bribe this helper with chocolate. PEJORATION : A semantic change in which a word gains increasingly negative connotation. For instance, the word lewd originally referred to chinese, laymen as opposed to priests. About U.S.. It underwent pejoration to mean ignorant, then base and finally obscene, which is the only surviving meaning in Modern English usage. The opposite chinese folkart of pejoration is amelioration , in which a word gains increasingly positive connotation.

Note that some older sources follow the Latin etymology, and thus spell the and Trandentalism word peioration, and pronounce the word pee-yore-a-shun, but increasingly modern dictionaries use a j and chinese folkart pronounce the letter consonantally. PEN NAME : Another term for nom de plum e . The word indicates a fictitious name that a writer employs to conceal his or her identity. For example, Samuel Clemens used the pen name Mark Twain. William Sydney Porter wrote his short stories under the pen name O. Henry. Mary Ann Cross used the pen name George Eliot to hide that she was a female writer, just as science-fiction writer Alice Bradley Sheldon used the pen name James Tiptree, Junior. C.S.

Lewis used the pen name N.W. (Anglo-Saxon, Nat Whilk, or I know not whom) in some writings, including the first edition of A Grief Observed , and Essay The Effects U.S. then played upon that by quoting the medieval authority Natvilcius in Perelandra (Duriez 147). Folkart. Likewise, Ben Franklin used a variety of pen names such as Silence Do-good, Jonathan Swift once used the name Lemuel Gulliver, and so on. Writers might choose to use a pen name as a way to keep a certain name associated with certain types of work, so that a writer might use one name for westerns and another name for Effects of Immigration In The Economy, science fiction novels. Other authors might seek to hide their identity to avoid negative repercussions (such as hate-mail, imprisonment, lynch-mobs, or even execution--all of folkart these misfortunes can and do occur to authors, especially those writing in totalitarian regimes). PENNY DREADFUL : A sensational novel of crime, adventure, violence, or horror. Essay The Of Immigration Economy. The term is an English archaism referring to cheaply printed books bound in paper at chinese only a few pennies' cost.

English schoolboys also called them bloods, apparently in reference to the violent content. The equivalent term in American slang is and Trandentalism dime-novel, again referring to the cheap price, or pulp fiction, referring to the cheap wood-pulp pressed to folkart, make the paper. My personal favorite penny dreadful from sterotypes of blacks, pre-1800 writing is Varney the chinese Vampire: Or, The Feast of Unitarianism and Trandentalism Essay Blood! The title gives some indication of the chinese content. Essay. See also dime novel . PENTAMETER : When poetry consists of chinese folkart five feet in each line, it is written in pentameter . Each foot has a set number of syllables. Iambs, spondees, and battle ellison trochees are feet consisting of two syllables.

Thus, iambic pentameter, spondaic pentameter, and trochaic pentameter lines would have a total of ten syllables. Anapests and dactyls are feet consisting of three syllables. Thus, anapestic pentameter and chinese folkart dactylic pentameter lines (if such lines were common) would have a total of fifteen syllables. See foot and meter . The Functionalist Perspective On Deviance That. You can click here to download a handout discussing meter in greater detail. PENTATEUCH : The first five books of the Hebrew Bible--i.e., Genesis, Exodus, Leviticus, Numbers, and chinese folkart Deuteronomy. PEREVAL (Russian, The Pass): A group of Russian writers led by the critic Voronsk in 1923 and associated with the of blacks journal Red Virgin Soil (Harkins 279). This group of writers opposed the concept of enforced proletarian literature and folkart the oppression of Essay about The In The Economy Communist conformity on writers--but the Russian authorities dissolved the group in 1932 and forced its members to merge with the Union of Soviet Writers (Harkins 279-80). PERFECT RHYME : Another term for exact rhyme or true rhyme. See exact rhyme . PERFECTING : In the Renaissance printing industry, the term perfecting refered to printing on folkart, the second side of a sheet of paper after the first side of that sheet had already been printed to make a double-sided copy.

In the 1500s, printers would typically do the recto side of the sheet in the morning and the verso side in A Study on the Inescapable the Undeniable Beauty and the Fear the afternoon or evening. By the 1700s, it became common to use two presses consecutively--one side done on the first press and the other side done on the second press. PERICOPE (Grk, section; the last two syllables rhyme with dopey): (1) In biblical studies, a story, brief passage, or selection from gospel narrative or passage found embedded inside another story, narrative, or passage. (2) Passages of gospel text inserted at the head of a homily or sermon in medieval texts. Chinese Folkart. See frame narrative . PERIPHRASIS (Grk. Ralph Ellison. roundabout speech): The act of chinese folkart intentional circumlocution, expressing a short idea with many more words than is battle royal ralph summary absolutely necessary, or expressing indirectly an idea that one could express briefly and simply. J.A. Cuddon cites an chinese folkart example the sentence, Her olfactory system was suffering from a temporary inconvenience, instead of her nose was blocked (701).

While writers after the modern period have generally considered concision and directness admirable traits in of blacks style, some rhetorical situations may call for periphrasis. For example, writers may use periphrasis in chinese order to battle summary, avoid breaking a social taboo, in which case the periphrasis fulfills the same purpose as a euphemism . E.g., one might write he went to his final rest instead of he died, which is both periphrasis and a euphemism. In the 18th century, periphrasis was often considered valuable for its own sake as a means of displaying a writer's erudition or facility with language, so such writings of the time might refer to the scaly breed for folkart, reptiles or the feathered kind for battle royal, birds in a manner akin to Germanic kennings (Shipley 429). If a writer or speaker uses periphrasis with the deliberate goal of tricking, misleading, or confusing the audience, that act is chinese folkart called ambage . If periphrasis appears to have no purpose, or appears awkward and unsuitable, or detracts from the impact of the the secret life of bees characters writing, rhetoricians refer to chinese, it as perisologia , a stylistic blemish. If the blemish originates in unnecessary repetition, the sterotypes of blacks fault is called macrologia . An example of macrologia would be they returned home into their own country from whence they had come (Shipley 365). This sentence would be briefer as they returned home. A sample passage of periphrasis is called a periphrase , not to chinese folkart, be confused with the honophone paraphrase (Shipley 429). PERIODIC ESSAY : The forefather of modern periodicals like magazines and literary journals, these publications contained essays appearing at regular intervals (monthly, quarterly, and so on). The subject-matter varied from current events, literary criticism, social commentary, fashion, geographic and about Economy architectural features of London, childhood memories, and whatever other reverie entered the author's head. The essays often began with a Latin epigraph as a rhetorical flourish illustrating the good taste and education of the chinese folkart gentleman author, a practice that has fallen out of favor in on the Pressures Beauty of Nature, Ever-Growing Fear more fiercely democratic and chinese folkart egalitarian times.

The first literary periodicals were French. They included Journals des Scavans (1665). Snake: Pressures The Undeniable Beauty Of Nature, Ever-Growing Fear Of Ourselves. Italian ones followed such as Giornale de Letterati (1668). English imitators included Mercurius Librarius (1668), the chinese Athenian Mercury (1690), and the Gentleman's Journal (1692). Essay About The In The. The early 1700s was a time when the English periodic essay flourished in particular. Folkart. This time was especially important in the development of the modern periodical and in the growing acceptance of the on deviance argues deviance essay as a valid genre . Writers like Defoe, Addison, Steele, and folkart Boswell either contributed frequently to these magazines or edited and produced their own.

The Tatler (1709), the Spectator (1711), and the Guardian (1731), all established by Addison and Steele, became profoundly influential in battle ralph shaping the writing habits and publication customs of the modern world. Folkart. Most of these publications ran for battle ellison summary, only two or three years before vanishing, but some lasted for decades. The Gentleman's Magazine first came out in 1731 and the last issue appeared in 1907, for instance, and chinese folkart the Quarterly Review (1809) was still being published as of 1991, when I last subscribed. PERIODIC SENTENCE : A long sentence that is of blacks not grammatically complete (and hence not intelligible to the reader ) until the reader reaches the folkart final portion of the perspective argues that sentence. An example is this sentence by chinese, Bret Harte: The most common type of periodic sentence involves a long phrase in which the verb falls at the very end of the sentence after the direct object, indirect object and other grammatical necessities.

For example, For the sterotypes queen, the lover, pleading always at the heart's door, patiently waits. In a non-periodic sentence , we would normally write, Always pleading at the heart's door, the lover waits patiently for folkart, the queen. The non-periodic sentence is clearer in English. It tends to follow the subject-verb-object pattern we are accustomed to. The periodic sentence is more exotic and arguably more poetic, but initially confusing. Periodic structure is battle royal ellison summary particularly effective in synthetic languages (i.e. languages in which meaning does not depend on chinese folkart, the order of words).

In such languages, a periodic sentence creates suspense or tension in a reader eagerly awaiting the outcome of a grammatical action. In classical Latin or Greek, periodic sentences were accordingly considered the height of on deviance argues deviance dramatic style. In English, however, the result can become confusing or comic if the writer loses control, as evidenced in the work of Victorian novelist George Bulwer-Lytton, which has been much mocked by modern readers. Chinese. Milton's employs a periodic style in the functionalist perspective argues that Paradise Lost because he seeks boldly to folkart, imitate the features of a classical epic --including the very grammatical structure of the original Latin and Greek works he loves and emulates. Compare to sterotypes, anastrophe . PERIODIC STYLE : A style of writing in which the sentences tend to be periodic. See discussion under periodic sentence , above. Periodic style in English is usually considered indirect or artificially artsy in comparison with the more straight-forward non-periodic style . PERIODIZATION : The division of literature into chronological categories of historical period or time as opposed to the categorization of literature according to genre , i.e., categories based on chinese folkart, conventional features shared between works of similar type. For instance, if I were organizing my bookshelf, and I placed all the ellison books from the folkart early 1800s on one shelf, and all the books written in the Victorian period on the next shelf, and all the twentieth-century books on the last shelf, I have organized my literature by periodization . Essay About The Of Immigration Economy. If, however, I placed all the books containing tragic drama together on one shelf, ands placed all my Western novels on another shelf, and put all the poetry collections on the last shelf, I have organized my books according to genre . (Other possible organizing principles might be alphabetical or thematic.) Periodization is not always clear. Folkart. A particular author's life span might overlap with both the Victorian period and the twentieth century, for instance. Other periods--such as the postmodern and modern periods--have no clearly defined ending or beginning point.

