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Minnesota Department of platoвЂ™s Employment and Economic Development. Your resume is an essential part of your job search toolkit and its importance should not be underestimated. Problems With Educational! You will need one for whatever kind of platoвЂ™s symposium job you are looking for. Great! If written properly, it's the document that will move you to a job interview and potential employment. Do not approach the task of writing the resume lightly. By now you should have taken the platoвЂ™s time to identify your hard and soft skills. If you cannot identify at least 20 job-related skills at this point, your first task is to revisit the problems with Identifying Your Skills chapter and create your list. Be aware that your resume is never really done. PlatoвЂ™s Symposium! You have to customize it to compromise of 1850 match the platoвЂ™s symposium qualifications and skills sought by employers for specific jobs.
Job seekers start out at different points when preparing resumes. Some will have a resume a few months or a few years old. Others may have been employed for great, several years or decades and don't have a current resume, or may have one saved somewhere in an old computer or in a file in symposium, their home office. Regardless of where you’re starting in writing a resume you first have to organize and store lots of compare in chinese different types of job-related information in an electronic file. 1. PlatoвЂ™s Symposium! Employment History — List all your jobs for the past 10 to 15 years in compare, a reverse chronological order, with dates of platoвЂ™s symposium employment and various positions held within various companies. If you have held a lot of great compromise jobs or have had a varied job career, list the last three or four jobs and platoвЂ™s, skip your earlier career, or shorten it into a single line: “U.S. Bank, Minneapolis, MN, teller, 2005-2010.” 2. Skills — Take the great list of the 20 job-related skills you identified using the information in Chapter 3. Future employers want to know what skills you displayed in your work and whether those skills saved money, improved efficiency, led to a more motivated workforce, or whatever. Ask yourself these questions: What skills did I use in my previous positions? Are they important to the employers or jobs that I am considering?
3. Accomplishments/Achievements — Penelope Trunk, the platoвЂ™s job search author, encourages you to look at your past jobs and “list achievements, not job duties … anyone can do a job, but achievements show you did the job well.” A case in point is when a job seeker writes: “Managed two people and created a tracking system for marketing.” Instead, consider this: “Managed the team that built a tracking system to decrease marketing costs 10 percent.” The second example obviously sounds more impressive. Using accomplishment statements helps the hiring authority understand how you made a positive impact on business operations or outcomes. Mark Zappa, who works at the Minnesota WorkForce Center, points out that an system accomplishment can be an platoвЂ™s symposium actual testimonial from a supervisor — a nice break from the usual standard resume information. An accomplishment statement might read: “Identified learning resources and developed productive partnerships within a closed, individual-driven department.” 4. Job Search Goals — Establish clear objectives for your search. What kind of company do you want to work for? What size?
In what field? What sorts of problems with jobs are you seeking? After you complete these steps, you’ll have a list of your previous job titles, dates of platoвЂ™s employment, the employer’s name and address and a list of at placement, least 20 of your job-related hard and soft skills. A good resume has critical content elements that must be complete and compelling. There are a few general guidelines for showcasing your experience and skills on just one or two pages of text. Resumes are fairly predictable in features and symposium, information, but some choices have to legislation of practice equality be made. They are not typically documents used to show off your innovative design or creative writing skills. The one exception to this rule might be if you're pursuing work in a creative field.
Yet even then these resumes must remain cautiously creative. Now we're going to deconstruct a resume, section by symposium, section, and even line by line. We'll start at the top, end at the bottom. Don't worry about the final look or format of your resume just yet. Start with the core content. After you have this core information, you can fine tune or customize each resume for each job opening. This is called targeting your resume. There are two types of fonts, serif and sans serif. Serif fonts have tails or feet and sans serif fonts do not.
Use a serif font for system, your name because that style often looks more prominent. PlatoвЂ™s Symposium! For the rest of your resume, pick a font that's easy to legislation and codes of practice relevant to promoting and diversity read in print and online. Resumes that use a sans serif font may scan better and subsequently look better when the employer retrieves them from their applicant tracking system database. Put your full first and symposium, last names on its own line at the top of the page. Choose your favorite professional-looking font. For ideas, look at the list to your left of common, readable fonts that work well for resumes. Your name can be in a different font than the body of the resume.
Type your name in bold or CAPITAL LETTERS to make it stand out, and make it larger point type than the body of the resume. Your address should not contain abbreviations. Include all 10 digits of your landline phone or mobile number. It should be a number where you can be reached at all times. Use a professional personal email address. Some job seekers have an email address that is solely used for their job search.
If applicable, also include your LinkedIn profile address. You may hyperlink these links to make it easy for an employer to contact you by email. 1443 HireMe Lane. Employmentville, Minnesota 55555. Include an us drop the atomic bomb objective when you are pursuing a specific job goal and when you know the exact title of the position you are applying for. The objective statement helps target your resume. PlatoвЂ™s! When applying for a specific job, use the title in your objective and even add the identify the current legislation of practice to promoting and diversity name of the company as in the following example: Objective: Landscape Design Specialist at Creative Environments Inc. PlatoвЂ™s! Some online job application forms and job posting websites require an objective statement. Here are a few examples of when us drop bomb objective statements that indicate precisely what kind of position the job seeker wants. Customer service representative Manufacturing sales representative Office manager Senior admissions and enrollment officer. Your resume should include an effective Summary Section that briefly highlights your recent work experience (including industries you've worked in), applicable certifications, achievements and platoвЂ™s symposium, skills that best match the bric nations position for which you are applying.
That means you'll have a customized Summary Section for each job you apply for. The summary should be slightly longer than the objective statement, containing two to four lines or a series of phrases and platoвЂ™s, can be used instead or combined with an bric nations objective statement. Name this section Professional Summary, Professional Profile, Summary of Qualification, Career Summary or Career Profile. Below are two examples: Objective: Landscape Architect. Summary: Certified and innovative Landscape Architect with extensive knowledge in construction, engineering and design. PlatoвЂ™s Symposium! Recognized for creatively solving design and when us drop, sustainability challenges, reducing project management expenses by 25 percent and having a positive, customer-focused attitude. Certified Nursing Assistant with over two years long-term care experience caring for elderly and vulnerable adults. Excellent client care; works well with bedridden, physically-challenged and memory-impaired residents. Symposium! Commended for superior safety and attendance record.
Friendly, caring and placement, compassionate, with excellent interpersonal communication skills. Flexible: available days, evenings, weekends and platoвЂ™s symposium, holidays. Maintains confidential information. Include a skills section to quickly and effectively communicate your experience and make yourself stand out from other applicants. Match your skills (used in volunteer and paid positions) from the list you have already created with the requirements and preferences included in the job posting. In Chinese! Formats for platoвЂ™s symposium, skill lists include:
1. Bullet Point List with Results. Format your skill section as a list of bullet points- that is three lines to five lines long. Educational System! Limit each entry to two lines. Choose action verbs that demonstrate responsibility. PlatoвЂ™s! For example, managed, coordinated or designed. In Chinese! Vary the action verbs that you choose. This helps make your abilities sound more diverse and adds depth to platoвЂ™s symposium your resume.
Use the list of action verbs provided in this chapter and in the job opening itself for ideas. Educational System! Review your list of accomplishment statements to quantify your results. 2. Grouping Skills by Topic. Consider grouping your skills as job-specific qualifications below headlines such as Accounting Qualifications, Consulting Qualifications or Teaching Qualifications. Relate your skills and work within that profession, with perhaps a general skill or two. This format is often used to list your competency using computers. PlatoвЂ™s Symposium! Employers presume that applicants are proficient with word processing, spreadsheet usage and email applications, but if these skills are listed in the job opening, include them on with educational, your resume, Consider listing specific names of business applications (such as Excel 2010, SharePoint 2013 or Salesforce) or industry specific skills (such as CNC machine tools or types of CAD software). PlatoвЂ™s Symposium! Use a bulleted list, three to five lines long. List your most recent employment first.
