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Arthurian literature

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book report dog song RedRover Responders volunteers have deployed to New Jersey to help The Humane Society of the United States provide emergency sheltering and care for adoptable animals from Puerto Rico displaced by Hurricane Maria. Recommended Books with Humane Themes. *These books are the arthurian, best for depicting accurate animal behavior and animal communication. I started to check if [my dogs] had food and fresh water everyday. RedRover books helped me to be with my dogs and give them food and water. I am loving my dogs better. Ines, age 7, RedRover Readers Student. Discover the RedRover Readers program. Empathy in the Classroom Get Trained Empathy App Empathy in the Classroom.

The RedRover Readers curriculum enables educators to choose from pre-selected books and facilitate discussions that teach students empathy and Public expand their awareness of self and community. Take the RedRover Readers training. Become a trained educator and help students think critically about emotional responses and humane behavior. The Restricted Adventures of Raja Empathy App inspires kids to make the literature, world a better place, while giving them a much-needed opportunity to practice skills related to emotional awareness, critical thinking and compassion. Help bring these books to your local library! Download our sample letter and give it to ages, your children’s librarian (in MS Word format) here. RedRover Readers produces a quarterly Teacher#8217;s Humane Education (THE) e-newsletter. I used to be afraid of arthurian literature dogs but RedRover dog books have made me not be afraid. Paloma, age 8, RedRover Readers Student. Recommended Books with Humane Themes.

What#8217;s in a Woof? Written by Julie Hundman and illustrated by Elizabeth Wright. Recommended for sources of power ages 2 and up. This fun and colorful book is about understanding your dog’s special ways of communicating. It is a positive narrative geared towards both younger children and children learning how to read. Themes of kindness, understanding and curiosity are explored there is even a short section at the end where children can color in pictures of dogs seen throughout this fun book.

A Kid’s Best Friend. Written by arthurian Maya Ajmera and Alex Fisher. Recommended for ages 2 and up. Dogs, just like children, come in all different shapes, sizes and colors. Beautiful photographs of children and dogs from all over the world fill this book. Pictures of the dark ages children caring for and interacting with dogs abound. Conversations about diversity of arthurian humans and different breeds of dogs are sure to arise while reading this book. Written by Howie Schneider. Recommended for ages 2 and up.

Almost immediately upon the dark ages definition, being brought home, puppy Louie sinks his teeth into everything from toy trains to the dining-room table. Arthurian Literature? Louie#8217;s energy and escapades make for a fun and funny tale. Themes of Public and Site Art Relationship Essay responsible pet ownership and dog behaviors are explored. Goyangi Means Cat. Written by arthurian Christine McDonnell. Recommended for ages 3 and up. A heartwarming story about Soo Min, a little girl from frankenstein Korea who is struggling to adjust to arthurian literature, her new American family and lifestyle. She immediately bonds with Goyangi the family cat and finds comfort in their friendship. But when Goyangi runs away Soo Min must search with her mother to ages definition, find the cat. It is only when Goyangi returns that Soo Min finally feels at home with her new family. Themes of adoption, friendship and companionship are depicted.

Duncan and Dolores. Written and illustrated by Barbara Samuels. Recommended for ages 2 and up. Even though Dolores is only four years old and quite a handful herself, she really wants a cat. When she and her sister adopt Duncan, who is literature, also four years old, Dolores learns that making friends with a cat requires patience and that the two personalities, rewards of a cat’s company are worth the wait. Themes of responsible pet ownership and developing a relationship with a cat through patience and trust are depicted. Written by Andrew Clements.

Illustrated by Tim Bowers. Recommended for ages 4 and up. A heartwarming story about a dog who finds his forever home. This book is written entirely in arthurian literature, haiku and describes the experiences this dog has in a dollhouse characters, his new home. Themes of bringing a new animal home for the first time and arthurian literature kindness toward animals are explored.

Written by Meggan Hill. Description? Photography by Susan M. Graunke. This is the story of a little boy who takes on the great responsibility of caring for his aunt’s pug named Lola. Beautiful and touching photographs fill each page and tell a tale of how the boy learns to be “so kind” to Lola and give her everything she needs to be healthy and happy. This book would be a great way to literature, introduce young children to the responsibilities involved in caring for an animal. Themes of responsible pet ownership are depicted. The Way I Love You. Written by David Bedford and Ann James. Recommended for ages 4 and up. A little girl describes the many reasons why she loves her dog in their tender story.

Themes of friendship, kindness and the human-animal bond are depicted. A Home for Nathan. Written by Claudia Roll. Illustrated by Finn Rizer. Recommended for ages 3 and up. Follows the story of a cross-eyed kitten who is adopted by a shelter volunteer and goes on to teach kids about responsible pet ownership and Essay the value of caring. Topics included in this book are responsible pet ownership, therapy cats and the purpose of an animal shelter.

Written by Sid Shapira. Illustrated by Izzy Bean. Recommended for ages 4 and up. This is the heartwarming story of a rescue dog who needs a forever home after being found wandering on the street. The little dog endured dashed hopes and arthurian disappointment before finally finding his forever home. It is a positive story geared towards children ages 4-8. Topics include the role of pet rescue organizations and two personalities the importance of giving animals a second chance. Before You Were Mine.

Written by arthurian literature Maribeth Boelts. Illustrated by David Walker. Recommended for ages 3 and up. Public Art Relationship? This is a gentle story of a young boy who wonders what his loving dog’s life was like before he was adopted from a shelter. Colorful illustrations bring this book to life. Themes of kindness, animal adoption, curiosity and friendship are depicted.

Written and illustrated by Charlotte Voake. Recommended for ages 3 and up. Ginger is a lucky cat who loves his basket, his little girl and his delicious meals. When the little girl brings a kitten home as a friend for Ginger, the older cat is literature, not happy about sharing his bowl and basket. Ginger hides in protest, letting the girl know that certain steps must be followed for a settled cat to adjust to life with a frisky kitten. Themes of bringing a new animal home, respecting an animal’s feelings, responsible pet ownership and patience are depicted. Ginger Finds a Home. Written and illustrated by Charlotte Voake. Recommended for ages 3 and physical up.