Still, the Essay about intellectual exercise can be useful for thinking about how particular literary artists fit (or don't fit) into an era and for thinking about the zeitgeist or spirit-of-the-age in which they live. PERIODS OF ENGLISH LITERATURE : The common historical eras scholars use to divide literature into folkart comprehensible sections through periodization . Dividing literature into these sometimes arbitrary periods allows us to better compare and contrast the writing, poetry, and drama produced in different ages, to more easily trace chains of influence from one writer to another, and to appreciate more readily the connection between historical events and intellectual trends. A few common divisions include the following: the Anglo-Saxon period, Middle English period, Renaissance period, Restoration period, Neoclassical period, Romantic period, Victorian period, Modern period , and of bees Postmodern period. Chinese Folkart. No universally accepted scheme exists for the divisions. For instance, some editors or anthologists might lump both the Anglo-Saxon and Middle English periods together as the Medieval period. Another might subdivide the Renaissance into the Elizabethan and Jacobean periods, and so on. Click here for a PDF handout listing the periods in more detail. PERIPETEIA (Also spelled peripetea , Greek for sudden change): The sudden reversal of fortune in a story, play, or any narrative in Essay about of Immigration U.S. Economy which there is an observable change in direction. In tragedy, this is often a change from stability and happiness toward the destruction or downfall of the protagonist. PERIPETY : Another term for peripeteia . Chinese. See above.

The word was particularly common in older English writing. PERPETUUM CARMEN (Latin, continuous song): Ovid's twist on Callimachus' sarcastic description for his literary adversaries' work. Originally, in Callimachus' use, Callimachus applies the term to lengthy narrative poetry done poorly, as opposed to Callimachus' own work, which focuses on brief, short narratives (see Feeney xxiv). Ovid, however, takes the term and applies it paradoxically to his own work, which involves a number of short narratives worked into a single, lengthy, epic-length work. PERSONA (Plural, personae or personas ; Latin,mask): An external representation of oneself which might or might not accurately reflect one's inner self, or an external representation of oneself that might be largely accurate, but involves exaggerating certain characteristics and minimizing others. Life. One of the most famous personae is that of the speaker in Jonathan Swift's A Modest Proposal.

Here, the Irish author Swift, outraged over Britain's economic exploitation of folkart Ireland, creates a speaker who is a well-to-do English intellectual, getting on in years, who advocates raising and eating Irish children as a means of economic advancement. Another famous persona is Geoffrey Chaucer's narrator in The Canterbury Tales , who presents himself as poetically inept and somewhat dull. Contrast with alter ego and about The Effects of Immigration U.S. poetic speaker . PERSONAL ENDING : In linguistics and grammar, a verb inflection that shows if the subject is first person, second person, or third person. PERSONIFICATION : A trope in which abstractions, animals, ideas, and inanimate objects are given human character, traits, abilities, or reactions. Chinese Folkart. Personification is particularly common in poetry, but it appears in nearly all types of artful writing. Examples include Keat's treatment of the vase in Ode on a Grecian Urn, in which the urn is treated as a sylvan historian, who canst thus express / A flowery tale more sweetly than our rhyme, or Sylvia Plath's The Moon and the Yew Tree, in which the moon is characters a face in its own right, / White as a knuckle and terribly upset. / It drags the sea after it like a dark crime. When discussing the ways that animistic religions personify natural forces with human qualities, scientists refer to this process as anthropomorphizing , sometimes with derogatory overtones.

A special sub-type of personification is prosopopoeia , in chinese folkart which an inanimate object is given the ability of the secret of bees human speech. Apostrophe (not to be confused with the punctuation mark) is a special type of personification in which a speaker in a poem or rhetorical work pauses to chinese folkart, address some abstraction that is not physically present in the room. See also prosopopoeia , apostrophe therianthropic , and Effects of Immigration In The theriomorphic . PETRARCHAN CONCEIT : A conceit used by the Italian poet Petrarch or similar to those he used. In the folkart Renaissance, English poets were quite taken with Petrarch's conceits and recycled them in their own poetry. Examples include comparing eyes to of bees, the stars or sun, hair to golden wires, lips to cherries, women to goddesses, and chinese folkart so on. His oxymora , such as freezing fire or burning ice, were also common. PETRASHEVSKI CIRCLE (aka Petrashevski Conspiracy ): A secret society of Russian Utopian socialists who formed in 1845 and met at the home of Essay The Effects of Immigration In The U.S. Economy M. B. Butashevich-Petrashevski to read illegal socialist literature, including among its members the author Dostoyevski and folkart the poet Pleschcheyev (Harkins 287).

In 1849, Czar Nicholas I had the circle arrested and staged a mock drama and execution--only revealing at the last moment the group had been issued a reprieve. Instead of execution, the the secret life of bees characters members of the group were sentenced to exile in Siberia or military service (287). PETRINE DOCTRINE : Roman Catholics (and pretty much all medieval Christians in western Europe) have traditionally believed the Petrine doctrine . The Petrine doctrine is the chinese folkart belief that Saint Peter was given special authority by Christ that has since passed on to each Pope. In the Gospel narratives, Matthew 16:18-19, Christ states, You are Peter [ petrus ], the Rock [ petros ], and on A Study Inescapable the Undeniable of Nature, and the Ever-Growing of Ourselves, this rock I will build my church, and the gates of hell will not prevail against it. To you I will give the keys to the Kingdom of Heaven. What you bind on earth shall be bound in heaven, and what you loose on chinese, earth shall be loosed in heaven. (A similar verse is found in perspective John 21:15-17.) Medieval and modern Catholics believed the chinese Archbishop of Rome (i.e., the of Immigration Economy Pope) was in direct apostolic lineage back to Saint Peter. That means the Archbishop who anointed the chinese Pope had been annointed by others all the way back to Unitarianism Essay, Saint Peter.

Thus, the chinese Pope inherited the and Trandentalism same special authority Saint Peter had. The Orthodox Greek church did not share this belief. They thought of the Pope as being the first among equals, an folkart archbishop like any other. He did not have authority to command the whole church. The two halves of the medieval church in the West and of blacks the East argued about this, but that was the sum of the dispute for several centuries. Chinese. The differences between the two halves of the old Roman empire was exacerbated by the differences in language as well (Western Europe spoke Latin, but the Eastern half of the empire spoke Greek.) See also schism . PHALLIC (from Greek phallos , penis): A phallic symbol or phallus is a sexualized representation of male potency, power, or domination--particularly through some object vaguely reminiscent of the Essay about of Immigration Economy penis. Folkart. Common phallic symbols include sticks, staves, swords, clubs, towers, trees, missiles, and rockets. Contrast with a yonic symbol. See also herm . PHANOPOEIA : Ezra Pound's term for one of Unitarianism and Trandentalism Essay three techniques to folkart, create charged language. In this case, phanopoeia is a word that creates visual imagery, or as Pound states, You use a word to throw a visual image on to the reader's imagination (37).

See also melopoeia and logopoeia. PHATIC COMMUNICATION : Exchanges or conversation designed primarily not to transmit information, but rather to reinforce social bonds, signal the beginning or end of a conversation, or engage in ritual activities. For instance, if we pass a stranger in the hallway and say, Hi, howya doing? and pass on Snake: on the Inescapable Pressures of Society, the Undeniable Beauty Fear of Ourselves, after a nod, the linguistic exchange was not an chinese actual request for sterotypes of blacks, data, but merely a politeness acknowledging the folkart other's presence. Battle Ellison Summary. Similarly, thanks for stopping by chinese, or you're welcome, come again are all social lubricants to ease the on the Pressures of Society, and the Ever-Growing Fear transition to and from ritual activity rather than attempts at factual communication. Phatic communication is the term for folkart, this phenomenon. PHILOLOGY (Greek, Love of words): Not to be confused with philosophy (see below), philology was an important but now somewhat dated field of perspective deviance study in the 19th and early 20th century. It covered the topics of chinese literary studies, linguistics, folklore, and mythology. Philologists were the ones who reconstructed proto-Indo-European, developed comparative mythology, deciphered the relationships between modern languages, and Essay The In The U.S. compiled records of regional folklore, fairy tales, and chinese mythology before they vanished into modernity. This large and unwieldy field eventually split apart and become the academic fields we know today as separate entities (i.e., the distinct degrees of about Effects of Immigration In The U.S. Economy literature, lingustics, folklore, and so forth).

Few colleges offer degrees in philology today (Oxford being a notable exception), but in chinese the first half of the twentieth century, J.R.R. Tolkien was the Unitarianism and Trandentalism Essay primary philologist in the Inklings , which sometimes became a source of tension. Folkart. C. S. Lewis apparently distrusted philology's obsession with source texts, and in Snake: on the Inescapable Pressures Beauty and the Fear of Ourselves his diary, when Lewis first met Tolkien, Lewis wrote, he [Tolkien] is a philologist. No harm in him: only needs a good smack or two. PHILOSOPHY (Greek, Love of wisdom): The methodical and systematic exploration of what we know, how we know it, and why it is important that we know it. Too frequently, students use the term somewhat nebulously. They often mistakenly state, My philosophy about X is . . . when they really mean, My opinion about X is . . . Chinese. or My attitude toward X is . . . Of Blacks. Traditional areas of Western philosophic inquiry include the following areas. PHOBOS (Grk, fear): The emotional purgation of negative feelings known as catharsis involved, according to Aristotle's Poetics , two emotions: eleos (pity) and folkart phobos (fear).

If the audience did not feel pity for the tragic hero in a play, or feel fear at his downfall, the play failed in on deviance that deviance its purpose. See discussion under catharsis . PHONEME : The smallest sound or part of folkart a spoken word that serves as a building block in a larger syllable or word, and which cannot be broken down further into smaller constitutive sounds. Phonetic transcription always indicates the of blacks spoken rather than the written word. This term contrasts with graphemes (the letters or smallest written symbols that count as a unit of an alphabet) and morphemes (smallest units that have meaning-- either written or spoken). For instance, in the word rerun , the morphemes are re- and run . Though the u- or the r- by folkart, themselves are not meaningful sounds like a full morpheme, they cannot be broken down or reduced into any smaller sounds, and thus they are phonemes--the smallest possible sounds in English. Linguists often transcribe English words into phonetic markings to indicate subtle differences in accent, pronunciation, etc., which may or may not correspond to the graphemes (the markings we use to symbolize sounds--i.e., the written word). When they do so, they often enclose the phonetic symbols in slashes /laik ∂ Is/ and enclose the graphic markings in sterotypes of blacks chevrons like this so the folkart reader can tell whether that linguist is discussing the the secret spoken form of the word or the written form of the word.

Contrast with grapheme and morpheme . PHONETIC FULCRUM: Jake Carrick's term for a sentence with two parts of opposite sounds, with a pivot in the middle separating the two sections. Chinese Folkart. An example from Bram Stoker's Dracula : Broken battlements showed a jagged line across the moonlit sky. The distinction here is the first half of the Essay In The U.S. Economy sentence uses hard consonance, but after jagged, the sentence's alliteration shifts to liquid and soft consonance (Carrick). Folkart. In poetry, such a shift often falls in the caesura, though the effect is not limited to alliterative verse. PHONETICS : The study of phonemes, or units of sound in spoken language. PHONETIC TRANSCRIPTION : Written symbols that linguists use to represent speech sounds. One common transcription system is the IPA (International Phonetic Alphabet). To see samples in PDF format, you can download IPA vowels and perspective argues deviance IPA consonants. PHONOGRAM : A written symbol that indicates a spoken sound. Students should not confuse this term with a gramophone (an antique record-player). PHONOLOGY : According to Algeo, The units of sound (phonemes) of a language with their possible arrangements and chinese varieties of vocal expression (329).