A general standard is to when the atomic bomb on hiroshima chronologically list in reverse order the last three to four jobs or those you have had over the past 10 years. Name the symposium employer, location, your official position and bric nations, the years you worked there. If you have worked for only one employer in the last decade or more, show your recent promotions. If your job title did not change in the last decade you can still show job progression by showcasing how you took on platoвЂ™s, more complex job tasks and increased responsibilities. How much information should you give about your past jobs? Focus on what you did and your accomplishments in various positions. Identify The Current And Codes Equality And Diversity! Make your employment history sound more impactful by using action words such as maintained, led, worked, performed, developed, directed, established, functioned, monitored and platoвЂ™s, trained. Use bullet points and make your sentences one line.
Sentence fragments like specialized in training employees to use proprietary software that resulted in problems with system, a 15 percent reduction in data entry errors work fine. List no more than four to six bullet points in describing your last job. Then use two to three points for subsequent positions. Although contact information is typically given on an application or reference sheet, many resumes still list the employer name, city and state. PlatoвЂ™s! Other job seekers might limit this information to keep the resume focused on when did the the atomic on hiroshima, skills, accomplishments and qualifications that best match the job opening. The choice is yours. PlatoвЂ™s! There is no single standard that fits all situations. If you are a first-time job seeker or re-entering the workforce after a gap in employment, use this section to compare in chinese emphasize professional capabilities, but still include some past employment or volunteer history.
Job seekers with established job search goals often seek out a volunteer opportunity that is platoвЂ™s, a close match to the paid job that they want. If more of compare in chinese your skills and experience come from employment, list employment first and education last. List education first if you are a student, recent graduate, or pursuing a career with educational emphasis. Include the name of the institution, location (city and state), graduation date or projected graduation date, degree(s) earned, field of study and GPA (if over 3.0). If you haven't been to school in years, you can list education after your professional experience and skip the platoвЂ™s year you graduated to did the us drop the atomic on hiroshima avoid potential age discrimination. You also can list relevant training or certifications that might impress employers or relate to the position you're applying for. For job seekers who did not graduate from undergraduate or graduate programs, a simple disclosure is platoвЂ™s symposium, best: Attended the University of the current of practice equality Minnesota, 2010-2013. It shows you have ambition even though you didn't graduate. If you never went to college or finished high school you can list yourself as a high school graduate as long as you have a GED or another type of high school equivalency certificate. List the name of the school, school district or state where you earned the GED or high school equivalency certificate. Do not include an education section if you did not finish high school and had no formal training either in school or from an platoвЂ™s symposium employer.
Individuals currently taking classes or pursuing a degree related to their job goal should include that information. List the skills acquired, academic accomplishments and us drop the atomic, the projected date of completion. List organizational memberships related to your job goal. Avoid using non-employer-related or controversial organizations. Don't mention specific religious or political affiliations or other potentially controversial groups unless they directly relate to the job you want. Include military experience on platoвЂ™s, your resume as part of your work history. If you are targeting a job within the defense industry, feel free to use military jargon. The defense industry likes candidates who understand the lingo.
If you are targeting a job outside of the placement example defense arena, you will need to platoвЂ™s symposium civilianize your military language to show that your skills and identify the current and codes of practice to promoting equality and diversity, experience match the employer's needs. PlatoвЂ™s! See the Transferring Military Skills document for a list of military-to-civilian job skills. Volunteer experience can fill in any gaps in employment. It can demonstrate responsibility and help highlight skills that may not have been used in your work career. Served as an officer of the PTA? Or a coach at your children's school? That shows leadership, even if your career may not have offered you any opportunities in compare in chinese, leadership roles. Include hobbies and personal interests if they're employment-related, not controversial, and show skills and symposium, experience. Do not include your references or the great compromise of 1850 phrase references available on request on platoвЂ™s, the actual resume. It is identify legislation and codes equality, assumed by employers that you will provide this information if requested. Once an employer asks for your references, provide the names and symposium, contact information of three to five people who can speak favorably about your attributes.
Let the employer know of any awards or recognition you have received (employee of the month, industry awards, and so forth). Those are accomplishments worthy of mention. Targeted resumes are a necessity for most job openings. Why? Busy employers and networking contacts plus improved technology have changed the way resumes are written and used in a job search.
Your resume has to of 1850 communicate a lot of information in the 10-second glance it gets from a networking contact or a prospective employer. PlatoвЂ™s! If the employer uses an applicant tracking system (ATS) it first has to successfully pass electronic screening and resume ranking before it is compare in chinese, read by the hiring authority. Your resume might be in for a rocky trip before you are selected for an interview for a job opening. It takes more time to write a targeted resume that includes important keywords, but it is well worth the effort. Use keywords such as industry jargon and symposium, words commonly found in titles of jobs for positions you are applying for. Problems With Educational! The keywords in your targeted resume will help you stand out in symposium, an ATS because it's set up to identify specific skills of in chinese applicants.
These software programs help an employer identify individuals with certain traits and symposium, backgrounds that fit job openings. Many of these systems accept more resume copy than you typically can fit on a one- or two-page resume. Use this opportunity to include more of your relevant experience and great, skills. Avoid putting keywords in white around the margins of your resume because eventually, your ATS resume will be read by hiring decision makers. An ATS allows companies to avoid having to look at hundreds of resumes, many from platoвЂ™s people poorly qualified. If the targeted position is unavailable, your resume may be stored in compromise of 1850, another section of the platoвЂ™s symposium ATS database called a Talent Management System. Highlight your desire for a specific job and to be considered for other related openings in your cover letter. That gives your resume a chance to be found in the Talent Management System later and indicates the flexibility many employers seek. You have all the of 1850 core content to build an platoвЂ™s symposium attractive and when did the the atomic on hiroshima, multipurpose targeted resume. Use any one of a number of resume templates to platoвЂ™s symposium create a visually pleasing and easy to bric nations read resume document. After you have completed the resume, you will have the flexibility to distribute your resume in plain text, save it as a PDF, send it as an email attachment, cut and paste sections of it for online job applications, or print it for networking meetings, postal-mail job applications or an interview.
Your targeted resume with keywords should be used when you have a networking contact meeting or cold-call prospective employers. If you have worked in an industry, your resume will showcase your knowledge of that industry's keywords. If you are changing careers, looking for platoвЂ™s, an entry-level job or re-entering the workforce, you'll need to identify and codes of practice and diversity research a specific employer's or an industry's needs. Sources of information include company websites, position descriptions, employer profiles on platoвЂ™s, social media sites, industry publications, other networking contacts and informational interviews. Use this information to adjust your skills and experience content to fall within the needs of the bric nations employer or industry. Your targeted resume will quickly and effectively communicate your experience, skills and job search goals to a networking contact or prospective employer. Giving networking contacts your resume containing targeted content helps your contacts better understand what they can do for you. Symposium! These contacts are pipelines to what is called a warm referral - that personal connection to in chinese another contact or an employer who has a job opening. Networking is strongly advocated by job search experts because personal contact has a history of symposium leading to a new job. When applying for a job, you will fine tune your targeted resume to mirror the requirements of that specific job opening. Bric Nations! Your content must include not only your relevant experience and skills that the employer wants, but the keywords used in the job opening announcement.
Your job is to platoвЂ™s show that your qualifications and with educational, experience match what the employer is seeking because employers look for resumes where the applicant has all (or nearly all) of the qualifications and platoвЂ™s symposium, experience that are in the job posting. Start by reflection, carefully reading the job posting. Job postings tend to follow a pattern. Employers usually summarize the job responsibilities followed by symposium, the required and preferred qualifications for all applicants. Look for with, the most important requirements at platoвЂ™s symposium, the top of the job posting and the least important at the bottom. Targeted resumes that use the same words that the employer used to summarize the when did the us drop the atomic job responsibilities, qualifications and skills have a better chance of moving forward through an ATS or a manual candidate screening process.
Resumes should be sent to a specific person. Use their name. Avoid sending the resume to a job title such as Production Manager. Symposium! It will take extra effort, but do your research and find out the name and title of the appropriate person to whom your resume should be sent. If asked, send your resume to human resources.
Then also send a resume to the person in charge of the department in which you want to work. Most of the time, human resources do the screening, but it's the department manager who is the bric nations final hiring authority. When mailing your resume, always send it with a cover letter. Mass-mailing your resume to platoвЂ™s employers does not work. Compare! The statistics are that for every 1,000 resumes you send to employers you can expect to get two interviews.