In this story, a heartwarming friendship grows between a little girl and a stray cat she later names Ginger. In his previous life, Ginger foraged for food wherever and whenever he could and slept in a patch of weeds. As Ginger learns to trust the little girl, he quickly adjusts to his new life as her companion. Themes of trust and patience in developing a relationship with a cat are depicted. The Forgotten Rabbit. Written by Nancy Furstinger. Arthurian Literature? Illustrated by Nancy Lane. Recommended for tom buchanan ages 3 and up. A little rabbit comes home with two excited young children, but when the excitement wanes the little rabbit finds herself forgotten all alone in a cage. A young girl rescues the rabbit and names her Bella. Arthurian? Find out about the many fun activities and the friendship that Bella and the girl form in this delightful story.

Themes of the human-animal bond, friendship and pet care and responsibility are explored. Written by Gloria Rand. Illustrated by R.W. Alley. Recommended for ages 3 and frankenstein torrent up. Little Flower is a potbellied pig who lives with an older woman named Miss Pearl.

One day Miss Pearl falls and only Little Flower is around to arthurian literature, help. Find out how Little Flower comes to Miss Pearl’s rescue in this delightful story, and watch how Miss Pearl’s neighbors change their perception of the little pig after she helps Miss Pearl. Friendship, kindness and what to do in an emergency situation are all themes this book brings alive for readers. Each Living Thing. Written by Joanne Ryder.

Illustrated by Ashley Wolff. Recommended for ages 2 and up. This story is about having an awareness and an appreciation for all living things no matter how small. It mentions many different animals and the roles they play in the world. Themes include animal appreciation and coexisting with wildlife. Freckles and Willie. Public Sculpture And Site Specific Essay? Written by Margery Cuyler. Illustrated by Marsha Winborn. Recommended for arthurian ages 4 and Public Sculpture Art Relationship up.

Freckles and arthurian literature Willie are best buddies until a new neighbor moves in and Willie neglects his four-legged friend. How will Willie show Freckles that he still cares? The story shows the enduring nature of the bond between a person and a dog. The Dark Ages Definition? Themes of literature friendship and apologizing are explored. Fred Stays With Me! Written by Nancy Coffelt. Illustrated by Tricia Tusa.

Recommended for ages 4 and up. With divorced parents and two separate homes, a young girl’s dog named Fred is and Site Specific, her constant companion. Fred stays with the girl and the reader sees the friendship they share. The girl sticks up for Fred and finds creative ways to help Fred and her parents feel more comfortable with their living arrangements. Responsible pet ownership, divorce, friendship, companionship and dog behaviors are mentioned in this story. Written by Bob Graham. Arthurian? Recommended for ages 4 and up. Public And Site Art Relationship? Following the death of her cat, Kate is lonesome for a new pet. The family goes to the local animal rescue center for a puppy and literature falls for a large, older dog in the process.

The book extols both the the dark, reasons to adopt from arthurian literature a shelter and frankenstein torrent the rewards of literature giving an adult dog a second chance. Max Talks to Me. Written by a dollhouse characters Claire Buchwald. Illustrated by Karen Ritz. Recommended for ages 4 and up. A boy and his dog Max are true friends #8212; the kind that share each other#8217;s excitement, comfort each other when they are sad, wait together when parents are away and have fun wherever they are. By observing and listening to his dog, by sharing good times and bad, they are earning each other#8217;s love and devotion. Parents will appreciate the information about the dog-child bond that they will find at the end of Max Talks to Me.

Children will want to share their adventures and friendship over and over as they read the gentle, engaging story and look at the beautiful illustrations. Arthurian? Themes include communication with a dog, dog body language and behaviors, responsible pet ownership and the animal-people bond. Written by Stephne Micheal King. Recommended for ages 4 and up. A stray dog wandered the characters, streets of a busy city cold and lonely until he finds a homeless shelter for people. A kind woman cares for him for one night, and then sends him on his way. The kind woman later runs into the dog and asks him if he would like to come home with her to live. Themes include responsible pet care and arthurian stray animals. JJ the Sculpture and Site Specific Essay, American Street Dog. Written by Diane Rose-Solomon. Illustrated by arthurian literature Rachel Cellinese.

Recommended for ages 4 and up. This is the story of JJ, a stray dog who is found on a soccer field at the same time a family is looking to adopt a new dog. A family takes JJ in and attempts are made to find who JJ might belong to. The main character is a little girl who becomes attached to JJ. She worries when a woman comes to see if the stray dog might be her dog who is Public and Site, lost. The little girl wants to keep JJ. Literature? This story includes a visit to the veterinarian with accurate information about caring for dogs. Themes of stray animals, spay and neutering and adoption are explored. My Cat Copies Me.

Written and illustrated by Yoon-duck Kwon. Frankenstein Torrent? Recommended for literature ages 4 and up. My Cat Copies Me is an entertaining story illustrating the bond between a young girl and her cat. The cat becomes a source of inspiration and adventure for definition the girl, while they both provide companionship for and listen to each other. The book features simple storytelling with colorful illustrations. Listening to a cat and friendship are themes included in this book. Written by arthurian literature Susan Katz. Two Personalities? Illustrated by Stacey Schuett. Arthurian? Recommended for ages 4 and up.

Told with an engaging series of poems that tie together to form a plot, Oh, Theodore! is the touching story of the relationship between a boy and his guinea pig. As the boy patiently learns about Theodore#8217;s needs through trial and the dark error, a definite bond forms between the two. Fun, colorful and realistic illustrations are abundant throughout. Patience and arthurian literature guinea pig behaviors are themes included in this book. So, What#8217;s it Like to be a Cat? Written by Karla Kuskin. Illustrated by Betsy Lewin. Recommended for ages 4 and up.

What is it like to be a cat? A curious boy interviews his gray cat in a playful rhyming story of the similarities and differences between cats and people. The story shows that the first step in taking care of a cat is two personalities, taking the time to observe and listen to learn the cat’s likes and arthurian dislikes. Themes of listening to a cat and responsible pet ownership are depicted. Call the Horse Lucky. Written by Juanita Havill. Illustrated by Nancy Lane. Recommended for ages 5 and up. This is a story of a horse who is rescued because of a young girl’s kindness.

When a young girl named Mel finds a neglected horse alone in a field she tells her grandmother, “We have to help him.” Follow this horse, whom Mel named Lucky, as he is rescued, nursed back to health and finds friends along the way. Topics in this book include a horse rescue, practical information about caring for a horse and the compassionate bond between Lucky and Mel. Hachiko: The True Story of a Loyal Dog. Written by Pamela S. Turner. Two Personalities? Illustrated by arthurian literature Yan Nascimbene. Recommended for ages 5 and up. This is a true tale of a loyal dog named Hachiko who walks to the train station with his human companion, Dr.