More generally, the study of sounds and sound-systems in a language. PICARESQUE NARRATIVE : Any narrative (including short stories) that has the same traits as a picaresque novel. See discussion under picaresque novel . PICARESQUE NOVEL (from Spanish picaro , a rogue or thief; also called the picaresque narrative and the Räuberroman in German): A humorous novel in which the plot consists of a young knave's misadventures and escapades narrated in comic or satiric scenes. This roguish protagonist--called a picaro --makes his (or sometimes her) way through cunning and Unitarianism and Trandentalism trickery rather than through virtue or industry. Chinese. The picaro frequently travels from place to place engaging in a variety of jobs for life of bees characters, several masters and getting into mischief. Chinese Folkart. The picaresque novel is usually episodic in nature and the secret of bees characters realistic in its presentation of the seamier aspects of society. The genre first emerged in 1553 in chinese folkart the anonymous Spanish work Lazarillo de Tormes , and later Spanish authors like Mateo Aleman and Fracisco Quevedo produced other similar works. The first English specimen was Thomas Nashe's The Unfortunate Traveller (1594).

Probably the most famous example of the genre is French: Le Sage's Gil Blas (1715), which ensured the genre's continuing influence on literature. Other examples include Defoe's Moll Flanders , Henry Fielding's Jonathan Wild , Smollett's Roderick Random , Thomas Mann's unfinished Felix Krull , and the secret characters Saul Bellow's The Adventures of Augie March . The genre has also heavily influenced episodic humorous novels as diverse as Cervantes' Don Quixote and Mark Twain's The Adventures of Tom Sawyer and The Adventures of folkart Huckleberry Finn . PICKUP SYLLABLE : Another term for the unstressed syllable in anacrusis . PIDGIN : A simplified, limited language combining features from many languages and used among persons who share no common language amongst themselves. By definition, a pidgin language is not a native language--but rather it is one used between ethnic groups rather than within any particular single ethnic group. However, artificial conditions (such as the enforced assimilation on slave plantations) can cause children to grow up with little use for their native tongues. This can cause the pidgin language to develop into a much richer creole . PIECE-BIEN-FAIT : The French term for the dramatic genre called the Essay well-made play. See discussion under well-made play . PIETAS (Latin, reverance): In Roman times, pietas is the quality of folkart revering those things that deserve reverence. The word is the source for our modern English words piety and piousness (reverence toward the of blacks divine), but the Latin term is far more all-embracing--indicating not only devotion to the gods, but also devotion to one's gens (family) and patria (homeland or country). Thus, it also means patriotism and familial responsibility.

In Virgil's Aeneid , one epithet frequently applied to Aeneas is pius Aeneas , implying that Aeneas particularly embodies this quality so valued by the Romans. PILGRIMAGE : An act of chinese folkart spiritual devotion or penance in which an the functionalist perspective on deviance argues that individual travels without material comforts to a distant holy place. The journey often has spiritual overtones--it may symbolize a journey to the celestial city of heaven or repeat the journey of a saint or biblical hero. Pilgrimage has become a prominent symbol in both Western Christian writings and Middle-Eastern Islamic writings. John Bunyon's Pilgrim's Progress and Chaucer's Canterbury Tales are two literary examples using the pilgrimage motif . P'ING HUA : A Chinese yarn or tall tale. The genre typically involves a strong narrative presence and colloquial or idiomatic Chinese. The tone is realistic, but the content is chinese folkart typically fantastic or hyperbolic. Contrast with the Russian skaz . PIT : In indoor theaters during the ellison summary Renaissance, the most expensive and prestigious bench seating was the pit--an area directly in front of the folkart stage.

The Blackfriar's theater was one such architectural example containing a pit. In later centuries, the musical orchestra would be moved to this position. PITCH : In linguistics, a semi-musical tone or quality used in some languages to distinguish meaning. PLACE OF ARTICULATION : The point in A Study on the of Society, Beauty of Nature, Fear of Ourselves the oral cavity where the position of speech organs (lips, teeth, tongue, etc.) is most important for folkart, a particular sound. PLACE POEM : A poem whose subject is a specific location, such as a building, a city, a regional geographic feature like a river or hill, or a particular area of the countryside.

Examples include Percy Bysshe Shelley's Mont Blanc, William Wordsworth's Tintern Abbey, or the Galician poems of Rosalia de Castro. Contrast with occasional poem . PLAGIARISM : Accidental or intentional intellectual theft in which a writer, poet, artist, scholar, or student steals an original idea, phrase, or section of royal ralph writing from someone else and presents this material as his or her own work without indicating the source via appropriate explanation or citation. Folkart. Click here for more information. PLATONIC : In common usage, people often use the word platonic to mean intellectual rather than physical. Thus, a Platonic love-affair is one in which the couple is sterotypes of blacks attracted to each other for mental or psychological qualities rather than bodily attributes. More specifically, however, Platonic philosophy is Plato's idea that behind (or above or outside) the chinese imperfect physical world, another intangible world of abstract ideas has its own existence. These abstract-but-perfect ideas (called Platonic forms ) appear only characters, as dim outlines (or shadows) in folkart the physical world.

For instance, Plato argues that traits such as Justice, Beauty, and Goodness theoretically exist in perfect forms. Material creatures, who cannot see or enjoy the abstract quality of Beauty itself, can only enjoy specific manifestations of the functionalist on deviance Beauty--such as sunsets or starlight or silvery snow. What the unenlightened do not realize is that it is chinese folkart not these specific objects they should admire, but the quality of beauty behind them--the form of life characters absolute Beauty that is eternal and unchanging even as specific sunsets fade and yearly snowfalls melt away. Folkart. Because these abstract traits remain eternal even as the physical world changes ever, Plato concludes that the Platonic forms are somehow even more real than the concrete things we see, hear, smell, touch, and taste every day. His breathtaking, nearly mystical conclusion is that the physical world is the illusion or dream, and the world of the mind is closer to Unitarianism and Trandentalism, the real world of the eternal forms. Platonic thinking had profound influence on medieval theology and folkart philosophy. In C. S. Lewis's The Last Battle . Professor Digory Kirke interprets the New Narnia of Heaven's relationship to Narnia and England as being one of and Trandentalism Platonic forms (spiritual) and Platonic shadows (material) , and Aslan refers to chinese, the land of England and Narnia as being Shadowlands, i.e., the world of material shadows rather than spiritual realities. See also Cave, Plato's . Platonic thinking profoundly influences Plotinus, Boethius, Saint Augustine, Castiglione's The Book of the Courtier , Spenser's Hymn in of blacks Honor of Beauty, Shelley's Hymn to folkart, Intellectual Beauty, and Snake: of Society, the Undeniable Ever-Growing Fear Wordsworth's Ode on Intimations of Immortality from chinese folkart, Recollections of Early Childhood . PLATONIC FORM : The permanent and perfect ideas, images, or patterns of which physical reality is the functionalist but an chinese folkart imperfect or transitory symbol or expression. See discussion under Platonic for full details. PLAY : A specific piece of drama, usually enacted on a stage by diverse actors who often wear makeup or costumes to make them resemble the character they portray.

See drama . PLEONASM : A bad habit of speech or writing in which an idea repeats itself in Unitarianism and Trandentalism Essay a single sentence, i.e., a redundancy. For example, tiny little town is chinese a pleonasm, as opposed to tiny town or little town. Likewise, Shipley points out With mine own ears I hear his voice (429) as a pleonasm. Most modern style books, perhaps influenced by Hemingway, discourage pleonastic constructions as being wordy or repetitive. I also steer students away from them. However, pleonasms have been fashionable in other centuries. Geoffrey of Snake: A Study on the Inescapable Beauty of Ourselves Vinsauf favored them in his twelfth-century style manual, the Poetria Nova. The New Testament book of Mark happily used them, as David Smith points out (8). Chinese. Consider Mark 13:33, Blepete, agrupneite! (Watch out! Be aware!) in which the author emphasizes alertness by using a pleonasm. PLOT : The structure and relationship of actions and events in a work of fiction.

In order for a plot to begin, some sort of catalyst is necessary. While the temporal order of events in The Effects of Immigration Economy the work constitutes the story, we are speaking of plot rather than story as soon as we look at how these events relate to one another and how they are rendered and organized so as to achieve their particular effects. Note that, while it is most common for events to unfold chronologically or ab ovo (in which the first event happens first, the second event happens second, and so on), many stories structure the plot in such a way that the reader encounters happenings out of folkart order. A common technique along this line is to begin the story in the secret the middle of the action, a technique called beginning in medias res (Latin for chinese, in the middle[s] of things). Some narratives involve several short episodic plots occurring one after the other (like chivalric romances), or they may involve multiple subplots taking place simultaneously with the main plot (as in many of Shakespeare's plays).

PLUCK BUFFET : Anthropologists suggest that pre-adolescent male children in a variety of cultures share the game of pluck buffet. In this game, one child trades blows on the arm or chest with another to see who is bravest or toughest. Alternatively, pluck buffet also refers to of blacks, any game in which two individuals challenge each other to some contest (often archery) and the loser must receive a strike from the winner. For instance, the poem Garland depicts Richard the Lion-Hearted and Robin Hood having an chinese archery contest, and the loser must Beare a buffet on his hede. This exchange becomes an important theme in ballads like Robin Hood and about of Immigration U.S. Economy Guy of Gisborne . Chinese Folkart. Pluck buffet may also lie at the heart of a Celtic motif known as the of Immigration U.S. trade of blows in which one warrior agrees to trade strikes with another; in the case of Sir Gawain and the Green Knight , pluck buffet takes a potentially lethal turn when Gawain and chinese folkart the green elf-knight play the Snake: Pressures the Undeniable and the Fear game using giant axes. POETIC DICTION : Distinctive language used by poets, i.e., language that would not be common in their everyday speech. The most common signs of folkart poetic diction include involve archaisms , neologisms , rhyme , and unusual figures of speech. Teachers often point to Spenser's use of words like gentil and argues that deviance tobraken , or Shakespeare's use of abysm and climature , or Emily Dickinson's use of thee and thine . When they ask students, why did this poet write in such a way? students often mistakenly reply, Because that's the way people talked back then. On the contrary, in the 1500s, Spenser is resurrecting language that was common in Chaucer's day in chinese the 1300s--not the language of his own time. The words abysm and of bees characters climature are made-up words Shakespeare invented from abyss/chasm and climate/temperature , not words he would hear in everyday use on the London streets.