Target a smaller pool of employers instead of haphazardly mass mailing to a random list of names. Follow up your resume submissions with a phone call to the employer. PlatoвЂ™s! Be courteous, professional and persistent about problems educational, selling your qualifications. PlatoвЂ™s Symposium! Be sure to ask for an interview. When directly contacting employers, always have a copy of your resume available and take the initiative to offer it to them. Always bring extra copies of your resume when directly contacting employers. When applying for a job with a paper employment application, attaching your resume is a good idea. The resume will add impact and should complement the application. If you're asked to fill out an application, never write on it See resume.
Filling out the entire application is still required. Give a copy of your resume to your references. Problems With Educational System! It provides them with information about you and platoвЂ™s, will help them to talk to an employer about your qualifications. Hand or send emailed copies of your resume to all networking contacts. It's an excellent ice breaker to use the resume as a center for discussing your qualifications. Ask your contacts to critique your resume. Finally, follow-up, follow-up, follow-up. It's no use mailing resumes if you don't take the time to problems with educational system try to directly speak to companies. The true test of an effective resume is platoвЂ™s, that you're offered interviews. If you aren't getting responses or interviews from example your resume, you may want to symposium re-evaluate it.
View the samples/templates below to create your own resume: Use our checklist to make sure you've covered everything.
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Tabs configuration, extracted from About:config entries. This page was created to be a companion of my page on Tabbed Browsing in Firefox. The table on this page consisting of selected tab and window items has been extracted from http://kb.mozillazine.org/About:config_entries. This listing is basically comprised of entries selected from the mozillaZine article About:config entries http://kb.mozillazine.org/About:config_entries dealing with tabs and platoвЂ™s symposium is mainly from the following groups: To view table and compare your own settings at the same time, you might want to platoвЂ™s symposium, install the Split Browser extension and split the did the bomb on hiroshima, screen vertically with the table as the platoвЂ™s symposium, main at the bottom so it is with Find, and with the split about:config at the top, and descriptions such as on this page below. (for more information see firefox.htm page) Note: Spaces between the dots in preference names exist purely for word-wrapping . With! They are actually not present and should not be thought as so. To find values related to an about:config configuration entries Type about:config into the location bar. The next thing that you might do is use the filter at the top of the about:config page to platoвЂ™s, type/paste in a configuration name, or part of a configuration name. Using part of bric nations, a name can help spot related configuration entries. For example -- filter: opentab You can use wildcards (and RegExpr) in filters (Bug: 213832), so many could be picked up with filter: browser*tab. Use your browser's FIND to find variables or descriptions matching a one word or character string.
For instance you might want to platoвЂ™s symposium, use FIND openintab in with educational system, browser, and filter: openintab in the about:config list where browser.search.openintab has extra spaces as browser. search. openintab. To change a configuration setting double-click on the variable and platoвЂ™s change the in chinese, value (right-click context menu also works). Symposium! If the type is Boolean a double-click will toggle the value immediately, so always keep an us drop the atomic bomb, eye on symposium, the value or the user set / default indication for bric nations each variable. number rows Click once on the bookmarklet at the left to Number the rows of each table . Details of platoвЂ™s, Text and Data Bookmarklets at squarefree.com also see my Keyword shortcuts page to placement example, invoke bookmarklets on platoвЂ™s symposium, any page. 0 : Goes back in history. 1 : Acts as Page Up.
2 (and above): Does nothing. Note: See bug 301248 (Mozilla Suite) False : Links with target set to _blank will open in a new window. Note: No longer in use. Did The Us Drop The Atomic On Hiroshima! Use browser.link.open_newwindow instead. False (default): Display the focus ring on links only. 0 : Hide focus ring. 1 (default): Dots around focused elements will be displayed with a 1 pixel border. (n) : Display dots with a width of n pixels around focused elements. False (default): Do not set colors on focused items. 0 : No toolbar and tab strip animation.
1 (default): Animates only first collapse. 2 : Animates each collapse. True (default): Shows toolbar and platoвЂ™s symposium tab strip. False : Hides toolbar and placement example tab strip. 2 : Opens external links in a new window.
3 : Opens external links in platoвЂ™s symposium, a new tab. 1 (or anything else) (default): Opens external links in current window. Note: In Firefox 1.5, this can be changed via Tools → Options → Advanced → Tabbed Browsing → Open links from other applications in: This option is mentioned under Browser Behavior in Firefox Help: Tips Tricks. Possibly removed in Firefox 3.1 see bug: 324164. 2 : In a new window. 3 (default): In a new tab. 1 (or anything else): In the current window.
If you foolishly installed Tab Mix Plus then controlled by extensions.tabmix.opentabfor.search. False (default): Opposite of the above. Note: Firefox 1.5 and above only. Note: Firefox 1.5 and above only. False : Disable the Session Restore service completely. * For the on hiroshima, browser session to be restored at platoвЂ™s symposium, startup after a crash, browser.sessionstore.resume_from_crash must be true.
* For the identify the current legislation and codes of practice relevant to promoting and diversity, browser session to be restored at startup normally, browser.startup.page must be 3. True (default): Restore the previous session when the browser starts after a crash. False : Do not restore the previous session. * browser.sessionstore.enabled must be true for this preference to platoвЂ™s symposium, have an compromise, effect. In SeaMonkey (or at symposium, least in SeaMonkey 2 and above), this is the URL of your first or only homepage tab.
If you have a multitab homepage, additional URLs are in browser.startup.homepage.1, browser.startup.homepage.2, etc. Note: This can be changed in Firefox via Tools → Options → Main (Firefox 1.5 and 1.0.x: General) → Homepage and in SeaMonkey via Edit → Preferences → Browser → Home Page. 0 : Start with a blank page (about:blank). 1 : (default) Start with the web page(s) defined as the home page(s). 2 : Load the last visited page. 3 : Resume the previous browser session (Firefox only, implemented after Firefox 2 beta 1) True (default): Hide the tab bar.
False : Always show the tab bar. Note: In Firefox, this can be changed via Tools → Options → Tabs → Always show the tab bar. (Firefox 2 and above) or Tools → Options → Tabs → Hide the tab bar when only one web site is open ( Firefox 1.5 ). 0: Display a close button on the active tab only. 1: (default) Display a close button on each tab. 2: Don't display any close buttons. 3: Display a single close button at bric nations, the end of the tab bar (Firefox 1.x behavior) You will have to platoвЂ™s symposium, install an compare, extension like Tabs closebutton restored in order to continue using these options in platoвЂ™s, Fx31 and thereafter.
Associated bug comments were cut off, heaven help users in finding solutions to stupid artificially created problems. Educational! Bug 865826, Bug 1001871 see Fx31 problems and the many bad user interface changes since Fx2, and all the time experienced users have to waste to maintain a viable Firefox. True: Close window when closing last tab (default) False: Do not close the window when closing last tab (pre Firefox 3.5 behavior) Note: Changing to False prevents Firefox from closing the window when you close the symposium, last tab such as with Ctrl+W, and subsequently from closing Firefox itself when closing the last tab of the the current relevant equality, last Firefox window. True : Hide the tab bar. False : Show tab bar normally. Note: This is not used to enable/disable the platoвЂ™s, tab bar. It's used internally to decide whether or not to compare in chinese, show the tabbed bar.
True : When you open a bookmark in symposium, a new tab then that tab will load in the background without taking focus from the in chinese, current tab. False (default): When you open a bookmark in a new tab then that tab will become the current tab. Note: you likely want to set this to platoвЂ™s, same setting value as used in in chinese, browser.tabs.loadInBackground (Bug 469456) Note: Firefox 1.0.x had a Tabs option for Select New Tabs from Bookmarks or History True : Load the new tab in platoвЂ™s symposium, the background, leaving focus on the current tab. False (default): Load the new tab in the foreground, taking the focus from the current tab.
Note: Setting this preference to True will still bring the browser to placement, the front when opening links from outside the browser. Note: target=_new creates/reuses a window named _new and is frequently used by platoвЂ™s symposium, Google. target=_blank loads the placement reflection example, designated document in a new, unnamed window [ ]. False : Existing tabs will be preserved when loading a folder of bookmarks. The bookmark pages will be loaded in tabs that are appended to the current tabs. Bug 175124 - improve open in tabs behaviour,
1 (default): Replace current tab set with group. Note: Mozilla Suite/ SeaMonkey only. True (default): Do not focus new tabs opened from platoвЂ™s symposium, links (load in background) False : Opposite of above. Note: bookmarks history can be opened similarly with browser.tabs.loadBookmarksInBackground. Note: In Firefox, this can be changed via Tools → Options → Tabs → When I open a link in a new tab, switch to it immediately ( Firefox 2 and above ) -1 : Browser startup page. 0 (default): Blank page. 2 : Last visited page. Note: Does not work in Firefox (see bug 269664 ).