Ueno, every day and then waits patiently for Dr. Ages Definition? Ueno to return. Literature? A young child takes an interest in Hachiko and brings yummy snacks while he waits, forging a friendship with Hachiko. When Dr. Ueno dies, Hachiko continues to wait diligently for his return, leaving his post only to sleep at Dr. Ueno’s home. You may need a box of tissues nearby when you read this heartwarming story to find out what else happens to Hachiko. Themes of loyalty, death and remembering are explored. Written by Susan Boase. Recommended for ages 5 and up. “Boy,” a small, brown and #8220;kind of stinky#8221; dog, is neglected and bored in Public Sculpture Essay, his backyard.

Mr. Miller is recently widowed and struggling with his loss. One night Boy digs his way under the fence, and when Mr. Miller discovers him in arthurian, his yard the following morning, it#8217;s love at first sight. Torrent? Themes of neglect and then friendship are explored in this book. Written by Linda Smith. Arthurian? Illustrated by David Roberts. Recommended for ages 5 and up.

When Mrs. Crump finds a yellow cat on her porch step, she tells the cat to “shoo.#8221; She leaves the door ajar, however, and the cat slips into her home and into Sculpture Art Relationship Essay her life. As Mrs. Crump learns to care for the cat’s needs, she comes to appreciate the cat’s companionship as well. “Before you know it, you’ll be…wondering how you ever got along without [the cat],” Mrs. Crump’s new friend Mr. Henry says. Through colorful, playful illustrations, the story shows how cats make good company.

Themes of stray animals, responsible pet ownership and how animals can affect people’s attitudes are included. Not Afraid of Dogs. Written by arthurian Susanna Pitzer. Illustrated by Larry Day. Recommended for ages 5 and up. Although he insists he is “not afraid of tom buchanan physical description anything” Daniel avoids dogs. What happens when Daniel comes home to find his mom has agreed to pet sit for Bandit?

After hiding from the small brown-and-white dog all day, he encounters her alone at night cowering from the noise of a thunderstorm. When Daniel sees the dog’s fear his own dissolves; he provides her cuddles. In the arthurian, course of the story, Daniel moves from angry and fearful to kind and open-hearted. Overcoming fears and helping animals are themes included in this book. Animals Have Feelings, Too! Exploring Emotions from A to Z. Written by Karen Lee Stevens.

Illustrated by Teri Rider. Recommended for ages ages 4 and up. This charming and informative book follows the humorous story of arthurian Sandy, a lovable Labrador retriever who explores her world of emotions from two personalities A to Z. Whimsically illustrated, this book helps children understand that people and animals experience many of the same feelings. A Very Unusual Dog. Written by arthurian literature Dorothy Joan Harris. Frankenstein? Illustrated by Kim LaFave. Recommended for ages 6 and up. Jonathan#8217;s dog is imaginary, but he still takes good care of him, providing food, walks, affection and a comfortable place to sleep. Jonathan’s grandmother shows him a photo of a cat she once loved and arthurian literature tells him her current apartment does not allow pets. Specific Art Relationship Essay? To ease her loneliness, Jonathan gives “Dog” to her and tells her how to care for him. The story shows the power of love and memory, and how animals – even imaginary ones – can provide companionship.

Themes of companionship and responsible pet ownership are explored. Written by Daisy Bix. Arthurian? Illustrated by Joe Hyatt. Recommended for ages 6 and up. Happy in a new home, Buddy tells the story of his former life of a dollhouse neglect, abuse and finally, rescue, to live a good life with a family that cares about him. Information is included for parents and other adults about resources they can readily contact when they encounter a dog being abused.

Themes of animal abuse and neglect and responsible pet ownership are depicted. Spanish-Language Edition of Buddy Unchained. Written by Daisy Bix. Illustrated by Joe Hyatt. Recommended for ages 6 and up.

Orville: A Dog Story. Written by Haven Kimmel. Illustrated by Robert Andrew Parker. Recommended for ages 6 and up. Orville spends all of his days chained in the yard and barking to tell the world how unhappy he is. But when Sally moves in across the street, Orville finds himself getting a second chance at life. Themes of stray animals, dog chaining, how dogs react to different people and arthurian literature companionship are explored.

Written by Tres Seymour. Illustrated by David Soman. Recommended for ages 6 and up. Two Personalities? How does a dog become a “Pole Dog?#8221; This story follows the life of an arthurian literature older dog in the days after he is left by Sculpture Specific Art Relationship Essay a pole along the highway until he is spotted by a family driving by. How the dog survives alone and how he feels are poignant themes in this realistic portrayal of the life of an abandoned dog. This book is literature, a reminder of a dog’s unwavering desire for security. Themes of two personalities abandoning an animal and a animals need for security are depicted. Written by Connie Gotsch. Arthurian? Illustrated by John Cogan. Recommended for ages 7 and up.

Told from a dog named Belle’s perspective, this chapter book is the dark ages, about a young dog who is mistreated by arthurian her first owners and finds herself in a loving home with people who understand and care for animals. Find out how Belle learns to trust new people and even saves a little girl because of the bond between them. This book offers young readers a glimpse of what dogs might be feeling and thinking in various situations. Torrent? Themes of animal cruelty, abuse, abandonment, trust and friendship are explored. Belle’s Star has been nominated for a New Mexico Book Award. Meow Means Mischief. Arthurian? Written by Ann Whitehead Nagda. Five Of Power? Illustrated by Stephanie Roth. Literature? Recommended for ages 7 and up. Ages? In this chapter book, Rana is adjusting to a new town and new school. When her grandparents comes to visit from India, Rana is afraid of being different from everyone.

A kitten whom Rana names Tiger helps Rana make friends and grow closer to her grandparents. Rana learns how to take care of Tiger and learns more about her Indian culture too. Responsible pet ownership, companionship and arthurian literature cultural diversity are themes explored in frankenstein torrent, this book. Second Chance: How Adoption Saved a Boy with Autism His Shelter Dog. Written by Sandra J. Gerencher, illustrated by Virginia Cody. Recommended for ages 7 and up. Find out how this shelter dog adjusts to his new home and arthurian what happens when he befriends a young boy with autism. This book invites the reader to explore the transition into a new environment from the dog’s perspective. The book is two personalities, filled with softly blended watercolor photos. Themes include adoption, unconditional love and friendship.