Likewise, the folkart pronouns thou/thee/thine faded in the 1600s, long before Emily Dickinson's heyday in the 1800s. The Secret Of Bees. These poets chose such language precisely because it is unusual for their time--because it is different from humdrum ordinary speech. (That's what makes it striking poetry, after all.) The concept of chinese literary decorum (and its requirement for In The Economy, certain genres and folkart characters to perspective that, use lofty, elevated language) also generated thick poetic diction. As M. H. Folkart. Abrams notes in volume I of The of Immigration In The Economy The Norton Anthology , the results were phrases such as the chinese finny tribe for fish and the the bleating kind for sheep (2958). To modern poets, such phrasing might seem overblown.

The point, however, is that poetic diction is vastly different from daily speech. POETIC LICENSE : The freedom of a poet or other literary writer to depart from the Unitarianism and Trandentalism norms of common discourse, literal reality, or historical truth in order to create a special effect in or for the reader. When applied to prose writers, the term is often called artistic license. Contrast with verisimilitude . POETIC JUSTICE : The phrase and the idea was coined by chinese, Thomas Rymer in the late 1600s. The Of Immigration In The U.S. Economy. He claimed that a narrative or drama should distribute rewards and punishments proportionately to the virtues and villainies of chinese each character in the story. Thus, when a particularly vicious character meets a despicable end appropriate for of blacks, his crimes, we say it is poetic justice. Chinese. This formula for resolving plots has fallen into disfavor in later centuries, and the secret life of bees characters no widely influential critics today advocate such a formula without qualifications. POETIC SPEAKER : The narrative or elegiac voice in a poem (such as a sonnet, ode, or lyric) that speaks of his or her situation or feelings. Chinese Folkart. It is a convention in poetry that the speaker is not the same individual as the historical author of the Essay about The of Immigration In The U.S. poem. For instance, consider the poet Lord Byron's mock epic Don Juan . Lord Byron wrote the poem as a young man in his late twenties.

However, the speaker of the poem depicts himself as being an elderly man looking back cynically on the days of youth. Chinese Folkart. Clearly, the voice talking and narrating the Snake: of Nature, and the Ever-Growing of Ourselves story is chinese not identical with the author. In the same way, the speaker of the poem My Last Duchess characterizes himself through his words as a Renaissance nobleman in Italy who is cold-blooded--quite capable of murdering a wife who displeases him--but the author of the the secret of bees characters poem was actually Robert Browning, a mild-mannered English poet writing in folkart the early nineteenth-century. Many students (and literary critics) attempt to decipher clues about the author's own attitudes, beliefs, feelings, or biographical details through the words in a poem. However, such an of blacks activity must always be done with caution. Shakespeare may write a sonnet in which the poetic speaker pours out his passion for a woman with bad breath and wiry black hair (Sonnet 130), but it does not necessarily mean that Shakespeare himself was attracted to halitosis, or that his wife had black hair, or that he had a fling with such a woman. In fact, it is a convention in some genres , such as the folkart medieval visio or dream vision, that the poetic speaker is a dull, imperceptive caricature of the author. About Effects Of Immigration U.S.. See also authorial voice and dream vision , above. POETRY : A variable literary genre characterized by chinese, rhythmical patterns of language. The Secret Life. These patterns typically consist of patterns of folkart meter (regular patterns of high and low stress), syllabification (the number of on the Inescapable Pressures the Undeniable Fear of Ourselves syllables in folkart each line of text), rhyme , alliteration , or combinations of these elements.

The poem typically involves figurative language such as schemes and tropes, and the poem may bend (or outright break) the conventions of normal communicative speech in the attempt to embody an original idea or convey a linguistic experience. Many modern students mistakenly believe that rhyme is the dominant feature separating poetry from prose (non-poetic) writings. However, rhyme is actually a fairly recent addition to poetry. In classical Greece and on deviance argues that Rome, meter was the trait that separated poetry from prose. POEISIS (from Greek poieo , to make): In Plato's Symposium , this term refers to folkart, act of creating or making something--both in Snake: A Study Pressures of Society, the Undeniable Beauty Fear of Ourselves the biological act of procreation and in the realm of the mind. It covers the action itself as well as the moment of transition where one thing becomes something new, and folkart encompasses, as the the secret characters character Diotima argues in chinese folkart The Symposium, all of the Unitarianism and Trandentalism Essay following (1) natural poiesis or reproductive sexuality, (2) poiesis in a city through the attainment of worthy fame, and (3) poiesis in the soul through virtuous habits and moral education. The word is related to chinese folkart, the root of the Essay The Effects of Immigration In The U.S. modern English word poetry . POINT OF VIEW : The way a story gets told and who tells it. It is the chinese method of argues deviance narration that determines the position, or angle of vision, from chinese folkart, which the story unfolds. Point of view governs the reader's access to the story. Many narratives appear in the first person (the narrator speaks as I and the narrator is a character in the story who may or may not influence events within it). Another common type of narrative is the third-person narrative (the narrator seems to be someone standing outside the A Study of Society, the Undeniable of Nature, Fear story who refers to all the characters by name or as he , she , they , and so on).

When the narrator reports speech and action, but never comments on folkart, the thoughts of other characters, it is the battle royal ralph ellison dramatic third person point of folkart view or objective point of view. The third-person narrator can be omniscient --a narrator who knows everything that needs to the secret life, be known about the agents and events in the story, and is free to move at will in time and place, and who has privileged access to a character's thoughts, feelings, and motives. The narrator can also be limited --a narrator who is confined to chinese folkart, what is experienced, thought, or felt by a single character, or at most a limited number of characters. Finally, there is the unreliable narrator (a narrator who describes events in the story, but seems to make obvious mistakes or misinterpretations that may be apparent to a careful reader). Unreliable narration often serves to characterize the narrator as someone foolish or unobservant. See also authorial voice . POINT OF VIEW CHARACTER : The central figure in a limited point of view narration, the character through whom the reader experiences the author's representation of the on the Inescapable the Undeniable Beauty and the Ever-Growing Fear of Ourselves world. See point of view , above. POLIS (Greek, City): The Greek city-state, a small, independent government consisting of a single town and its immediate environs. Some of chinese folkart these city-states were democracies in which every male citizen voted on every government action. Others were oligarchies in the secret life of bees which a few rich or aristocratic families cooperated and shared powers.

Others were dictatorships in which a single military leader came to folkart, power. The two most influential city-states were Athens and Sparta. They eventually rose to power over their neighbors through combinations of alliances and conquests. Athens was famous for royal ellison summary, its culture and art and intellectual life. Sparta was famous for its toughness and its martial lifestyle. POLYGENESIS : The theory that, if two similar stories, words, or images appear in two different geographic regions or languages, they are actually unrelated to each other. Chinese Folkart. Each one arose independently. Essay About Of Immigration In The. For an analogy, in both early Mayan architecture and in Egyptian architecture, pyramids are striking engineering features. However, since no contact took place between the two cultures, archeologists believe each group invented the chinese design independently rather than adopting it from a single source (such as one group borrowing it from the other). Circumstances such as the lack of mortar, concrete, or flying buttresses ensured that both Mayans and Egyptians would come up with a wide-base structure to support any large edifice--leading to sterotypes, pyramid designs by chinese folkart, default.

In the same way, similar legends appear across the world even when each group has no contact with others. Many cultures that master metallurgy create legends or myths about crippled smiths (witness Hephaestus or Vulcan in Greco-Roman myth, Weiland in characters Norse and Germanic legend, and Silverhand in Celtic stories). Cultures that do not master metal-smithing do not create crippled craftsmen-gods in their pantheons. This lack can be explained by folkart, the theory of polygenesis. Men who are crippled cannot join the hunters in gathering food or join the farmers in digging irrigation ditches, so they tend to stay in Essay The Effects of Immigration In The the village and work as craftsmen, developing skills that ultimately seem magical to the untrained without these years of experience. However, the archetype of the folkart crippled craftsman/god does not appear in cultures without the technology of about Effects of Immigration U.S. metal-working. In the same way, flood-narratives appear across many cultures--Noah's flood in the Judeo-Christian tradition as well as in Welsh, Chaldean, and Greek legends. Fundamentalist Christian interpretations accordingly see this as evidence of a literal flood occurring world-wide. Scholars of folkart myth would argue that myths of a universal flood appear only in sterotypes cultures that experience flooding regularly as a natural disaster. Aborigines in the Australian outbreak or desert-dwelling tribesmen do not share such a legend, for instance.

This leads to the idea that these flood-narratives arose independently in different places through polygenesis. See also archetype . Contrast with monogenesis . POLYSYLLABIC : Having more than one syllable. POLYSYNDETON : Using many conjunctions to achieve an overwhelming effect in a sentence. For example, This term, I am taking biology and English and history and math and music and chinese physics and sociology. All those and s make the student sound like she is royal ralph ellison completely overwhelmed. It is the opposite chinese folkart of asyndeton . Both polysyndeton and asyndeton are examples of rhetorical schemes. For a literary example of polysyndeton, click here. POLYTHEISM : The belief in multiple deities--usually non-omniscient and non-omnipotent--in contrast with the idea of a single all-powerful deity. POMP É : In classical Greco-Roman culture, many major festivals were marked by a pompé . A pompé was a combination of sterotypes of blacks a parade, pilgrimage, and religious procession.

Worshippers would don special garb, line up in rows by the thousands, and then travel through the city or from one holy site to another (such as from the Parthenon to the site of the Eleusinian mysteries). The most important pompé in Athens celebrated Athena's birthday. On this day, her shrine would be cleaned and scrubbed, and chinese folkart the cult statue would be physically carried or carted in Snake: Inescapable Pressures of Society, the Undeniable of Nature, Fear of Ourselves a procession leading to the Aegean, where it would be cleansed with sea-water and chinese given a new peplos (woman's cloak) to wear for the upcoming year. POOH-POOH HYPOTHESIS : In linguistics, the idea that language began as emotional outbursts or surprised exclamations; contrast with the bow-wow theory , the sterotypes of blacks ding-dong theory , and the yo-he-ho theory . PORTRAIT EN CREUX : A rhetorical or literary device in folkart which a writer mentions an absence to evoke the counterpart presence. This is the verbal equivalent of negative space in sculpture or painting.

POSTMODERNISM : A general (and often hotly debated) label referring to the philosophical, artistic, and literary changes and tendencies after the Essay Effects In The Economy 1940s and 1950s up to the present day. We can speak of postmodern art, music, architecture, literature, and chinese folkart poetry using the same generic label. The tendencies of postmodernism include (1) a rejection of traditional authority, (2) radical experimentation--in some cases bordering on gimmickry, (3) eclecticism and multiculturalism, (4) parody and pastiche, (5) deliberate anachronism or surrealism, and (6) a cynical or ironic self-awareness (often postmodernism mocks its own characteristic traits). In many ways, these traits are all features that first appeared in modernism , but postmodernism magnifies and intensifies these earlier characteristics. It also seems to me that, while modernism rejected much of tradition, it clung to science as a hopeful and objective cure to the past insanities of history, culture and superstition.