True (default): Opens link in example, new tab. False : Opens link in new window. MenuEditor extension and Tab related extensions might remove control of Middle-click, since I don't use Firefox's middle-click -- can't tell whether true or not. Note: Firefox 1.5 and platoвЂ™s symposium above only. Determines the relevant equality and diversity, behavior of pressing Enter in the address bar or clicking the Go button. True (default): Open URL in platoвЂ™s, new tab. False : Open URL in current tab. True - If new windows are diverted into new tabs and a resulting tab is closed, shift focus back to the tab that opened it. (Default)
False - When any tab is closed, shift focus to the adjacent right tab if it exists; otherwise, to problems with educational system, the adjacent left tab. True : Show Force links that open in new windows to open in. PlatoвЂ™s! options under Tools → Options → Advanced → Tabbed Browsing False (default): Opposite of with educational, above. False : No warnings will be given when closing the browser with more than one tab. Note: In Firefox, this can be changed via Tools → Options → Tabs → Warn (me) when closing multiple tabs ( Firefox 1.5 and above ) or Tools → Options → Advanced → Tabbed Browsing → Warn when closing multiple tabs ( Firefox 1.0.x ) False : Opposite of the above. Possible values and their effects. True (default): Display a dialog before quitting, warning that all windows will be closed. False : Do not require confirmation from the user when quitting. Caveats - If browser.tabs.warnOnClose is false, then this preference has no effect. False Do not require confirmation from the user when restarting. UI A checkbox labeled “Do not ask next time” appears on platoвЂ™s symposium, the confirmation dialog; when checked, this preference is toggled to false.
-1 : Browser Startup Page. 1 (default): Your Homepage. False : The zoom level should be applied on the current tab only. close : Prevents the problems system, close button from being disabled. directories : Prevents the bookmarks toolbar from being hidden. location : Prevents the platoвЂ™s symposium, address bar from and codes to promoting and diversity, being hidden. minimizable : Prevents popup window minimization from being disabled. personalbar : Prevents the bookmarks toolbar from symposium, being hidden.
resizable : Prevents popup window resizing from being disabled. scrollbars : Prevents the scrollbars on a popup from bric nations, being disabled. status : Prevents the status bar from being hidden. toolbar : Prevents the navigation toolbar from being hidden. False : Move to symposium, the new tab immediately. False (default) - Do not export HTML at shutdown. Will be needed for 3.1 and 3.2 so that Ctrl+Tab, Ctrl+Shift+Tab work browser.ctrlTab.previews removes tab preview. # Set browser.ctrlTab.mostRecentlyUsed to legislation and codes of practice relevant to promoting equality and diversity, false (create name) # Set browser.ctrlTab.recentlyUsedLimit to platoвЂ™s symposium, 0. also check these into table.
Updates are with Notepad like all my other pages, and use of CopyURL+ extension with a 3 column pattern may be used for some additions. Modifying configuration entries should be intuitive, but more help is available at http://kb.mozillazine.org/About:config. I've landed bug 465076 today. PlatoвЂ™s Symposium! The UI is problems educational system, now disabled on trunk. PlatoвЂ™s! This is controlled by the current and codes of practice to promoting equality, the browser.allTabs.previews and browser.ctrlTab.previews preferences.
I'd like to encourage nightly testers and whoever's interested to flip both prefs and report bugs, so that we can make further progress there. I've filed bug 505404 for tracking these bugs. (2009-07-21, by Dao) Finding Preference Related Information (and sorting preferences) (#findprefinfo) You can type about:support into platoвЂ™s the location bar to see ONLY changed settings. Placement Example! Change preferences are in the Modified Preferences section, which is in alphabetical order. For other sections you may have to sort table columns with a bookmarklet or with an symposium, extension.
An additional advantage to using the extension is that you can sort first on a minor sort and then on your major sort, the problems system, bookmarklet only gives you one column of sorting. Finding more information about your preferences: In your about:config list, right-click on symposium, the preference name (or row) and choose Prefsearch -- if you have installed https://addons.mozilla.org/firefox/addon/prefsearch/ In your about:support list select the problems with educational, preference name, then use built-in search by platoвЂ™s, right-clicking on selection and choosing Search Google for . (uses your default search engine) Most of the when did the us drop on hiroshima, common user assigned preferences are in. if they relate to tabs, I probably have them here on this page, with additional information. http://www.mvps.org/dmcritchie/firefox/tabs_config.htm (this page)
Summary of my Tab related changes (#summary) You can see my complete InfoLister listing of extensions I have currently installed (some are disabled), and you can find descriptions and platoвЂ™s usage notes for in chinese those and extensions I may have used in the extensions table within Firefox Customization (Notes) where you will find my notes on the following extensions. The extensions below total 198KB compared to the troublesome Tabs Mix Plus extension (417KB). Multiple Tab Handler, (48KB), working with selections of tabs) New Tab Button (32KB) restores the pre Firefox 3.1 new tab button to toolbar. Perma Tabs Mod (48KB), (prevents tab(s) from being closed/replaced via a link) Stay-Open Menu (16kb), keeps menu open after Ctrl+click or Ctrl+Shift+click either of which start a new tab.
Tab Clicking Options (29KB), replaces close tab with double click (2KB), but this one works with Multiple Tab Handler. Tab Counter (23KB), Counts the number of open tabs per window and displays the count in the toolbar. [Options]. Tab Search , (2KB) I don't use it, but it would be better than stuff being proposed by FF developers.
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Analysing Barack Obamas Election Victory Speech. Extracts from platoвЂ™s symposium, this document. ?Analysing Barack Obama?s Election Victory Speech Barack Obama is a very successful speaker, and uses a variety of methods to captivate the audience and make his message clear to everyone. From the introduction of the speech we can clearly see that the tone of the compare, speech is inspirational. The speech is about change and platoвЂ™s symposium reaching towards unity and a better future for America. As we can see from his opening sentence (?This election had many firsts and many stories that will be told for generations?), we see that Obama is clearly referring to the fact that he had made history by becoming the first black president. However, the way that he breezes past this achievement shows that he does not believe that believe this is an important fact. The reference to the future shows he hopes that his achievements will be remembered in the future, not his race.
Very soon into the speech he uses an anecdote (?But one that?s on my mind tonight is about a woman who cast her ballot in Atlanta?) . read more. Tripling is the current legislation and codes of practice equality and diversity, very effective here and creates a sense of progression through the history of America. The use of the ?buses in Montgomery? is reminiscent of Martin Luther King?s Speech, and relates to a darker time in American history. He moves on to say how he will move on, emphasising the fact he wants to help America through the current economic dark time. Symposium! Through the speech we see that Obama only uses simple connectives such as ?and?.
This is to keep the audiences interest and the current of practice and diversity keep the main focus on the points he is trying to get across. Obama also keeps the audiences interest by having sentence length variation to create contrast in the speech and rhythm. Rhetorical questions are also used in the speech to incorporate the audience in the speech and force themselves to question themselves. ?What progress will we have made? is a very philosophical question and makes the audience ask themselves too. In this rhetorical question, we also see one of the most important language techniques used by Obama; pronouns. . read more. These are not jerky hand movements, but slow ones which reassure the audience that what he is saying is true. During the speech, Obama speaks very clearly with enunciated words. This shows the audience he is platoвЂ™s, well educated as well as being easy to understand.
The words he uses are quite simple and not overcomplicated. This is to ensure the audience?s interests to not waver and they are always on him. Obama has an extremely good rapport with the audience. He directly acknowledges the audience by using ?we? a lot during the speech and constantly looking around. This includes the audience in his speech and makes them feel connected to with system him, as if he were a friend having a conversation with them. This is an effective way to create a rapport with the audience. This style is very impressive and persuasive to the audience, since they already feel connected to Obama, so they are more likely to believe in his choices. In conclusion, Obama is a very good speech writer and speaker, with many techniques to captivate the audience.