The Very Best of Friends. Written by Margaret Wild. Recommended for arthurian literature ages 7 and up. When James died suddenly, his wife Jessie, in her grief, shuts her husband#8217;s cat, William, out of her life. But eventually Jessie opens herself up to William and tries to win his trust and and Site affection. An underlying theme that all friendships need careful tending and literature generous amounts of love is explored. Written by Gabrielle Vincent. Recommended for ages 7 and tom buchanan description up. In remarkable black-and-white pencil drawings, the artist shows us a dog being heedlessly thrown out of a car, chasing after it fruitlessly and unwittingly causing a major highway accident.

Reviewers have described it as #8220;a powerful documentary in picture-book form#8221; and #8220;a passionate condemnation of cruelty to animals and a work of art that shouldn#8217;t be missed.#8221; Themes of abandonment and arthurian animal cruelty are depicted. Written by Anna Sewell. Tom Buchanan Description? Recommended for literature ages 8 and a dollhouse up. Young readers will follow Black Beauty’s fortunes, good and bad, with gentle masters as well as cruel. Children can easily make the leap from horse-human relationships to arthurian, human-human relationships and begin to understand how their own consideration of others may be a benefit to all. Themes include animal neglect and cruelty and horse-human bond. Written by Leslea Newman. Illustrated by Machiyo Kodaira. Recommended for ages 8 and up.

This short chapter book supplemented by black-and-white illustrations tells the story of Hachiko, a dog who waits faithfully at the train station for his person to return, not knowing he has died. The station master and commuters step in to help care for Hachiko as he prefers the station to another home. Strangers donate funds to create a statue in his honor after the dog’s own death. The story shows how a bond develops when a person respects and understands a dog, and how much a dog in torrent, the community affects everyone who comes in contact with him. The book is based on a true story and includes an author’s note and a glossary of Japanese words.

Themes of the close bond between one dog and his human companion, friendship, death and community involvement are explored. The MAGIC SQUAD and the Dog of Great Potential. Written by Mary Quattlebaum. Recommended for ages 8 and up. Calvin is arthurian, a underachiever who is content to be average#8230; until the day he visits the local shelter and falls in love with a huge, friendly mutt with #8220;great potential#8221; named Train. Ages? Calvin#8217;s quest to train Train and find him a good home mirrors his own personal struggle to realize his own potential.

Themes of self-reflection, animal shelters, volunteerism and literature how training dogs can increase chances of and Site Art Relationship Essay adoption are explored. Phantom Stallion: The Wild One. Arthurian Literature? Written by Terri Farley. Recommended for ages 8 and up. Sam moves from the city to live on her Dad’s ranch in Nevada where she encounters a mysterious mustang. Through Sam, readers learn about domesticated and physical description feral horses and arthurian literature the difficult choices to be made for their care. They experience the strength of friendship among horses and physical description people and the respect these friendships call for.

This book is the first of a series. Themes of friendship and respect for domestic and “wild” or feral horses are explored. Written by Mary Casanova. Recommended for ages 8 and up. Libby has always wanted a horse of arthurian literature her own, and caring for her neighbor’s horse is the next best thing. When she discovers Thunder is being abused, Libby knows she has to tom buchanan, rescue him, no matter what the risk! In this exciting adventure, Libby finds her own voice as she stands up for what she believes in arthurian, a world of adults who think they know best. Definition? Themes of animal abuse and the human-animal bond are explored. Written by Kathe Koja. Recommended for ages 8 and arthurian up.

High school misfit Rachel is torrent, content just volunteering at the local animal shelter and writing stories, until she meets a feral collie who inspires her to build relationships and literature confront her own emotions. Themes of two personalities volunteerism, stray animals and arthurian literature relationship building are explored. Beautiful Joe a Dog’s Own Story. Written by the dark definition Marshall Saunders. Recommended for ages 9 and up. This is a sweet story of a dog who has his tail and arthurian ears cut off by a dog abuser but ends up in a wonderful and loving home with a family who takes great care of him. The beginning of this book is quite violent and could frighten young readers, but the story does have a happy ending. This book highlights the treatment of animals and the power of a loving family. One Unhappy Horse.

Written by C.S. Adler. Recommended for ages 9 and up. Jan is dealing with the death of her father and sources then learns her horse needs an operation. Since her mother does not have enough money to pay for the operation, Jan must find other ways to help her friend get the care he needs. This is a heartwarming story of friendship between a girl and a horse. Literature? Themes covered include responsible pet care, the human-animal bond and caring for a sick animal. The Lucky Tale of Two Dogs. Frankenstein? Written by Cathy M. Arthurian Literature? Rosenthal.

Illustrated by tom buchanan Jessica Warrick. Recommended for ages 4 and up. This is a story about two dogs who live very different lives. One lucky dog has a wonderful family and is always loved. The other dog begins the story as an unlucky dog who does not get a lot of attention.

Follow this dog as he is taken to an animal shelter, meets his loving new family and becomes a lucky dog as well. Themes include adoption, dog needs and arthurian responsible pet ownership. The Dark Ages? The Happy Tale of Two Cats. Written by Cathy M. Arthurian Literature? Rosenthal. Illustrated by Jessica Warrick.

Recommended for ages 4 and up. This is a story about two cats who live very different lives. One happy cat has a wonderful family and is always loved. The other cat begins the sources of power, story as an unhappy cat who does not get a lot of arthurian literature attention. Follow this cat as he is taken to an animal shelter, meets his loving new family and becomes a happy cat as well.

Themes include adoption, cat needs and responsible pet ownership. Maggie#8217;s Second Chance. Written by Nancy Furstinger. Illustrated by Joe Hyatt. Recommended for ages 4 and up. Characters? This book follows a black dog named Maggie after her family moves and literature leaves her behind in the house. She is brought to an animal shelter where she soon delivers puppies and then watches as all of the puppies are adopted, leaving her alone. A young boy learns of Maggie’s story and gets his whole class involved to help her.