Modernism hoped to tear down tradition and longed to build something better in its ruins. Postmodernism, on the other hand, is often suspicious of scientific claims, and A Study Inescapable the Undeniable of Nature, Ever-Growing of Ourselves often denies the chinese possibility or desirability of of Immigration In The Economy establishing any objective truths and shared cultural standards. Chinese Folkart. It usually embraces pluralism and characters spurns monolithic beliefs, and it often borders on solipsism. While modernism mourned the passing of unified cultural tradition, and wept for folkart, its demise in the ruined heap of civilization, so to of blacks, speak, postmodernism tends to dance in chinese folkart the ruins and play with the fragments. Some of the new literary movements growing from postmodernism include the darker or horrific tales of science fiction, neo-Gothic literature, late twentieth-century horror stories, concrete poetry, magic realism , Theater of the Absurd, and so on. Snake: On The Inescapable Of Society, The Undeniable Ever-Growing. Finally, postmodernism is often used loosely and folkart interchangeably with the critical movements following post-structuralism--the growing realms of Marxist, materialist, feminist, and psychoanalytical approaches to literature that developed during and after the 1970s. To see where postmodernism fits into a chronology of literary movements, click here for a PDF handout.

POSTPOSITIVE : A function word--often a preposition--that must come after its object rather than before it. By definition, a postpositive word or phrase cannot begin a sentence. Several words in Latin and Greek are postpositives. POST-STRUCTURALISM : A collective and loose term for any of the literary theories appearing after the structuralist movement in linguistics--including Derrida's infamous concept of deconstruction . Of Blacks. The more radical poststructuralists attempt to subvert, question, or eliminate common concepts accepted before the structuralist movement--like individual identity, the subconscious mind, rules for social interaction, and so on. PREFIX : A morpheme added to the beginning of a word. For instance, the prefix re- can be added to the word play to folkart, create the Essay word replay . PREQUEL (formed from the prefix pre - and chinese folkart the root word sequel ): A novel, play, film, or other narrative usually written after the popular success of an earlier work but set before the events in the secret of bees that successful earlier work, and incorporating characters, settings, and situations with which the audience is already familiar. Chinese. Contrast with sequel and series . PRE-RAPHAELITE : Pre-Raphaelitism, or the Pre-Raphaelite movement, begins in 1848 as a protest against conventional art and literature. A band of young London artists, poets, and intellectuals formed a brotherhood dedicated to re-creating the type of medieval art existing before the Renaissance . The Functionalist Perspective. Hence, they took their name from Raphael (1483-1520), the earliest major Renaissance artist in Italy. Chinese Folkart. Like the of blacks Romantic poets, Pre-Raphaelites wished to regain the spirit of simple devotion and adherence to nature.

Hence, they rejected modernity, mass production, and urbanization. Typical Pre-Raphaelite writings involve an interest in chivalry , courtly love , ballads , archaic diction, pictorial qualities and visual imagery. The first Pre-Raphaelites included Dante Gabriel Rossetti (the ringleader), William Holman Hunt, William Michael Rossetti, Thomas Woolner, James Collinson, John Everett Millais, and Frederick George Stephens initially. The movement later grew to include or influence Dante Rossetti's sister, the poet Christina Rossetti; William Morris, the chinese folkart craftsman and the functionalist on deviance argues writer; the author Swinburne, and Burne-Jones the artist. In 1850, they formed their own literary journal, The Germ , to propagate their views and writings. Chinese. Click here to download a PDF file of Christina Rossetti's poem, A Birthday, to sample the diction and style of Pre-Raphaelite poetry. PRE-ROMANTICISM : The first phase of the Romantic movement in European literature of the late 1700s and of blacks early 1800s. Harkins labels its main traits as greater freedom in expression of personal feelings, a new interest in chinese landscape, the perspective on deviance cultivation of medieval, chivalric themes as well as . . . the supernatural, and the melancholy mood of 'graveyard' poetry (309). See Romanticism for further details. PRESCRIPTIVIST : A grammatical treatise or a lexicon is folkart said to be prescriptivist if it has the goal of fashioning guidelines or rules for A Study on the Inescapable Pressures of Society, the Undeniable Beauty Ever-Growing, grammar, spelling, and word use, as opposed to chinese folkart, describing unjudgmentally how a group of sterotypes of blacks people tend to use language. Contrast with descriptivist . PRESS VARIANT : Unlike a deliberately revised edition printed at a later date, a press variant is a minor and usually unintentional variation among books printed in the same edition or print run.

Greenblatt notes they usually result from corrections made in the course of folkart printing or from slipped type (1142). PRIESTLY TEXT (Also called the on the Inescapable Pressures of Society, the Undeniable Beauty of Nature, and the of Ourselves P Text or the Priestly Document ): In biblical scholarship, this refers to material in Genesis and the Hebrew Bible that probably appeared during a late period of editing--in contrast with the older J Text and E Text . The name P Text comes from chinese, Priestly Text. Priests probably incorporated this material during or soon after the Babylonian exile of 587 BCE--though possibly as recently as 450 BCE. (Some scholars in the minority argue that portions of the material might date pre-exilicly from the late eighth/early seventh century BCE during Hezekiah's reign, but this stance is not widely held.) At the time of the Essay about The In The U.S. exile, the Judaic priests were probably desperate to chinese, retain their unique monotheistic beliefs in the face of overwhelming Babylonian influence, but they also faced the challenge of royal ralph harmonizing their world view with that of chinese Babylonian tradition. At this point, many Aramaic (aka Chaldee) loanwords appear in the Hebrew text and they are incorporated into the Hebrew Bible thereafter. This influence explains why today most biblical concordances and dictionaries (such as the 1979 version of Inescapable Pressures of Nature, of Ourselves Strong's Comprehensive Concordance of the Bible ) refer to chinese, their Hebrew sections as a Concordance of Hebrew and Chaldean, a Hebrew and Chaldee Dictionary, or a Hebrew and Aramaic Dictionary. Christ will still be using some Aramaic terms 400 years later in perspective on deviance the New Testament gospels, which show how influential and long-lasting the linguistic effects of the Exile were on the Hebrew vocabulary.

Biblical scholars think that Genesis 1:1-2:3 and other sections such as Genesis 6 come from the P Text, and these are probably the latest additions to the Genesis account. The foreign loanwords mean these sections couldn't have been written before coming into folkart contact with the Chaldeans--at least not in the form in which they come down to us today in surviving manuscripts. Some features of the P text include a stress on ritual observances such as the Sabbath, circumcision, and dietary taboos believed to be late additions to the religious tradition. Other features of the P text--such as the the secret details of the Passover ritual, ordination ceremonies, and descriptions of the tabernacle--appear to have come from now lost older manuscript traditions after being updated and modified in chinese folkart the P tradition. Finally, the P text is marked the prominence it gives to Aaron (as opposed to the dominant role of Moses in the J and E texts), the life of bees characters account of folkart Moses' death in sterotypes of blacks Deuteronomy, the legal materials of Leviticus and Numbers, and a series of folkart genealogies showing some influence from Mesopotamian sources. If students are reading a study Bible like the Anchor Bible series, the royal ellison editors helpfully mark which sections come from the J, E, and P Texts. PRIMARY SOURCE : Literary scholars distinguish between primary sources , secondary sources , and educational resources . Students should also. To understand the folkart difference, click here. PRIMOGENITURE : The late medieval custom of allowing the and Trandentalism first born legitimate male child to inherit all of his father's properties, estates, wealth, and titles upon the father's death. Primogeniture was a key issue in determining succession to chinese, the royal throne, and it plays an important part in Unitarianism and Trandentalism Essay Edmund's villainy in King Lear , in King Henry V's claim to the French throne in Henry V , and in many other Shakespearean plays.

In medieval times, primogeniture lead to huge social problems since Western Europe was producing large numbers of second born militarily trained knights who had no means of making a livelihood. Since the chinese folkart firstborn son inherited everything, the only legitimate option for the other sons was becoming celibate and then joining the life church hierarchy as clerics or entering monasteries. Since this was not always a preferable option for chinese folkart, hot-blooded young men, many involved themselves in coups to gain the life of bees family estate, took up lives of brigandage, or became mercenaries and wandered from one war to another seeking their fortunes. When Pope Urban II called the chinese folkart first crusade to reclaim Jerusalem, the church saw that part of the solution to this problem was to provide a legitimate arena of warfare for these dispossessed knights. The opposite ellison custom of dividing inheritance is known as partible succession . PRINTING PRESS : Chinese and chinese Japanese inventors developed simple printing techniques centuries earlier in monasteries, but in the 1440s and 1450s, Europe developed printing independently. Even though forerunners of the printed book might have existed in Holland, the most important developments were in Mainz, Germany, where Indulgence was printed in 1454, and the Gutenberg Bible in 1456. John of Essay about The of Immigration In The Economy Gutenberg is credited with the invention by folkart, fifteenth-century writers, and the invention spread rapidly to Italy, France, Holland, and other countries.

William Caxton set up a printing press in Europe (Bruges) in of blacks 1475, and chinese folkart there printed the Pressures Beauty of Nature, Ever-Growing Fear of Ourselves first book in folkart English, The Recuyell of the Historyes of The of Immigration In The Troye . Returning to England in 1476, Caxton set up his second printing press in Westminster. He next printed a number of Latin texts before printing in English the Dicts or Sayings of the Philosophers (1477), Chaucer's Canterbury Tales (1483), Malory's Le Morte Darthur (1485), and folkart others for about a hundred titles in total. His assistant, Wynkyn de Worde, took over the business after Caxton's death and published perhaps 800 additional titles. The printing press was a revolution comparable to sterotypes of blacks, the modern internet revolution. It made books for folkart, the first time cheap enough for mass production and mass purchasing, ensuring a rise in literacy, blurring dialectal vocabularies, spreading geographic and cultural knowledge, and fueling the flames of religious reformation. PRIVATE SYMBOL : In contrast with an archetype (universal symbol), a private symbol is one that an individual artist arbitrarily assigns a personal meaning to. Unitarianism And Trandentalism. Nearly all members of an ethnic, religious, or linguistic group might share a cultural symbol and chinese folkart agree upon its meaning with little discussion, but private symbols may only be discernable in the context of one specific story or poem.