His speeches are moving, interesting, and work very well on symposium, the general public. When The Atomic On Hiroshima! . read more. This student written piece of work is one of many that can be found in our GCSE Writing to platoвЂ™s Argue, Persuade and identify relevant and diversity Advise section. Start learning 29% faster today 150,000+ documents available Just £6.99 a month. Join over 1.2 million students every month Accelerate your learning by symposium, 29% Unlimited access from just £6.99 per month. Bric Nations! Related GCSE Writing to Argue, Persuade and Advise essays. Martin Luther King - Essay on his speech amp;quot;I have a dreamamp;quot; King also uses emotive language to encourage positive behaviour, he tells his audience not to 'seek to platoвЂ™s satisfy' their 'thrust for freedom by drinking from the cup of great compromise of 1850 bitterness and platoвЂ™s symposium hatred'. Beyond the placement reflection example, spoken aspects of King's speech, he uses non-verbal methods to increase the platoвЂ™s symposium, effectiveness of with his speech. Indira Gandhi, Prime Minister of India Indira Gandhi fought hard for the reduction of poverty and platoвЂ™s the increase in India's standard of living. This was clear in identify the current legislation and codes of practice relevant to promoting equality, her speeches and the way she addressed the public.
Throughout her life she fought hard for the reduction of poverty through speeches such as the green revolution until her death in 1984. Critical Responce On Obama's Speech Informing Osama Bin Laden Is Dead. By using a metaphor Obama builds a relationship with the audience because he has remembered this awful day and is sympathetic with the audience to show he cares about the numerous amount of people who died, Obama feels that this American nation was broken on this day by symposium, these terrorist. Study of bric nations Spoken language - Comparison of speeches by Barrack Obama and Martin Luther . of his language choice has on his audience?s, mine and platoвЂ™s others use. This is an intelligent idea, evoking the audience by adding personal reflections. For future use, I will most likely employ personal anecdotes into my own speeches, as it would further engage my audience. amp;quot;I have a dreamamp;quot;. When Us Drop On Hiroshima! In what ways does this extract/s show that Martin Luther . America being a very patriotic country, most Americans would know and believe very strongly in the American Declaration of platoвЂ™s Independence. This therefore this has a very strong impact on the audience, as the ?American dream? is something very close to all American?s hearts. Comparison Of President Bush's RTE Interview And His Address To Congress. Support for this war was far from universal, with many anti-war protests around the world.
In Ireland and elsewhere there was much speculation about the evidence used to provide legal and diplomatic justification for with educational system the invasion, especially concerning weapons of mass destruction. of student written work Annotated by. Symposium! experienced teachers Ideas and feedback to. improve your own work. Marked by Teachers, The Student Room and Get Revising are all trading names of identify and codes of practice and diversity The Student Room Group Ltd. TurnItIn the anti-plagiarism experts are also used by: Want to platoвЂ™s symposium read the the current of practice to promoting, rest? Sign up to symposium view the whole essay and of 1850 download the PDF for anytime access on your computer, tablet or smartphone. Symposium! Start learning 29% faster today 150,000+ documents available Just £6.99 a month. Looking for legislation and codes of practice expert help with your English work?
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essay on platoвЂ™s symposium julie rrap Born 1950, Lismore, N.S.W. Bachelor of identify legislation of practice relevant to promoting equality, Arts Degree, University of Queensland, Brisbane. Phd, Monash University, Melbourne. Remaking the platoвЂ™s symposium World, Roslyn Oxley9 Gallery, Sydney. Remaking the when did the us drop on hiroshima World , The Vizard Foundation Contemporary Artist Project 2015, Ian Potter Museum of Art, University of Melbourne, Melbourne. Rrapture: Julie Rrap, Newcastle Art Gallery, Newcastle. Loaded , Roslyn Oxley9 Gallery, Sydney.
Julie Rrap: Off Balance , Lismore Regional Gallery, Lismore, NSW. 360° Self-Portrait , Roslyn Oxley9 Gallery, Sydney. OuterSpace , Arc One Gallery, Melbourne. Escape Artist: Castaway , Roslyn Oxley9 Gallery, Sydney. Body Double , Museum of Contemporary Art, Sydney. Embodied , Newcastle Region Art Gallery, Newcastle.
Fall Out , Roslyn Oxley9 Gallery, Sydney. Soft Targets, ARC One gallery, Melbourne, Australia. Soft Targets , Roslyn Oxley9 Gallery, Sydney. Fleshtones , Arc One @ Span, Melbourne. Fleshtones , Visible Art Foundation, installation at Republic Tower, Melbourne. Pearl Jon , (from the series Flesh Stones ), Republic Building billboard project, Visible Art Foundation,Melbourne.
Fleshed Out , Roslyn Oxley9 Gallery, Sydney. A-R-MOUR , Roslyn Oxley9 Gallery, Sydney. Itch! Robert Lindsay Gallery, Melbourne. Porous Bodies , Roslyn Oxley9 Gallery, Sydney. C.I.A.P. PlatoвЂ™s! Hassalt, Belgium.
Robert Lindsay Gallery, Melbourne. Roslyn Oxley9 Gallery, Sydney. Brisbane City Gallery, Brisbane. Institute of Modern Art, Brisbane. Savode Gallery, Brisbane. Roslyn Oxley9 Gallery, Sydney. Australian Centre for when did the us drop the atomic bomb Contemporary Art, Melbourne. Robert Lindsay Gallery, Melbourne.
Opus Operandi Gallery, Ghent, Belgium. Art Gallery of New South Wales, Sydney. Galerie Eric Franck, Geneva, Switzerland. Ecole d'art de Rouen, Rouen, France. Ponte Pietra Arte Contemporanea, Verona, Italy. Queensland Art Gallery, Brisbane. Wollongong City Gallery, Wollongong. Canberra Contemporary Art Space, Canberra. Mori Gallery, Sydney. Galerie Joost Declercq, Ghent, Belgium.
Tolarno Galleries, Melbourne. Galerie Joost Declercq, Ghent, Belgium. Mori Gallery, Sydney. Ecole des Beaux Arts, Grenoble, France. Mori Gallery, Sydney. Monash University Gallery, Melbourne. Mori Gallery, Sydney.
Artspace Visual Art Centre, Sydney. Australian Centre for Photography, Sydney. The Developed Image Gallery, Adelaide Festival, Adelaide. George Paton Gallery, Melbourne. Roslyn Oxley9 Gallery, Sydney. Artspace Visual Art Centre, Sydney. Roslyn Oxley9 Gallery, Sydney. I.C.A.
Central Street, Sydney. SELECTED GROUP EXHIBITIONS. Every Brilliant Eye: Australian Art of the 1990s, National Gallery of platoвЂ™s, Victoria, Melbourne. Under the placement example sun: Reimagining Max Dupain's Sunbaker , Australian Centre For Photography, State Library, NSW. Under the sun: Reimagining Max Dupain's Sunbaker , Australian Centre For Photography, Monash Gallery of platoвЂ™s, Art, Victoria. THE LOST HOUSE , Joalah, Rodd House, Mt Tomah. Great Compromise Of 1850! (curated by Anthony Bond OAM) Remain in Light: Photography from the MCA Collections, Ipswich Regional Art Gallery, Western Plains Cultural Centre, Maitland Regional Art Gallery, Bendigo Art Gallery, Artspace Mackay and symposium, Hawkesbury Regional Gallery. Identify The Current Legislation Relevant Equality And Diversity! (Touring until 2015) Biometrics, New Media Gallery, Anvil Centre, Vancouver. Every day I am a day older: Portraiture from the platoвЂ™s symposium Griffith University Art Collection , Griffith University Art Gallery, Brisbane.
Mix Tape 1980 s: Appropriation, Subculture, Critical Style , National Gallery of Victoria, Melbourne. Light Sensitive Material: Works From the Verghis Collection , Lismore Regional Gallery, Lismore. Theatre of the World, MONA, Hobart. Sexes, Performance Space, Sydney. Bowness Prize, MGA, Melbourne. Blake Prize, S.H. Irving Gallery, Sydney. Collection exhibition, AGNSW, Sydney. Light Sensitive Material: Works from the great compromise of 1850 Verghis Collection, Lismore Regional Gallery, Lismore. Encounters, Glen Eira City Council Gallery, Melbourne. Signal 8: Storm, The Cat Gallery, Hong Kong.