Find out how Maggie gets her second chance in this true story with compassion, adoption and a dollhouse youth involvement. Written by Brenda Louise Fiorini. Recommended for ages 5 and up. Arthurian Literature? Written in rhyme, this story is about a dog named Buddy who is abandoned in an empty house. He manages to tom buchanan physical description, escape from the house but faces challenges living outside and winds up living in an animal shelter. Buddy worries he won’t stand out from the other animals and find a forever home, but he meets his dream family and his fears disappear. Themes include responsible pet ownership and adoption. Written by Brenda Louise Fiorini. Arthurian Literature? Recommended for ages 5 and up. Written in rhyme, this story is about a young boy who finds a stray cat named Cally.

He discovers that Cally has kittens, and with his mom’s help he cares for the cats and finds them forever homes. Themes include responsible pet care and adoption. Written by E.B. White. Illustrated by Garth Williams. Physical Description? Recommended for age 8 and up. This is a timeless tale of a pig named Wilbur who learns about life from literature his barnyard friends, especially a beautiful black spider named Charlotte. A special friendship between Charlotte and Wilbur develops and every night Charlotte creates intricate spider webs with words written in ages, them to help save Wilbur from being killed and eaten. The reader learns about friendship and arthurian compassion in this remarkable story. Two Personalities? Themes include friendship, kindness and the cycle of life.

Mimi and Maty to the Rescue. Written by Written by literature Brooke Smith. Illustrated by Alli Arnold. Recommended for age 4 and up. Mimi loves animals and adopted her three-legged dog, Maty, from an animal shelter. Together they have made it their mission to help animals in need and rescue lost animals in their town. When a rat named Roger goes missing, Mimi and Maty jump into action to find him. The Dark? Themes include animal rescue, responsible pet care and arthurian literature the human-animal bond. Written by Jena Ball.

Recommended for sources of power ages 6 and arthurian up. In this heartwarming book, eight mixed-breed dogs explore challenges such as aging, bullying and stereotypes through stories told from their perspectives. Ms. Jenaia, a retired-school-teacher-turned-dog-trainer, is with the dogs on their adventures and offers help and guidance along the way. Themes include friendship and the human-animal bond.

Montague: The Pit Bull of Park Avenue. Written by Mary Gregory. Illustrated by Roger Kabler. Recommended for ages 6 and up. This book tells the story of Montague, a pit bull rescued by an upscale New Yorker. Montague gets lost in New York City and two personalities has many adventures with his new dog friends before finding his way home. Themes include responsible pet ownership and friendship.

Written by Todd Kessler. Illustrated by Jennifer Gray Olson. Literature? Recommended for ages 5 and up. Ricky and his family adopt an adorable puppy named Tako. Frankenstein? Ricky’s parents will only literature let Tako stay as long as he is a good dog and follows the rules.

But when his new family is in jeopardy, the only way for Tako to frankenstein, protect them is to arthurian, break the rules. This story has themes of adoption and decision making. Millie and Cupcake. Written by Mildred Potash. Recommended for ages 2 and up. This story is about a young girl named Millie who finds a companion animal for the first time. A Dollhouse Characters? But it is not the arthurian, typical companion animal for a dollhouse characters most people! Cupcake is a rat, and Millie learns all about how to arthurian literature, care for and love her new best friend. Themes include friendship and responsible pet care.

Stay: The True Story of Ten Dogs. Written by Written by Michaela Muntean. Introduction by Kate DiCamillo, author of Because Winn-Dixie. Photographs by K. Public Sculpture And Site Specific Art Relationship? C. Bailey and Stephen Kazmierski. Recommended for ages 4 to 8. This is the story of a circus stunt performer who, because of injuries, has to reinvent himself. He adopts dogs from the arthurian, shelter and finds out what they want to do by Public and Site Specific Art Relationship Essay caring for and working with them. Soon he has an act that is sought after by many circuses. The dogs were there for him while he healed, and he is there for them. He really gets to know the dogs and allows them to be themselves.

Written by Karen J. Roberts. Illustrated by Jen Griggs Sebastian. Recommended for ages 2 and up. This book is inspired by a true story involving a criminal cruelty seizure case and literature describes dogs of torrent all shapes and sizes trying to get along while living in a tiny house. Rhyming will appeal to younger audiences. “Officers and nice people” come to the door to help and soon their lives change. The book includes details about the care and feeding of dogs. Two Bobbies: The True Story of Hurricane Katrina, Friendship, and Survival. Written by Kirby Larson and Mary Nethery. Illustrated by Jean Cassels. Recommended for ages 4 to 8. Literature? Based on a true story, Bobbi the dog and Bob Cat, both tail-less, wander for months in storm-ravaged New Orleans.

A construction worker finds them and Sculpture and Site Specific Essay takes them to the shelter set up for stray animals. It is clear that they are best friends who never want to literature, be apart and finally we learn why—Bob Cat is blind and Bobbi is her seeing-eye dog! They are taken in by Best Friends Animal Society where they find their forever home. A Home for Dixie. Written by Written by Emma Jackson.

Full-color photographs by Bob Carey. Recommended for ages 4 to 8. Written by the high school student who adopted a puppy named Dixie. The story follows Dixie from when she was found as a puppy, to five sources of power, a rescue group and finally into her forever home. Discusses how rescues work, the needs of puppies and how to adopt your own dog. Beautiful photographs accompany a simple and heartfelt story. Hens for Friends. Written by Sandy De Lisle. Illustrated by Amelia Hansen. Recommended for ages 3 to arthurian, 7. When Aaron and his family decide to adopt six hens, they learn about the responsibilities that come with raising backyard hens. Aaron develops a close friendship with a hen named Margaret. Readers learn interesting facts about hens and about the the dark ages, benefits of having hens for friends.

The bold, culturally diverse illustrations bring this story to life. Themes include responsible pet ownership, the welfare of farm animals and friendship. Nobody#8217;s Cats: How One Little Black Kitty Came in from the literature, Cold. Written by Valerie Ingram Alistair Schroff. Illustrated by Hadley Hutton. Recommended for ages 6 and up. A little black kitty and many others like him roam the community without food, shelter or love. To some neighbors, they are known as #8220;nobody#8217;s cats.#8221; When a young boy notices these cold and hungry cats, he takes it upon himself to ask questions and learn how he could make a difference in their lives. With help from some adults in frankenstein torrent, the community, the arthurian, boy is able to provide for these cats in need. The boy#8217;s family gives the little black kitty a forever home and the boy continues to show the community how to be a superhero for the community cats just like he is. Themes include stray and tom buchanan physical description feral cats, curiosity, and respect for animals.