Examples of private symbols include the elaborate mythologies created by J. R. R. Tolkien in The Silmarillion (such as the One Ring as a symbol of power lust) or William Butler Yeats' use of Constantinople as a symbol to represent poetic artifice in Sailing to Byzantium, or Yeats' use of a gyre to symbolize the cycles of history and the sphinx as an emblem of the Snake: Inescapable the Undeniable and the Fear Antichrist in chinese The Second Coming. See also token and emblem . PROBLEM PLAY : There are two common meanings to this term. (1) The most general usage refers to Unitarianism and Trandentalism, any play in which the chinese folkart main character faces a personal, social, political, environmental, or religious problem common to his or her society at large. Arthur Miller's Death of a Salesman is representative of a problem play in that Loman must face the challenges of what the author considers false values in life of bees characters a capitalistic society. (2) In a narrower sense, Shakespearean scholars apply the term problem play to a group of Shakespeare's plays, also called bitter comedies, especially Measure for Measure , Troilus and folkart Cressida , and All's Well That Ends Well . These plays explore dark and ignoble aspects of human psychology without attempting to solve or resolve the plot to the reader's satisfaction beyond a superficial level. Because of the uneasy endings, the life of bees characters plays do not seem to chinese folkart, follow the standard conventions of Renaissance comedy . PROCATALEPSIS (Greek anticipation): Procatalepsis is a rhetorical strategy in A Study on the Inescapable Pressures the Undeniable Beauty of Nature, and the which the folkart writer raises an life characters objection and then immediately answers it; by doing so, the rhetor seeks to strengthen his argument by dealing with possible objections before his audience can raise counter-arguments. PROFANITY ACT OF 1606 : This law passed under King James I required that any profanity in a publicly performed play or in chinese folkart published material would result in a ten-pound fine for the performer or printer, a substantial sum.

Three of Shakespeare's quartos show signs of revision to meet the requirement of the Unitarianism Profanity Act, such as omissions of obscenity, the word God changed to folkart, heaven, or Jove, etc. Contrast with the Censorship Ordinance . PROLIXITY : A type of wordiness or periphrasis characterized by unnecessary rambling or excessive detail, as Shipley puts it (429). A writer or speaker who has this tendency is Snake: A Study Inescapable Beauty Fear of Ourselves said to be prolix. See dicussion under periphrasis . PROLOGUE : (1) In original Greek tragedy, the chinese folkart prologue was either the A Study on the Inescapable Pressures Beauty of Nature, action or a set of introductory speeches before the folkart first entry ( parados ) of the chorus. Here, a single actor's monologue or a dialogue between two actors would establish the that play's background events. (2) In later literature, a prologue is a section of any introductory material before the chinese first chapter or the main material of a prose work, or any such material before the first stanza of a poetic work. PROMPTBOOK : A manuscript of a play adapted for performance by a theatrical company--usually with extra stage directions, notes on special effects or props, and last minute revisions or corrections. In some promptbooks, the characters' names and speech prefixes are scribbled out and replaced with the names of the actors playing those roles. PROMYTHIUM : A summary of the moral of a fable appearing before the main narrative. If the Essay summary is found at chinese the end of the narrative, it is called an Essay The Effects U.S. epimythium . Contrast with prologue . PRONUNCIATION SPELLING : A new spelling of an old word that more accurately reflects the current pronunciation than the original spelling does. PROPAGANDA (Latin, things that must be sent forth): In its original use, the term referred to a committee of cardinals the Roman Catholic church founded in 1622 (the Congregatio de propaganda fide ). This group established specific educational materials to be sent with priests-in-training for foreign missions . The term is today used to refer to information, rumors, ideas, and artwork spread deliberately to help or harm another specific group, movement, belief, institution, or government. The term's connotations are mostly negative.

When literature or journalism is propaganda and when it is not is hotly debated. For instance, the Roman Emperor Augustus commissioned Virgil to write The Aeneid for specific goals. He wanted Virgil to glorify Rome's greatness, instill public pride in Rome's past, and cultivate traditional Roman virtues such as loyalty to the family, the Empire, and the gods. Is this propaganda? Or patriotism? Typically, readers claim a work is propaganda when it sets forth an argument with which they personally disagree. In other cases, readers will call a work propagandistic if they can perceive that the characters or the author advances particular doctrines or principles.

Harry Shaw notes: Propaganda is attacked by most critics and chinese folkart general readers because it is an attempt to influence opinions and actions deliberately, but by this definition all education and most literature are propagandistic (220). PROPARALEPSIS (plural: proparalepses ): A type of neologism that occurs by adding an extra syllable or letters to the end of a word. For instance, Shakespeare in Hamlet creates the word climature by adding the end of the word temperature to climate (1.1.12). The wizardly windbag Glyndwr (Glendower) proclaims that he can call spirits from the about The In The U.S. Economy vasty deep in 1 Henry IV (3.1.52). We would expect him to speak of the vast deep normally. Proparalepsis is an example of a rhetorical scheme. PROPORTIONAL : One of several possible numbering methods in chinese a language's grammar.

For a discussion of proportionals, see multiplicatives . PROPS (abbreviation of stage properties): Handheld objects, furniture and similar items on of blacks, stage apart from costumes and the stage scenery itself used to provide verisimilitude , to reinforce the setting , to chinese, help characterize the actors holding or wearing them, or to provide visual objects for practical, symbolic, or demonstrative purposes on the stage. PROSCENIUM : An arch that frames a box set and holds the curtain, thus creating a sort of invisible boundary through which the audience views the on-stage action of a play. PROSE : Any material that is not written in a regular meter like poetry. Many modern genres such as short stories, novels, letters, essays, and treatises are typically written in prose. PROSKENION : A raised stage constructed before the skene in classical Greek drama. The proskenion sharply divided the actors from the of blacks chorus, and the elevated height made the actors more visible to the audience. PROSODIC SIGNAL : Algeo defines this as the [p]itch, stress, or rhythm as grammatical signals (327). PROSODY (1) : the folkart mechanics of sterotypes of blacks verse poetry--its sounds, rhythms, scansion and meter, stanzaic form, alliteration, assonance, euphony, onomatopoeia, and rhyme. (2) The study or analysis of the previously listed material. This is also called versification . PROSOPOPOEIA (Grk prosopon , face): a form of chinese personification in which an inanimate object gains the life of bees characters ability to speak. For instance, in the Anglo-Saxon poem, The Dream of the Rood, the folkart wooden cross verbally describes the death of Inescapable of Society, the Undeniable Beauty Ever-Growing Christ from its own perspective.

Ecocritical writers might describe clearcutting from the viewpoint of the tree, and so on. See personification , above. PROSTHESIS : Adding an extra syllable or letters to chinese folkart, the beginning of a word for Effects In The Economy, poetic effect. Shakespeare writes in folkart his sonnets, All alone, I beweep my outcast state. Essay. He could have simply written weep , but beweep matches his meter and is more poetic.

Too many students are all afrightened by the use of prosthesis. Chinese Folkart. Prosthesis creates a poetic effect, turning a run-of-the-mill word into something novel. Perspective On Deviance Argues That Deviance. Prosthesis is an example of a rhetorical scheme. It results in a neologism . PROTAGONIST : The main character in a work, on chinese folkart, whom the author focuses most of the Essay about In The Economy narrative attention. See character . PROTO-INDO-EUROPEAN : The reconstructed ancestor of all Indo-European languages. Folkart. Many scholars use this term interchangeably with Indo-European. Click here for more information. PROVIDENCE : The theological doctrine stating God's sovereignty--especially his omniscience--allows complete divine control over Inescapable of Society, Beauty of Nature, and the Ever-Growing Fear the universe in the past, present, and future. It connects closely with questions of omniscience, free will and predestination. In John Milton's Paradise Lost , Milton emphasises providence as one of his themes, depicting a universe in which God allows complete free will, but one in which God will ultimately use providence to turn even evil choices and folkart decisions to a greater good in ralph summary the long run through his own mysterious means. Cf.

Augustinian time . PRYS (also spelled pris ): The French noun prys , meaning worthiness, is a cognate with the English word price. Prys was rich in connotations, appearing frequently in French chansons de geste and medieval romances . It embodies knightly worthiness on folkart, a number of levels. A knight who has prys is Snake: A Study of Society, the Undeniable Ever-Growing of Ourselves loyal, brave, polite, courtly, proud, refined in taste, and chinese perhaps a bit foolhardy and arrogant, quick to take anger at an insult and fast to accept a challenge or dual. Chaucer uses this term to describe the Knight in the General Prologue of The Canterbury Tales : PSYCHOLOGICAL REALISM : The sense that characters in fictional narratives have realistic interiority or complex emotional and intellectual depth, including perhaps subconscious urges and fears they are not aware of. Sterotypes. On an outward level, this realism typically involves reacting to external characters and chinese situations in battle ellison a manner consistent with the expectations of readers ( verisimilitude ). On an internal level, it may involve the revelation of characters' thoughts and internal meditations about themselves and others. Such internal machinations are a standard part of Elizabethan drama in the form of the soliloquy . However, psychological realism is associated most closely with the movement toward realism and naturalism in the nineteenth- and chinese folkart twentieth-centuries. After psychoanalysis appeared, Freudian ideas influenced many writers who sought to incorporate his theories into Unitarianism their own depictions of characters. Whether or not we can speak of psychological realism in literary works before the Renaissance is a thorny issue.

Medieval saint's lives ( vitae ) , chivalric romances , sagas , and most other pre-Renaissance literary texts pay little attention to psychology, rarely describing a character's internal thoughts beyond a sparse assertion that a character was angry, sad, or lonely (and that assertion often made as part of a stock formula, such as Then King Arthur fared wondrously woode.) Often ancient works are so focused on allegory to folkart, the exclusion of the secret life psychology that some critics assert pre-Renaissance writers and readers had very little sense of interiority or any unique self apart from tribe, family, religious caste, occupation, or social standing. The difference is chinese so marked that some scholars like Harold Bloom speak of the life of bees characters invention of the human in the Renaissance. On the other hand, it is difficult to read something like The Confessions of Saint Augustine without getting a sense of a real human being intensely aware of his own psychology. Possibly, the difference is rooted in conventions of literature rather than any actual historical change in human self-awareness, but the debate continues. PSYCHOPOMPOS (Greek, soul procession or soul carrier): A spirit-guide who leads or escorts a soul into the realm of the dead. Such a character often appears in the motif of the descent into the underworld . Examples of a psychopompos would be deities like Hermes and folkart Charon in Greek mythology, or the of blacks characters of Virgil and Beatrice in Dante's Inferno . PULP FICTION : Mass market novels printed cheaply and intended for a general audience. The content was usually melodramatic, titillating, or thrilling. The earliest samples are the penny dreadfuls or bloods of the eighteenth century, which were followed in the nineteenth century by so-called dime novels (which were sold for ten cents). Examples included westerns, Horatio Alger novels, soft science fiction series, murder mysteries in chinese folkart serialized format, and melodramtic crime stories. Summary. The designation pulp comes from the paper quality--these novels are usually printed on the cheapest newsprint available.

PUN (also called paronomasia ): A play on two words similar in sound but different in meaning. For example, in Matthew 16:18, Christ puns in chinese Koine Greek: Thou art Peter [ Petros ] and upon of blacks this rock [ petra ] I will build my church. Folkart. Shakespeare, in Romeo and Juliet , puns upon about Effects In The Economy Romeo's vile death ( vile = vial , the vial of poison Romeo consumed). Shakespeare's poetic speaker also puns upon chinese his first name ( Will ) and his lover's desire (her will ) in the sonnets, and John Donne puns upon royal ellison summary his last name in Hymn to God the Father. Originally, puns were a common literary trope in serious literature, but after the eighteenth century, puns have been primarily considered a low form of chinese humor. A specific type of pun known as the Snake: A Study on the Inescapable Pressures of Society, of Nature, and the of Ourselves equivoque involves a single phrase or word with differing meanings.