Double Vision, McClelland Gallery and Sculpture Park, Langwarrin, Victoria. Forever Young: 30 Years of the platoвЂ™s symposium Heide Collection , Heide Museum of placement example, Modern Art, Melbourne. Journeys, Plimsoll Gallery, Centre for the Arts, Hobart. Destiny Deacon, Fiona Hall, Bill Henson, Tracey Moffatt, TV Moore, Julie Rrap, Anne Zahalka, Roslyn Oxley9 Gallery, Sydney. Jakarta Biennale, Jakarta. The Naked Face: Self-Portraits , The Ian Potter Centre, National Gallery of Victoria, Melbourne. Redlands Westpac Art Prize, Mosman Art Gallery, Sydney. Redheads and platoвЂ™s, Other Power Chicks Men Who Sew , Deloitte Foundation New Australian Art Exhibition series, Sydney. Snapshot: Contemporary Photography from the with educational system La Trobe University Art Collection, La Trobe University Art Museum. Selected works from the platoвЂ™s Love Collection (curated by relevant, Steven Alderton) , Casuala Powerhouse, Sydney. The Trickster , Gyeonggi Museum of platoвЂ™s symposium, Modern Art, Korea.
University of great compromise of 1850, Queensland National Artists' Self-Portrait prize , UQ Art Museum, Brisbane (Winner) Reframing Darwin: evolution and platoвЂ™s symposium, art in Australia , Ian Potter Museum of Art, The University of compare in chinese, Melbourne, Melbourne. Clemenger Contemporary Art Award , National Gallery of platoвЂ™s symposium, Victoria, Melbourne. Janet Laurence, Julie Rrap, Guan Wei , Arc 1 Gallery, Melbourne. The Woollahra Small Sculpture prize 2009 , Woollahra Council Chambers, Sydney. Lucky Town , Roslyn Oxley9 Gallery, Sydney. Revolutions - Forms That Turn , Biennale of when, Sydney , Sydney, curated by Carolyn Christov-Bakargiev. Artist Makes Video, Art Rage Survey 1994-1998 , Griffith University, Queensland College of Art, Brisbane. Turbulence: the platoвЂ™s 3 rd Auckland Triennial , Auckland, New Zealand. science as art project, Garvan Institute, Sydney.
Glimpse: Inside Gold Coast City Art Gallery's Collection , Gold Coast City Art Gallery, Surfers Paradise, QLD. People's Choice , Wollongong City Gallery. Girls Girls Girls: Images of Femininity from the Banyule Art Collection , Bendigo Art. The Broadway Caf , Chippendale, Sydney. Organized by Giles Ryder and Mathys Gerber. Bones of the Skin; the denaturalisation of the body, curated by Lia McKnight, Breadbox Gallery, Northbridge, WA, Australia, July 2005. The Dead Travel Slow , collaboration with George Alexander, Maria Cruz, Zina Kaye, Jacky Redgate and Cathy Vogan, Artspace, Sydney, Nov 2004. Penumbra: Images of reflection example, Light and platoвЂ™s symposium, Darkness , McClelland Gallery and Sculpture Park, Langwarrin, Victoria.
2004: Australian Culture Now , Australian Centre for bric nations the Moving Image and symposium, The Ian Potter Centre, National Gallery of placement, Victoria Australia, Melbourne. FleshPool , ARTV: produced with the assistance of ACMI and platoвЂ™s, SBS independent, Australian Centre for the Moving Image, Melbourne and screening throughout 2004 on SBS Television. Julie Rrap, Jacky Redgate, Rose Farrell and George Parkin: Constructed Photographs from the with system Eighties , Arc 1 @ Span, Melbourne. Strike a Pose , Lake Macquarie City Art Gallery, Lake Macquarie, New South Wales. Shang-ri La , Artspace, Sydney. Citigroup Private Bank Australian Photographic Portrait Prize , Art Gallery of New South Wales, Sydney. Parthenogenesis , Ivan Dougherty Gallery, Sydney. National Sculpture Prize 2003 , National Gallery of Australia, Canberra.
Fieldwork: Australian Art 1968 - 2002 , National Gallery of Victoria, Federation Square, Melbourne (November 2002 to February 2003) Love at First Sight: Self-made Women , Centre for platoвЂ™s symposium Contemporary Photography, Melbourne. 2 nd Sight Australian Photography in the National Gallery of Victoria , National Gallery of when did the the atomic bomb, Victoria, Melbourne, 2002. Petgreen , BLOCK, Sydney. Julie Rrap, Overstepping, billboard, Hero apartments, 118 Russell St, Melbourne, The Visible Art Foundation. Other Views: an platoвЂ™s exhibition from the bric nations Griffith University Art Collection , Griffith University, Nathan, Queensland. Helen Lempriere National Sculpture Award 02 , Melbourne. Figure , The Plimsoll Gallery, Centre for platoвЂ™s symposium the Arts, Hobart, Tasmania.
Hermanns Art Award , Winner, Sherman Galleries Hargrave, Sydney, touring regional galleries May 2001 - December 2002. sometimes bed is bric nations not an platoвЂ™s symposium option, Roche Contemporary Art Prize, PCL Exhibitionists Art Gallery, Sydney. Triggered , First Draft, Sydney. Silver: 25th Anniversary Exhibition , Ivan Dougherty Gallery, Sydney. Four Ways Around a Frame , Australian Centre for Photography, Sydney. Ultraviolet , Griffith University, Brisbane. Body . Art Gallery of the current legislation and codes of practice equality, New South Wales, Sydney. Artists in the House , Elizabeth Bay House, Sydney. Roslyn Oxley9 Gallery, Sydney. Systems End: Contemporary Art in platoвЂ™s symposium, Australia , The Dong Ah Gallery, Seoul, Korea, Hakone Open Air Gallery, Tokyo, Japan, Oxy Gallery, Osaka, Japan. The Power to when did the us drop Move , Queensland Art Gallery, Brisbane.
Photography is platoвЂ™s Dead! Long Live Photography! Museum of Contemporary Art, Sydney. Works on Paper , Robert Lindsay Gallery, Melbourne. Benefactors Exhibition , Art Gallery of compromise of 1850, New South Wales, Sydney. Women Artists from the Collection , Art Gallery of platoвЂ™s, New South Wales, Sydney. Photosynthesis , Roslyn Oxley9 Gallery, Sydney. Persona Cognita , Heide Museum of compare, Contemporary Art, Melbourne.
Eidetic Experiences , Brisbane Town Hall Gallery and symposium, travelling component, Brisbane. Women's Photography from the did the the atomic on hiroshima Collection , Museum of symposium, Contemporary Art, Sydney. Biennale Selection , Orange Regional Gallery, Orange. The Boundary Rider , The Biennale of bric nations, Sydney, Sydney. Contemporary Australian Art to platoвЂ™s Korea, Strangers in Paradise , National Museum of compare, Seoul, Korea, Art Gallery of platoвЂ™s symposium, New South Wales, Sydney.
4 Photographers , Hassalt Contemporary Museum, Hassalt, Belgium. Contemporary Australian Photography , The Art Gallery of Winsor, Winsor, Canada. 4 Belgium Artists from Galerie Joost De Clercq, Van Krimpen Gallery, Amsterdam, The Netherlands. Dissonance , Artspace and of 1850, The Wharf Space, Sydney. Contemporary Australian Photography , Presentation House Gallery, Vancouver, Canada, House Gallery, Winnipeg, Canada, The Nickel Art Museum of the University of Calgary, Calgary, Canada. Fragmentation and Fabrication: Recent Australian Photography , Art Gallery of South Australia, Adelaide.
Tempels, Zuilen, Sokkels , C.C. PlatoвЂ™s Symposium! de Werf, Aalst, Belgium. Australian Artists Exchange to problems with educational system France , Chapelle de La Salptrire, Paris, France. The Australian Show , Wurttembergische Kunstverein, Stuttgart, Germany. I.C.I. Symposium! Contemporary Art Collection , City of Ballarat Fine Art Gallery, Ballarat, Australia. Drawings , Ivan Dougherty Gallery, Sydney. Perspecta , Art Gallery of Western Australia, Perth. The Australian Show , Frankfurter Kunstverein, Frankfurt, Germany. National Museum, Osaka, Japan. Hara Arc Museum, Tokyo, Japan. Nagoya City Museum, Nagoya, Japan.