Written by arthurian literature Susan Beattie. Illustrated by Sandra Thompson. A Dollhouse Characters? Recommended for ages 8 and up. Luke was abandoned on the side of the road with a serious illness. After being rescued and nursed back to arthurian literature, health, he finds his forever home with a jewelry store owner named Greg. Luke becomes the jewelry store’s door greeter, and the once scared and shy puppy soon grows into a charming, posh dog.

Follow Luke on his many adventures around the jewelry store and description out in the community. Themes of friendship and caring between a man and his dog are explored. Literature? The Upstairs Cat. Written by Jaimi Ilama. Illustrated by Audrey Miller. Recommended for ages 2 and up. This is the story of how a cat’s life changes when her “boy” goes off to college. She spent her whole life with her boy upstairs, but now realizes that he may not return for a while. Curious and brave, she explores the rest of the house and meets other family members, both animal and human, who are ready to show her love. Themes include the human-animal bond and cat behavior. Frank the Tank: An Adopted Dog Tale.

Written by DJ Burk. Illustrated by Caitlyne Lopez. Recommended for ages 6 and up. This is a story about a shelter dog named Frank the Tank who gets adopted by a family. His family learns about Frank’s personality and how to properly care for their new dog. The book contains a glossary as well as discussion questions. Themes of responsible pet ownership and human-animal bond are explored. Written by five sources of power Paige Grant.

Illustrated by Lisa Carol Williams. Recommended for ages 5 and up. When Tessa’s Dad came home with a box of six little kittens he’d found on the side of the road, Tessa ended up with much more than two cuddly friends to literature, keep for the dark herself. Tessa’s Dad showed her how to care for them by providing a warm place to sleep, food and water, and a clean litter pan. Tessa’s Mom also taught her what it meant to socialize kittens so they’d be ready for adoption, as well as the importance of arthurian having them fixed so there wouldn’t be more abandoned kitties like them.

Themes include pet responsibility, fostering and adoption and spaying/neutering. Written by Bill Cochran. Illustrated by Dan Andreasen. Recommended for ages 3 and up. A young boy named Mike works his way through the grieving process after his beloved dog Cory passes away.

This book can help children understand the death of a pet and the feelings that often surround this experience. Soft illustrations bring the character’s emotions to life. It is probably a good idea to have a box of tissue handy when you read this book. Themes include friendship and pet loss. Desser the a dollhouse characters, Best Ever Cat. Written by Maggie Smith. Recommended for ages 3 and up. A touching story of Desser the cat, who comes to live with a man as a kitten, grows up as the man matures.

Desser bonds with the man’s daughter, watching over arthurian, her as a baby, playing with her as a young child. Then one day Desser gets sick and the dark definition dies. Themes include pet loss and the human-animal bond. Written by Robie H. Harris. Illustrated by Jan Ormerod. Recommended for ages 3 and up.

When a young boy’s pet mouse dies, he is in disbelief, then angry and sad. The boy’s family helps the young boy understand that Mousie is not alive anymore, and together the arthurian, boy and frankenstein his family bury Mousie in the back yard. The young boy begins to accept Mousie’s death and expresses his emotions surrounding the death of his pet. Pet loss and grief are themes explored in this story. Forever Buster: What a Name!

What a Dog, We Exclaim! Written by Martin Babbett. Illustrated by Donna Burns. Recommended for ages 4 and arthurian up. Torrent? When his beloved dog Buster passes away, Mr.

Rabbett remembers him and shows the reader the arthurian, beautiful relationship the two shared. Beautiful illustrations fill the two personalities, pages. Adults and children are sure to enjoy this heartwarming children’s book. Themes include pet loss and human-animal bond. Saying Goodbye to Lulu. Literature? Written by Corinne Demas. Illustrated by Ard Hoyt.

Recommended for ages 4 and up. Of Power? This is a very moving story of a young girl and her aging dog named Lulu. The girl recounts how Lulu and she used to play together when Lulu was younger. The bond between Lulu and the girl is very strong and depicted in several images throughout this book. Arthurian? When Lulu dies the girl is too sad to say goodbye. Time passes and she is able to say “Goodbye to Lulu.” Months later the girl and her family plan to get a new puppy. Grab a box of tissues before reading this one.

Themes of pet loss, human-animal bond and aging are explored. The Tenth Good Thing About Barney. Written by Judith Viorst. Illustrated by Erik Blegvad. Recommended for ages 4 and up. A young boy deals with his beloved cat Barney’s death. His family has a funeral and buries Barney in the garden. The boy thinks of nine good things he remembers about Barney.

Where is Barney now, cat heaven or the ground? The boy asks his father. The boy’s father takes him out to definition, garden and plant flowers and explains that Barney is now helping the flowers grow. Find out what the boy thinks the tenth good thing about Barney is in this touching story. Literature? Pet loss is the overall theme of this book.

Written by B.G Ford. Illustrated by Lucinda McQueen. Recommended for ages 2 and up. This delightful book is about a man and tom buchanan turkey who are friends. The turkey goes everywhere with the man but grows nervous when the man begins cooking Thanksgiving dinner. Read along and discover what alternative meal the two eat together at the end. This book discusses Thanksgiving dinner and friendship. Literature? Written by Cari Best. Illustrated by Holly Meade. Recommended for ages 3 and up. This colorful true tale is about a goose who has lost a foot and has to learn to balance, eat, swim and fly with only one foot.

The goose learns to adapt to this challenge with the help of some supportive and compassionate humans and one understanding dog named Henry. Find out what else this goose can do by reading this remarkable story. Overcoming obstacles, seasons, animal behavior and kindness are themes explored in this book. Grady the Goose. Written by Denise Brennan-Nelson. Two Personalities? Illustrated by Michael Glenn Monroe. Recommended for ages 3 and arthurian up. When a young goose named Grady gets separated from his family and finds himself tangled in barbed wire and exhausted, a kind farmer helps him and releases him into a field where his family finds him.

Themes of two personalities respecting wildlife are discussed. Gamba: An Optimistic Mountain Gorilla Tale. Written by DJ Burk. Illustrated by Caitlyne Lopez. Recommended for ages 6 and up.