For instance, one epitaph for a bank teller reads He checked his cash, cashed in his checks, / And left his window. / Who's next? The nineteenth-century poet, Anita Owen, uses a pun to side-splitting effect in chinese her verse: They tell sweet lies of life characters Paradise; And in chinese folkart those eyes the lovelight lies. And lies--and lies--and lies! Another type of pun is the asteismus , in which one speaker uses a word one way, but a second speaker responds using the word in a different sense. For instance, in Cymbeline (II, i), Cloten exclaims, Would he had been one of my rank! A lord retorts, To have smell'd like a fool, twisting the meaning of rank from summary, a noun referring to noble status to an adjective connoting a foul smell.

Yet another form of pun is the paragram , in which the wordplay involves altering one or more letters in a word. It is often considered a low form of humor, as in various knock-knock jokes or puns such as, What's homicidal and lives in the sea? Answer: Jack the Kipper, or in Chapter Four of C.S. Lewis' The Silver Chair , which is titled A Parliament of Owls (a pun on Chaucer's Parliament of chinese Fowles ). In spite of the pun's current low reputation, some of the best writers in English have been notoriously addicted to puns: noticeably Shakespeare, Chaucer, and James Joyce. PURGATORY (Latin, purgare , to purge): Donald Logan writes: The medieval and Catholic doctrine of purgatory stated that Christian souls who had accepted rites of baptism and the functionalist argues that deviance been accepted into chinese folkart the body of the life faithful church, but who died unexpectedly with unconfessed sins or minor venial faults, would not be sent to hell, but would rather spend an folkart indeterminate period in battle ralph ellison a spiritual place of temporal punishment.

The same temporary suffering was believed to be the folkart fate of baptised infants who had not yet reached the age of reason where they could choose to accept Christian doctrine and make first confession. In this spiritual place, popularly called purgatory, such souls would suffer for a time as an act of penance. This would purify them so they could enter heaven. Battle Ralph Ellison Summary. The Council of Florence (1431 AD) was the first time the church officially embraced purgatory as a doctrine, but the belief in purgatory had long been a part of church practice going back to the patristic period of the fourth century, when Epiphanius mentions the practice of chinese folkart praying for Essay, deceased souls in order to lessen their time in purgatory. Chinese Folkart. It is clear, however, that at this early point, the issue of hell, purgatory, and the afterlife was still a matter of dispute among proto-Christians, as theologians like Acrius denied the doctrine. Essay Effects Of Immigration Economy. The popularity of purgatorial doctrine increased, and by folkart, the tenth century, it was practically universally accepted in the church. In the Middle Ages, some heretical groups like the Albigensians, the Waldensians, and the Hussites challenged the belief, but the Snake: A Study Pressures of Society, of Nature, and the Ever-Growing first serious breach with the doctrine appears in the sixteenth-century during the Protestant Reformation. Chinese. At that time, Martin Luther initially considered retaining the doctrine of Purgatory in the Lutheran Church, as witnessed in the Leipzig Disputation, but as the breach between Catholics and the secret life characters Protestants increased, political pressure to make a clean break with popishness decided the issue. The rejection of purgatory became practically universal among the Protestant churches. John Calvin's doctrine was especially sharp in its break, and folkart Calvinist teaching included the doctrine of infant damnation, in the functionalist perspective argues that which all children who die in the womb, in childbirth, or during infancy were damned for eternity in hell. Chinese Folkart. Calvin went so far as to term the Catholic position exitiale commentum quod crucem Christi evacuat . . . quod fidem nostram labefacit et evertit ( Institutiones , lib.

III, cap. v, 6, quoted in The Catholic Encyclopedia ). On Deviance Deviance. The modern Greek Orthodox church has also discontinued the purgatorial doctrine. Click here for a link to The Catholic Encyclopedia 's discussion of folkart purgatory that is much more thorough than mine. The doctrine and imagery of purgatory is especially prevalent in medieval literature. It is the focus of Marie de France's Saint Patrick's Purgatory . The Purgatorio , the second book of Dante's Divine Comedy , involves a spiritual journey through purgatory just after the poet's trip through the Inferno . C. The Secret Life Of Bees. S. Lewis explores the folkart question of purgatory in The Great Divorce , where he attempts to and Trandentalism, have his cake and eat it too by suggesting purgatory does and does not exist simultaneously, arguing that we experience purgatory temporally and perceive it as a real thing, but in Augustinian time , we are able to see that purgatory (and material life on earth) on some level always have been heaven or hell, when we examine the afterlife sub specie aeternitatis . PURIST GRAMMAR (also called Grammatical Purism ): The belief in an absolute or unchanging standard of correct grammar. PURITAN : Most familiar to modern Americans as the folkart religious denomination of the Mayflower colonists, the Puritans were a Protestant sect particularly active during the sixteenth and seventeenth centuries. In a positive sense, Americans associate Puritanism with the struggle for and Trandentalism, religious freedom since the chinese folkart Puritans colonized America to escape religious persecution; however, the idea is something of a misconception since the Puritans' hope was to create an Essay all-encompassing Puritan culture in the new colony, not to create a cosmopolitan, tolerant society open to other branches of Protestant Christianity, much less Catholicism, Judaism, or other religions. (That sort of religious tolerance comes about in American culture largely as a result of the chinese folkart Deism fashionable among intellectuals in the eighteenth century during the writing of the Unitarianism and Trandentalism Constitution.) In its negative sense, the word Puritan often evokes the idea of chinese dour, grim, religious conformity, since Puritans stereotypically wore only black and the functionalist argues deviance white; they frowned upon chinese folkart drinking, dancing, and displays of sexuality; burned aging misfits as witches; censored literature, and closed Shakespeare's playhouses in England because of the secret life acting's immorality. Chinese. These tendencies have led to H. L. Mencken's jest defining Puritanism as the haunting fear that someone, somewhere, may be happy. Puritanism forms the Unitarianism and Trandentalism Essay backdrop of The Scarlet Letter and The Crucible in American literature. Shakespeare uses a Puritan named Malvolio as the folkart party-pooping villain in on the Pressures the Undeniable Beauty and the Ever-Growing of Ourselves Twelfth Night . See also Roundhead and Puritan Interregnum . PURITAN INTERREGNUM (Latin, inter + regnum , between reigns): The term refers to both the Puritan government established under Oliver Cromwell after a civil war against the British monarch and those years in which that government lasted (1649-1658). This interregnum marks the end of the English Renaissance.

It came into folkart being after a long civil war between two political factions, the Roundheads , non-aristocrats who supported Puritan reforms, and the Cavaliers , the aristocratic courtiers loyal to the monarchy. Ultimately, the Stuart monarch was captured and executed, and his supporters fled to the continent with the heir to the throne, leaving the on deviance argues that Puritans in power. The Puritans called their regime the Commonwealth, and it was nominally a parliamentarian government but a de facto dictatorship under Cromwell. This government fell apart upon Cromwell's death. At that point, the chinese folkart English royal heir returned to claim the throne, leading to the Restoration . See also Puritan , above. PURPLE PATCH : A section of purple prose or writing that is too ornate or florid for the surrounding plain material, which in turn looks too tranquil or dull by the incongruity of the startling purple patch. Essay. The colorful image for this term comes from folkart, Horace's Ars Poetica 2.3.14-19, where he refers to the purpureus pannus , the purple piece of royal or princely cloth that is a colorful but irrelevant insertion into a plain-speaking work. PURPLE PROSE : Writing that seems overdone or which makes excessive use of imagery, figures of speech, poetic diction, and polysyllabication. These artifices become so overblown that they accidentally become silly or pompous. Unitarianism And Trandentalism Essay. See also purple patch . PUSHKIN PLEIAD : A group of young Russian poets, friends and contemporaries of Pushkin, who shared his general poetic outlook--including Vyazemski, Dadydov, Delvig, Yzykov, Venevitinov, and Baratynski (Harkins 323). PYRRHIC : In classical Greek or Latin poetry, this foot consists of two unaccented syllables--the opposite of a spondee . At best, a pyrrhic foot is an folkart unusual aberration in English verse, and most prosodists (including me!) do not accept it as a foot at about of Immigration U.S. all because it contains no accented syllable.

Normally, the chinese context or prevailing iambs, trochees, or spondees in surrounding lines overwhelms any potential pyrrhic foot, and a speaker reading the foot aloud will tend artificially to stress either the about of Immigration In The U.S. Economy first or last syllable. See meter for more information.

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charles ives essays Almost as much as music, Ives was attuned to the power of chinese, words, and his own writings often clarify his musical compositions. Here is a selection of interesting passages that shed light on Ives' goals as an life of bees artist and human being. Chinese Folkart! The quotes are taken from the following sources: Essays before a Sonata, The Majority, and Other Writings. Edited by Unitarianism Essay, Howard Boatwright. Folkart! (Norton, 1999). Memos. Edited by the functionalist perspective deviance, John Kirkpatrick. (Norton, 1991). Charles Ives: A Life with Music.

By Jan Swafford. (Norton, 1996). Click on a link to read Ives' thoughts on the subject: On the Impossibility of Objective Expression. Expression, to a great extent, is folkart a matter of terms, and terms are anyone's. The meaning of 'God' may have a billion interpretations if there be that many souls in the world ( Essays 8).

The word 'beauty' is as easy to sterotypes use as the word 'degenerate.' Both come in handy when one does or does not agree with you ( Essays 77). Emerson is . . . America's deepest explorer of the spiritual immensities--a seer painting his discoveries in masses and with any color that may lie at hand--cosmic, religious, human, even sensuous; a recorder freely describing the chinese, inevitable struggle in the soul's uprise, perceiving from this inward source alone that 'every ultimate fact is only the first of perspective that deviance, a new series' . . . who would then discover, if he can, that 'wondrous chain that links the chinese folkart, heavens with the earth-the world of beings subject to one law'. . . We see him-standing on a summit at the door to the infinite . . . , peering into the mysteries of life, contemplating the eternities. . Essay! . We see him--a mountain-guide so intensely on the lookout for the trail of his star that he has no time to stop and retrace his footprints ( Essays 11-12). Emerson wrings the neck of any law that would become exclusive and arrogant, whether a definite one of metaphysics or an indefinite one of mechanics. He hacks his way up and down, as near as he can to chinese folkart the Absolute, the oneness of the secret characters, all nature, both human and spiritual, and to God's benevolence. To him, the ultimate of a conception is its vastness, and is probably this rather than the 'blind-spots' in his expression that makes us inclined to go with him but half-way, and then stand and build dogmas.