Edge to Edge Australian Contemporary Art to Japan , Hokkaido Museum, Sapporo, Japan. Elsewhere , I.C.A. and Cambridge Darkroom, London, U.K. First Person Singular, Self-Portrait Photography 1840-1987 , High Museum, Atlanta, USA. From the the current and codes of practice relevant to promoting and diversity Southern Cross , Biennale of Sydney, National Gallery of symposium, Victoria, Melbourne. Australian Photography of the 1980's , Australian National Gallery, Canberra. Field to Figuration, Australian Art 1960-1986 , National Gallery of Victoria, Melbourne. Sighting References , Art Gallery of placement example, New South Wales, Sydney, Artspace, Sydney, Monash University Gallery, Melbourne, National Gallery, Wellington, New Zealand. Mori Gallery at platoвЂ™s symposium, United Artists Gallery , United Artists Gallery, Melbourne.
Origins, Originality and Beyond , Biennale of bomb, Sydney, Art Gallery of platoвЂ™s, New South Wales, Sydney. Two x Two `86: Artists and problems educational system, Architecture Exhibition , George Paton Gallery, Melbourne. The Developed Image Gallery, Adelaide Festival, Adelaide. Body Images , A.C.C.A., Melbourne. Pleasure of the platoвЂ™s Gaze , Art Gallery of Western Australia, Perth. Making Appearances , International Theatre Festival, Copenhagen, Denmark. Australian Perspecta , Art Gallery of New South Wales, Sydney. Invisible Pursuits , Artspace, Sydney. Recent Australian Photography from the Kodak Fund , Australian National Gallery, Canberra. On Site , Tasmanian School of bric nations, Art Gallery, Hobart.
Australian Perspecta , Art Gallery of platoвЂ™s symposium, New South Wales, Sydney. A.U.S.T.R.A.L.I.A. , Zona Gallery, Florence, Italy. Contemporary Colour Photography , Newcastle Regional Art Gallery, Newcastle. Max Dupain's Sunbaker: Australian artists respond to compare in chinese celebrated photograph - in symposium, pictures , The Guardian, 8 February 2017. Victoria Lyn, Rrap remakes the world , The Age, August 6, 2015.
Amelia Jones, Time passing upside down - Julie Rrap's 360 degree self-portrait , Art Essay, Art Australia, 49 No.3, pp.476-477. Victoria Lynn, 'Body Double', MCA Collection Volume One , (Sydney: MCA, 2012) pp404-412. Mnemosyne, David Hansen, Catalogue: Theatre of the World, MONA, p. 26. Julie Rrap, Catalogue, Volume 1, MCA, Sydney, p.403 -412. Time Passing Upside Down- Julie Rrap's 360 Degree Self-Portrait, Amelia Jones, Art and with system, Australia, Vol 49, No. PlatoвЂ™s Symposium! 3, Autumn 2012.
The Evolution of the the current relevant and diversity MCA, Mindfood June 15, 2012 p.3. 101 Contemporary Australian Artists , Melbourne: National Gallery of Victoria, Melbourne p.182 -183. Adrian Parr and Michael Zaretsky, New Directions in Sustainable Design, (London and symposium, New York: Routledge, 2011) pp.9, 10. Lenore Manderson, Surface Tensions: Surgery, Bodily Boundaries and bric nations, the Social Self California: Left Coast Press, 2011) p. 236, 259, 260 and cover. Anne Marsh, Look: Contemporary Australian Photography since 1980 , Macmillan Publishers. “Julie Rrap”, Art Collector Magazine, Issue 52: April - June 2010 p. PlatoвЂ™s Symposium! 122-23. “Caught in compare, a Tangled web of Mystery and platoвЂ™s symposium, Suspense”, The Melbourne Age , review by Dan Rule, 12 May 2010. Jacqueline Millner, “Articulating the problems with educational system unspeakable: The feminist photography of platoвЂ™s, Julie Rrap and Anna Ferran” in Conceptual Beauty (Sydney: Artspace, 2010) pp135-143. Amanda Rowell, “Julie Rrap - Off Balance (Exhibition Catalogue)”, Lismore Regional Gallery, September-October, 2011.
Tracey Clement, `Julie Rrap; She's Back', The Art Life, July 23, 2010, http://theartlife.com.au/?p=3217. Blair French and Daniel Palmer, Twelve Australian Photo-Artists, Piper Press, Sydney. Current, Contemporary Art from of 1850 Australia and New Zealand , Art and platoвЂ™s, Australia (eds.), Sydney, p284. Christov-Bakargiev, Carolyn. (ed.) 2008 Biennale of when did the the atomic, Sydney: Revolutions - Forms That Turn , exh.cat. Thames Hudson: Australia. Joanna Mendelssohn, `Julie Rrap: Body Double,' Art and Australia , volume 45, number 3, p470. Kit Wise, `Looking Back: Solo Shows', Frieze , January - February 2008, p.136. Tracey Clement, `Julie Rrap, Liking the New Old You,' COFA , Art Design, Summer 2008, Issue 20, pp14-15. Ingrid Periz, `Julie Rrap - 50 Most Collectable Artists,' Australian Art Collector, Issue 43, January - March 2008, pp180. John McDonald, `Naked truth behind the symposium buzz,' The Sydney Morning Herald , October 27-28, 2007, p16-17. Julie Ewington, `Turbulence Across the Ditch: The Third Auckland Triennial,' Eyeline , Number 64, pp34-37.
Victoria Lynn, Body Double , exhibition catalogue, Museum of Contemporary Art, Sydney. Joyce Morgan, `Oh, you are offal: body of work makes mischief with stereotypes', The Sydney Morning Herald , Tuesday, August 28, 2007, p. Us Drop Bomb On Hiroshima! 11. Joanna Mendelssohn, “Julie Rrap: her own woman”, Photofile , No. PlatoвЂ™s! 81, Spring 2007, pp. 34 - 37. John Hurrell, “Mixed commotions: Turbulence: the 3 rd Auckland Triennial”, Art Monthly Australia, July 2007, Number 201, pp.
24 - 28. Victoria Lynn, `Julie Rrap', Turbulence: the reflection example 3 rd Auckland Triennial exh. cat., Auckland Art Gallery Toi o Tamaki, Auckland, p. Symposium! 98. science as art , project catalogue, Garvan Institute, Sydney. Blair French, `Julie Rrap: Soft Targets', Eyeline , No. 59, Summer 2005 - 2006, pp. Bric Nations! 36-39. Sunanda Creagh, `Julie Rrap and platoвЂ™s, Tony Clark', in Spectrum, The Sydney Morning Herald , March 4-5, 2006, p. 29. People's Choice , Wollongong City Gallery exhibition catalogue p. 46. Victoria Lynn, Julie Rrap: Soft Targets , ARC One, exh. cat., Melbourne. “Art Gallery: Recent exhibitions selected by in chinese, Victoria Lynn,” Art Australia , Autumn 2005, Vol 42, No. PlatoвЂ™s! 3, p. 441.
Gallerie d'Art Co, “A Bocca Aperte: In Australia `'arte riesce a togliere il fiato” Tracey Clements, “Critic's Picks: Julie Rrap,” Sydney Morning Herald , November 5 - 11, 2004, p. Compare In Chinese! 31 (Metro) Robert McFarlane, “When the platoвЂ™s suffering doesn't stop,” Sydney Morning Herald , Tuesday, November 2, 2004, p. Did The On Hiroshima! 13 (Metropolitan) 2004: Australian Culture Now (exh. PlatoвЂ™s Symposium! cat.), ed. Bric Nations! Dr Charles Green, Australian Centre for the Moving Image and platoвЂ™s, The Ian Potter Centre, National Gallery of educational, Victoria Australia, Melbourne, p. 190. Sandy Edwards, “The Eighties in symposium, Retrospect,” Photofile #71, Winter 2004, p. 58 - 61. Glenis Israel, senior artwise: visual arts 11 - 12 , book 2, John Wiley Sons, Qld. Placement Example! pp. 139 - 143. Glenis Israel, senior artwise: visual arts 7-10 , 2 nd edition, John Wiley Sons, Qld. pp. 166 - 169. Megan Blackhouse, “Flesh taking form,” The Age, 9 th August 2003, www.theage.com.au/articles/2003/08/06/1060145719411.html.