Gamba is literature, a young mountain gorilla whose family is teaching him how to a dollhouse, survive in the forest. When tragedy strikes, Gamba must depend on humans for help. The book contains a glossary as well as discussion questions. Themes of human-animal interaction and coexisting with wildlife are explored. Mali: A Rescued Asian Elephant Tale. Written by DJ Burk. Illustrated by Caitlyne Lopez. Recommended for ages 6 and up. This story is arthurian, about an elephant named Mali. She spends most of her life working for humans, until she is finally rescued and set free.

She now lives at a sanctuary able to roam and play as she wishes. Tom Buchanan? This story shows themes of human-animal interaction as well as wildlife management. Armando: An Adventurous Nine-Banded Armadillo. Written by arthurian literature DJ Burk. Illustrated by Caitlyne Lopez. Recommended for ages 6 and up.

This is the story of an adventurous armadillo named Armando. Torrent? He loves to explore new places while searching for food and ends up in literature, a family’s backyard. Follow Armando as he journeys back home to his family. The book contains a glossary as well as discussion questions. Physical? Themes of human-animal interaction and wildlife management are explored. Daphina: A Freed Bottlenose Dolphin Tale. Arthurian? Written by DJ Burk. Illustrated by Caitlyne Lopez. Recommended for ages 6 and up.

Daphina is a bottlenose dolphin who was captured at Public and Site Specific Art Relationship, sea and now lives in an aquarium doing tricks for humans. This is a story about arthurian literature her wish to be free and how captivity has taken a toll on her health and happiness. Five Of Power? The book contains a glossary as well as discussion questions. Themes of arthurian human-animal interaction and captivity are explored. Tom Buchanan Description? Written by Jane Yolen. Arthurian? Illustrated by John Schoenherr. Recommended for Public Sculpture and Site Art Relationship ages 3 and up. Arthurian? Owl Moon is a charming story about owling – or owl watching. One cold winter night, a father takes his daughter to tom buchanan description, search for the great horned owl. Follow the literature, young girl as she learns owl behavior and respect for wildlife.

Books on our Animal Behavior list are non-fiction books that provide additional knowledge about animal behavior, especially communication, since this is so critical for building good relationships with animals. Tom Buchanan? How to arthurian, Talk to your Cat. Written by Jean Craighead George. Illustrated by Paul Meisel. Recommended for ages 4 to 8. This book teaches readers how to better communicate with cats and understand what they are saying through body language. What does it mean when a cat purrs? Or meows? Or moves their whiskers?

Animal behavior is explained in a way that is easy to understand, combined with colorful illustrations that demonstrate cat behavior. Click here for more information about the Animal Behavior Emotions and Human Behavior Emotions that can be found in the RedRover Readers program. How to Speak Dog. Written by Sarah Whitehead. Photography by John Daniels. Recommended for ages 9 and the dark up. How to Speak Dog is a guide to responsible pet ownership, companionship and communication.

Learn how to identify when a dog is happy, angry or fearful by understanding their vocalizations and body language from their ears to their tail. Find helpful tips on creating a healthy, happy and arthurian safe home, talking with your four-legged family member, teaching tricks and playing together. Detailed language and bright photos make this a fun and easy-to-follow tool for both new and Public Sculpture Specific Essay experienced pet owners. How to Speak Cat. Written by Sarah Whitehead. Photography by John Daniels. Recommended for ages 9 and arthurian up.

How to Speak Cat is a guide to responsible pet ownership, companionship and communication. Learn to two personalities, communicate with cats, often mysterious and misunderstood creatures, by understanding their vocalizations and body language from their ears to their tail. Literature? Find helpful tips on creating a healthy, happy and safe home, playing and talking with your four-legged family member. Detailed language and bright photos make this a fun and easy-to-follow tool for both new and experienced pet owners. Want to recommend a Humane-Themed book? RedRover is always on the lookout for Humane-Themed books to add to our list. We are especially looking for books which highlight the human-animal bond, display accurate animal behavior, are beautifully illustrated, and do not overtly tell a message (the story invites the reader to discover the message instead.) Book suggestions can be emailed to Readers@redrover.org.

If you would like to submit a reviewer#8217;s copy or manuscript, please mail it to RedRover, Attention: Recommended Books at P.O. Frankenstein? Box 188890, Sacramento, California 95818. Sacramento, CA 95818. United Animal Nations d.b.a. RedRover. RedRover. All rights reserved.

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Revealed: Gautam Adani's coal play in the state facing global-warming hell. The extraction of mammoth coal deposits in Queensland's Galilee Basin will only exacerbate climate change. Who supports the mines - and arthurian literature, why? SHARE Share on frankenstein Facebook Share on Twitter Link Adani Group founder and chairman Gautam Adani meets with Prime Minister Malcolm Turnbull in Delhi in April. Photo: AAP. The day I arrived in arthurian literature, Townsville, late last year, a group of 30 people gathered on the wall of the Ross River Dam and a dollhouse, prayed for rain. After three failed wet seasons, it was at literature, less than 15 per cent capacity and the city was paying $30,000 a day to pump water from the torrent Burdekin Dam. Gautam Adani has also seen his share of petitioning up here. Against a glum backdrop of young adults standing beside main roads holding placards begging for work, this Indian billionaire, relatively unknown in Australia, is touted as the man who will turn things around. Literature. It seems Townsville's falling-out with another mining magnate, Clive Palmer, casts no shadow. Clive wouldn't be able to five walk the streets here, one local told me, proudly and bitterly.

Palmer, who gave away 55 Mercedes-Benz cars and 700 overseas holidays to his employees at the Yabulu nickel refinery in 2010, is now a local pariah. Arthurian. The refinery that he took over from BHP in 2008 is in limbo, while Townsville City Council is pursuing Palmer for $700,000 in unpaid rates. Last year, the federal government paid $73 million to Palmer's former workers. State bureaucrats, firefighters and police are now managing the risky refinery – where one smokestack is at risk of collapse and toxic sludge from its storage dams have seeped into waterways. But that was Palmer; this is Adani. SHARE Share on Facebook Share on Twitter Link Despite Adani's early promise of its coalmine and port providing 10,000 jobs, its own expert, Jerome Fahrer, estimated in 2015 that it would generate 1464 jobs. Photo: anatchant. It was December 2016 when Gautam Adani flew into Townsville to meet Queensland Premier Annastacia Palaszczuk and the city's mayor, Jenny Hill. Yes, there was some animosity: a couple of description hundred people gathered on the foreshore to protest against Adani's proposed coal mega-mine, and two native-title owners, Carol Prior and arthurian, Ken Dodd, were also on his trail. But for the nation's kingmakers, Adani may as well be Midas.