But if we cannot follow all the way-if we do not always clearly perceive the whole picture-we are at least free to imagine it; he makes us feel that we are free to chinese do so. Perhaps that is the most he asks. For he is but reaching out through and beyond mankind, trying to see what he can of the infinite and Essay about of Immigration its immensities, throwing back to us whatever he can, but ever conscious that he but occasionally catches a glimpse . . . ( Essay s 14). Thus is Emerson always beating down through the crust towards the first fire of life, of death, and chinese of eternity. Read where you will, each sentence seems not to point to the next but to the undercurrent of royal summary, all ( Essays 15). On the Validity of chinese, Vagueness. Vagueness is at times an indication of nearness to a perfect truth ( Essays 22). An apparent confusion, if lived with long enough, may become orderly . A Study Of Society, The Undeniable Of Nature, Fear! . . A rare experience of a moment at daybreak, when something in nature seems to reveal all consciousness, cannot be explained at noon.

Yet it is part of the day's unity ( Essay s 22-23). It is conceivable that what is unified form to the author or composer may of necessity be formless to his audience ( Essays 23). On the chinese, Nature of Musical Experience. . . . It seems that so close a relation exists between [Emerson's] content and his expression, his substance and his manner, that if he were more definite in the latter he would lose power in and Trandentalism the former. Perhaps, some of those occasional flashes would have been unexpressed-flashes that have gone down through the world and will flame on through the ages--flashes that approach as near the divine as Beethoven in his most inspired moments--flashes of transcendent beauty, of such universal import, that they may bring, of a sudden, some intimate personal experience, and chinese produce the same indescribable effect that comes in rare instances to men from some common sensation. In the early morning of a Memorial Day, a boy is awaked by the secret life of bees, martial music--a village band is marching down the street--and as the strains of Reeves majestic Seventh Regiment March come nearer and nearer--he seems of a sudden translated--a moment of vivid power comes, a consciousness of material nobility--an exultant something gleaming with the folkart, possibilities of this life--an assurance that nothing is impossible, and that the perspective on deviance argues, whole world lies at his feet. But, as the chinese folkart, band turns the the secret of bees, corner, at chinese, the soldier's monument, and the march steps of the Grand Army become fainter and fainter, the boy's vision slowly vanishes-his 'world' becomes less and less probable-but the experience ever lies within him in its reality. Later in Unitarianism and Trandentalism life, the folkart, same boy hears the Essay about The of Immigration In The U.S., Sabbath morning bell ringing out folkart from the battle royal ralph, white steeple at the 'Center,' and as it draws him to it, through the autumn fields of sumach and asters, a Gospel hymn of simple devotion comes out to him--'There's a wideness in God's mercy'--an instant suggestion of that Memorial Day morning comes--but the moment is chinese folkart of deeper import--there is no personal exultation--no intimate world vision--no magnified personal hope--and in their place a profound sense of spiritual truth--a sin within reach of forgiveness. And as the hymn voice dies away, there lies at his feet--not the world, but the figure of the Saviour--he sees an unfathomable courage--an immortality for the lowest--the vastness in battle summary humility, the kindness of the human heart, man's noblest strength--and he knows that God is nothing--nothing--but love! Whence cometh the wonder of the moment? From sources we know not.

But we do know that from obscurity and from this higher Orpheus comes measures of sphere melodies, flowing in wild, native tones, ravaging the souls of men, flowing now with thousand-fold accompaniments and rich symphonies through all our hearts, modulating and divinely leading them ( Essays 30-31). On the Future of Music. In some century to come, when the school children will whistle popular tunes in quarter-tones--when the diatonic scale will be as obsolete as the pentatonic is now--perhaps then these borderland experiences may be both easily expressed and readily recognized. Chinese Folkart! But maybe music was not intended to satisfy the sterotypes of blacks, curious definiteness of chinese folkart, man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense ( Essays 71). On Substance and Manner in the secret Art. If local color, national color, any color, is a true pigment of the universal color, it is a divine quality, it is part of substance in art-not of manner. . . .Whatever excellence an folkart artist sees in life, a community, a people, or in any valuable object or experience, if sincerely and intuitively reflected in his work-his work, and Essay about U.S. so himself, is, in a way, a reflected part of that excellence.

Whether he be accepted or rejected, whether his music is played or never played-all this has nothing to do with it; it is true or false by chinese, his own measure ( Essays 81). On the Distinction Between Sound and of blacks Music. A MS. score is brought to a concertmaster-he may be a violinist-he is chinese folkart kindly disposed, he looks it over, and casually fastens on a passage: 'That's bad for the fiddles--it doesn't hang just right--write it like this, they will play it better.' But that one phrase is the of bees characters, germ of the whole thing. 'Never mind, it will fit the hand better this way-it will sound better.' My God! What has sound got to chinese do with music! The waiter brings the only fresh eggs he has, but the man at Unitarianism Essay, breakfast sends it back because it doesn't fit his eggcup. Why can't music go out in the same way it comes in to a man, without having to folkart crawl over a fence of sounds, thoraxes, catguts, wire, wood, and brass? Consecutive fifths are as harmless as blue laws compared with the royal ralph ellison summary, relentless tyranny of the 'media.' The instrument!--there is the perennial difficulty--there is folkart music's limitation. . . . Is it the composer's fault that man only has ten fingers? Why can't a musical thought be presented as it is born--perchance a 'bastard of the the functionalist on deviance argues that deviance, slums,' or a 'daughter of a bishop'--and if it happens to go better later on a bass drum than upon a harp, get a good bass drummer. That music must be heard is not essential--what it sounds like may not be what it is [Ives' italics] ( Essays 84). On the Artist's Aims.

The humblest artist will not find true humility in aiming low--he must never be timid or afraid of trying to express that which he feels is far above his power to express, any more than he should be in chinese breaking away, when necessary, from easy first sounds, or afraid of sterotypes of blacks, admitting that those half-truths the come to him at chinese, rare intervals, are half-true; for instance, that all art galleries contain masterpieces, which are nothing more than a history of about The Effects U.S., art's beautiful mistakes ( Essays 97). On the Role of Habit in Hearing Music. There may be an analogy between . . . the ear, the chinese, mind, and the arm muscles. They don't get stronger with disuse. The Functionalist On Deviance Argues That Deviance! Any art or habit of life, if it is limited chronically to a few processes that are easiest to acquire (and, for that reason, are said to be some natural laws), must at some time, quite probably, become so weakened that it is chinese neither a part of Unitarianism and Trandentalism Essay, art nor a part of life. Nature has bigger things than even-vibration-ratios for man to learn how to folkart use. Consonance is about The Effects In The Economy a relative thing (just a nice name for a nice habit).

It is a natural enough part of music, but not the whole, or only one. The simplest ratios, often called perfect consonances, have been used so long and so constantly that not only music, but musicians and audiences, have become more or less soft. If they hear anything but doh-me-soh or a near cousin, they have to be carried out on a stretcher ( Memos 42). On the folkart, Importance of His Influences. One thing I am certain of is that, if I have done anything good in music, it was, first, because of my father, and second, because of my wife ( Memos 114).

On Being Open to Modern Music. . . Perspective On Deviance Argues Deviance! . . I'd played over the Second Violin Sonata for him-that harmless piece. Chinese Folkart! 'After stuff like the Snake: on the of Society, of Nature, and the, that--he said--'if you consider that music, and folkart like it, how can you like Brahms or any good music?' That is a very common attitude among almost all the well-known lilies. They take it for granted--a kind of self-evident axiom, a settled-for-life matter, ipso facto, admitting no argument. Royal Ralph Ellison Summary! The classical is good for all time, the modern is chinese bad for all time--so if you like one, you can't like the the secret of bees characters, other. They don't always limit it to chinese 'good and of bees characters bad.' They, in a general way, throw (in their nice little minds) all that fits into their accustomed habits of chinese folkart, sound, technique, etc., all together into Unitarianism and Trandentalism Essay, a classical idiom, good or bad. Everything not in it, they throw out as non-existent music, as such.

Assuming that there are some good things among the latter class, that can in essence and substance compare with the better of the former, this type of chinese folkart, mind then does the same thing as to say--'Now if you look out of that window and enjoy the mountains, how can you possibly look out of this window and Essay about of Immigration In The enjoy the ocean?' ( Memos 121-22). The possibilities of percussion sounds, I believe, have never been fully realized ( Memos 124-25). On Composers' Idioms. If idioms are more to be born than to be selected, then the things of life and human nature that a man has grown up with--(not that one man's experience is better than another's, but that it is 'his.')--may give him something better in his substance and chinese manner than an over-long period of superimposed idiomatic education which quite likely doesn't fit his constitution. My father used to say, 'If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven' ( Memos 240). On Composing Music. In 'thinking up' music I usually have some kind of a brass band with wings on it in back of my mind ( CI: A Life With Music 37).

On the Relation of Art to Life. The fabric of existence weaves itself whole. Battle! You cannot set art off in a corner and hope for it to folkart have vitality, reality, and substance. There can be nothing exclusive [Ives' italics] about argues that, substantial art. It comes directly out of the heart of the experience of life and thinking about life and living life ( CI: A Life With Music 207). Every great inspiration is but an folkart experiment ( CI: A Life With Music 335).

Ives' Rationale for Pursuing a Career in Snake: A Study on the of Society, the Undeniable of Nature, and the Ever-Growing Fear Insurance, Rather than Music. If [a composer] has a nice wife and some nice children, how can he let the chinese folkart, children starve on his dissonances? ( CI: A Life With Music 143). Ives' Rationale for Leaving His Position as Church Organist in 1902. I seem to Essay about Effects of Immigration have worked with more natural freedom, when I knew that the music was not going to be played before the public, or rather before people who couldn't get out from chinese, under, as in Unitarianism and Trandentalism the case of a church congregation . . . .To a body of people who come together for worship-how far has a man to do what he wants, if he knows that by so doing he is interfering with the state of mind of the listeners, who have to listen regardless. . . Folkart! . A congregation has some rights ( CI: A Life With Music 160). On Tonality and Dissonance. Why tonality as such should be thrown out for good I can't see. Why it should always be present I can't see. The Secret! It depends, it seems to me. . . on what one is trying to do, and on the state of the mind, the time of chinese folkart, day or other accidents of life ( Essays 117). An instance shows the difference between [Ives'] Father's and [Ives' music teacher, Horatio] Parker's ways of thinking. In the beginning of my Freshman year, and getting assigned to battle ralph ellison classes, Parker asked me to chinese bring him whatever manuscripts I had written (pieces, etc.).

Among them, a song, At Parting-in it, some unresolved dissonances, one ending on a [high] E flat ([in the] key of G major), and stops there unresolved. Parker said, There's no excuse for that--an E flat way up there and stopping, and the functionalist perspective deviance the nearest D sharp way down two octaves.--etc. Chinese Folkart! I told father what Parker said, and Father said, Tell Parker that every dissonance doesn't need to resolve, if it doesn't happen to feel like it, any more than every horse should have it's tail bobbed just because it is the prevailing fashion ( Memos 116).