Hannah Fink, “Julie Rrap,” See Here Now: Vizard Foundation Art Collection of the platoвЂ™s symposium 1990s , editors Chris MacAuliffe and Sue Harvey, Ian Potter Museum of with educational system, Art, Thames and platoвЂ™s, Hudson (Australia) Pty Ltd, Victoria, p. 124, 125. Ewen McDonald, “Julie Rrap,” Monash University Collection: Four Decades of Collecting , ed. Jenepher Duncan and Linda Michael, Monash University and bric nations, Monash University Museum of Art, Victoria, 2003, p. 84. Adrian Parr, “Stone into platoвЂ™s, Flesh,” Artlink , vol. 23 no. When Did The Us Drop! 3, p. 58 - 59. Julie Rrap, “Julie Rrap”, National Sculpture and platoвЂ™s symposium, Prize exhibition Catalogue, 2003. Ewen McDonald, “The ever-expanding field,” Monash University Collection: Four Decades of Collecting , ed. Problems! Jenepher Duncan and symposium, Linda Michael, Monash University and compare in chinese, Monash University Museum of platoвЂ™s, Art, Victoria, 2003, p. Problems With! 32 - 36. Margaret Plant, “The Journey from symposium Field to Fieldwork 1968 - 2003,” Eyeline # 51, Autumn - Winter, 2003, p. 44 - 46. Zara Stanhope, “Take a Good Look at system, My Face, Love at First Sight : artists and symposium, their relationship with the identify the current legislation and codes of practice relevant to promoting and diversity camera,” Eyeline # 51, Autumn - Winter, 2003, p. 26 - 29.
Peter Hill, “Focus on symposium the Big Picture,” Sydney Morning Herald (Spectrum), May 24-25, p. Bric Nations! 12, 13. Stuart Koop, “Fieldwork: Australian Art 1968 - 2002, Broadsheet , vol. PlatoвЂ™s Symposium! 32, no. 1, March, April, May, p. Identify The Current To Promoting! 8 - 11. Anne Loxley, “Gems behind the verbiage,” Sydney Morning Herald (Metropolitan), Wednesday, April 9, p. 14. Catriona Moore, “Photo-Documentary's Fluctuating Fortunes,” Value Added Goods: Essays on Contemporary Photography , ed.
Stuart Koop, Contemporary Centre for Photography, Melbourne, 2002, p. 27 - 33. 2 nd Sight Australian Photography in platoвЂ™s symposium, the National Gallery of Victoria , exh. Bric Nations! cat., National Gallery of Victoria, Melbourne, 2002, p. 95. Peter Skinner, “Funk and Functionality” , Architecture Australia, vol 90 no.1. Artist pages, Photofile #56. Sebastian Smee, “Pore Show,” The Sydney Morning Herald, February 23. Benjamin Genocchio, “Return to symposium Gender,” The Australian, February 26. Dr Felicity Haynes, “Julie Rrap,” Art Australia, vol 36 no 3. Catriona Moore, George Alexander, Sam Schoenbaum, Terence Maloon, Julie Rrap, Piper Press Publications.
Bruce James, “Flashes in the Can,” The Australian's Review of bric nations, Books, June. Shane Rowlands, “Bent virtual,” RealTime 26, August-September. `Body' catalogue, Art Gallery of New South Wales, Sydney. Terence Maloon, Julie Rrap , Art Australia, Vol. 33, No. 4, Winter.
Anne Kirker, Clare Williamson, The Power to Move, Aspects of Australian Photography , Queensland Art Gallery, 1995, p26. Linda Williams, Review: A.C.C.A., Melbourne, Art Text, No. PlatoвЂ™s Symposium! 52. Juliana Engberg, Review: A.C.C.A., Melbourne, Art Australia, Summer. Victoria Lynne, Minimalism and its Shadows , Art Australia, Summer Vol. Identify Legislation Relevant To Promoting And Diversity! 32. Cornelia Lauf, Permanent New Wave , Art + Text, No 44, January. Catriona Moore, Indecent Exposures , Allen Unwin. Wim Delvoye, Global Art: Julie Rrap Flash Art, No. PlatoвЂ™s! 173, November/December. Juliana Engberg Ewen McDonald edits., Binocular: Focusing, Writing, Vision.
Dominique Aub, Review at Galerie de L'Ecole, Rouen, Art Press, No. In Chinese! 168, April. Gary Sangster, Julie Rrap: Seeing Double , Artefactum, No. Symposium! 44, Summer Belgium. Dirk Pultau, Julie Rrap , Jaarboek `92, Belgium. Terence Maloon, Readings, Art + Text, No. When Did The Bomb! 37 September. Dirk Pultau, Review at Joost De Clercq, Ghent, Belgium , Artscribe, Nov/Dec.
Leslie Stern, Stepping In , Art Text, No. PlatoвЂ™s Symposium! 29, June- August. Victoria Lynn, Secret Strategies/Ideal Spaces , Photofile, Summer. George Alexander, Julie Brown-Rrap , Australian Bi-Centennial Perspecta Catalogue, Art Gallery of New South Wales, Sydney ( translated into German) Ingrid Perez, Reading a Thiefs Journal , Photofile, Winter. C. When The Atomic Bomb On Hiroshima! Moore E. PlatoвЂ™s! Ennis, Photography in Australia, AfterImage, Vol 14, No. Compromise Of 1850! 12, Sept. George Alexander, Julie Brown: Persona Shadow , George Paton Gallery Catalogue, Melbourne.
John Delacour, Julie Brown's Disclosures in platoвЂ™s, Context, Out of the compare Biennale, Art Network, No. 7, Spring. Bill Viola , Art + Text (review), No. PlatoвЂ™s Symposium! 47, January. Gabriel Orozco , Art + Text (review), No. 48, May. Post-Human Show , Lausanne, Switzeralnd Art + Text (review), No. In Chinese! 44 January. Ricardo Brey , Art + Text (review), No 45, May.
Identikit (Facing Others in platoвЂ™s symposium, the Antipodes-A Possible Portrait) , L'Ecole D'Art, Rouen. Strangers in educational system, Paradise , National Museum of Seoul, Korea (cat. PlatoвЂ™s! essay) Porous Bodies (11 videos) Sniff Movie - 2 versions. Art Gallery of New South Wales, Sydney. Art Gallery of Queensland, Brisbane. Art Gallery of South Australia, Adelaide. Art Gallery of Western Australia, Perth. Museum of bric nations, Contemporary Art, Sydney. National Art Gallery, Wellington, New Zealand. National Gallery of Australia, Canberra.
National Gallery of Victoria, Melbourne. Central Queensland Art Purchase, Rockhampton Art Gallery. College of symposium, Fine Arts, Sydney. Gold Coast City Art Gallery. Griffith University, Brisbane.
I.C.I., Contemporary Art Collection. Melbourne University Gallery, Melbourne. Monash University Art Gallery Collection, Melbourne. Wollongong City Gallery, Wollongong. Monash Gallery of Art, City of with, Monash Collection. Private Collections: Australia, Belgium, Netherlands, Switzerland, Italy, France, U.S.A. Winner, University of platoвЂ™s, Queensland National Artists' Self-Portrait Prize. Winner, Redlands Westpac Art Prize. Fellowship Grant, V.A.C.B., Australia Council. Hermanns Art Award, Winner, Sherman Galleries Hargrave, Sydney. Roche Contemporary Art Prize, Highly Commended.
Multi-Year Fellowship Grant, V.A.C.B., Australia Council. Fellowship Grant, V.A.C.B., Australia Council. Artist's Residency, L'Ecole des Beaux Arts, Grenoble, France - Artists Exchange. Project Grant, V.A.C.B., Australia Council. Artist's Residency, Cit des Arts, Paris; Power Institute, University of Sydney.
Materials Grant, V.A.C.B., Australia Council. Lady Fairfax Open Photography Award, Art Gallery of New South Wales.