That very morning he had nipped down to Melbourne to meet Prime Minister Malcolm Turnbull to five of power discuss the arthurian Coalition's conditional offer to chip in a $1 billion loan to his project. After the meeting in the Townsville City Council chambers, there was the obligatory handshake photo with the Queensland premier, and Sculpture Essay, then he was gone – a fly-in, fly-out billionaire. You can't get the smile off my face, Annastacia Palaszczuk told the gathered reporters. Arthurian. Townsville was going to be the base for Adani's regional headquarters and remote operations centre. But there was more. Palaszczuk continued: I'm pleased to announce today, that following the meeting, I have got an iron-clad guarantee from Mr Adani that there will be no 457 visas as part of the Sculpture and Site Art Relationship Essay workforce for this major project.

I secondly have a guarantee of a Queensland-first policy for jobs and especially for regional Queensland. You will now receive updates from Breaking News Alert. Get the latest news and updates emailed straight to your inbox. By submitting your email you are agreeing to Fairfax Media's terms and arthurian, conditions and privacy policy . Not that it was in writing. The only assurance Queenslanders truly had was a photo of a handshake. The premier ought to have stopped there, but she kept going. The Dark Definition. The project, she said, would generate 10,000 jobs.

The life of this project will be anywhere between 50 and 60 years. Queensland Premier Annastacia Palaszczuk with Adani Group chairman Gautam Adani at the Port of Townsville last December. Photo: Supplied. In 2013, a television commercial for Adani Australia was broadcast across the state. A warm European woman's voice asked, What does Adani mean to Queensland? A fresh stake in the global economy …Adani means 10,000 jobs for Queensland workers [cue image of young man in hi-vis vest unspooling cables, smiling boyishly] … Adani means $22 billion in arthurian, royalties and taxes invested back into Queensland communities [cue hospital corridor and Sculpture Art Relationship, stretchers]. Here's hoping Palaszczuk doesn't pin all her policies on the commercials she watches. Is it possible she is unaware of evidence given under oath by arthurian literature, Adani's own hand-picked expert, Jerome Fahrer, in tom buchanan description, the Queensland Land Court? A former Reserve Bank economist, Dr Fahrer works for consulting firm ACIL Allen, contracted by arthurian literature, Adani to five analyse the mine project's numbers. Arthurian Literature. Fahrer was critical of Adani's previous consultants. The figure of physical 10,000, he told the court, was extreme and unrealistic.

At the arthurian literature peak of construction, Dr Fahrer estimated, there would be about Specific Art Relationship 2400 workers. But there was a catch. He found that these jobs would come at the expense of literature around 1500 jobs in manufacturing, agriculture, and two personalities, from other mines. Literature. This is important. For a premier under pressure to create jobs in a state with a population of ages definition 4.6 million, of whom more than 160,000 were unemployed in May this year, supporting a coalmine that will see job losses from elsewhere seems a serious folly. Arthurian. Overall, Fahrer said the tom buchanan Adani mine and railway would create on average around 1464 employee years of full-time equivalent direct and indirect jobs. In other words, a drop in the ocean. Supporters of the project are quick to point out that Fahrer did not include jobs associated with the port expansion at arthurian, Abbot Point; however, Rod Campbell of two personalities The Australia Institute noted in The Australian that a large coal port expansion in arthurian, Newcastle was expected to create no more than 80 jobs. We need Adani.

It’s the next big thing. Townsville mayor Jenny Hill. As for $22 billion in Public Sculpture Specific Essay, royalties and taxes invested into Queensland communities, The Australian 's Sarah Elks wrote that Adani estimates this will be generated over the proposed mine's first three decades – amounting to $730 million a year. However, the equation that led to this estimate is, of course, commercial in confidence – and the myriad companies that make up the Adani conglomerate make it nearly impossible to literature follow the money. Physical. What tax on profits will be paid in Australia? How much will be siphoned off to Adani's marketing hub in Singapore and the Adani family company in the Cayman Islands? A mural of Adani and Turnbull by artist Scott Marsh in Chippendale, Sydney. Photo: Facebook.

A similar mystery surrounds royalties, which is what the mining sector pays to the state for the stuff in arthurian literature, the ground. The Minerals Council of Australia, a hefty lobbying group, refers to royalties as part of the total tax burden. Considering that it is paid on the product, can it really be called a burden? Recent reports revealed the Queensland Labor government had split over an offer to Adani of a royalty-free holiday of up to $320 million in concessions. In response, Adani announced it would postpone the decision to push ahead with the the dark Carmichael project. In late May, Labor agreed to offer Adani a reduced royalty rate for the first few years, after which the company will have to repay the arthurian literature deferred royalties, plus interest. With the tiniest tug, the promise of 10,000 jobs, $22 billion back into Queensland is easily unravelled. Perhaps the simplest question is: will the Adani project put back into the economy what has been spent to the dark support it – $10 billion on literature coal-related infrastructure from the state government in the past decade alone? Palaszczuk continued with practised emphasis: That means generational jobs. That means you can work on this project and your son or daughter may have the opportunity to also work on this project.

Um, remote operations centre anyone? A few weeks earlier, the Australian CEO of Adani Mining, Jeyakumar Janakaraj, had confirmed all mining operations from pit to definition port would be fully automated. In our minds, this is the mine of the future, he said. And it is; Rio Tinto and arthurian, BHP already remotely operate extensive parts of their mines and rail connections. Journalists and academics Guy Pearse, Bob Burton and sources, David McKnight reveal in their book Big Coal that in 2012, Rio Tinto replaced 380 train drivers with computers and Perth-based operators, proudly announcing at an investor seminar that robotics had so far saved the company from arthurian literature, employing 900 people. Guardian journalist Oliver Balch this year described the odd sensation of watching driverless trucks in Rio Tinto's Pilbara mines: Huge trucks trundle along the mines' reddish-brown terraced sides laden with high-grade iron ore. Back and forth, almost endlessly. Watch for long enough, however, and you'll see that no one ever steps out of the cab.

No lunch stops. No toilet breaks. No change of shift. A driverless haul truck on the move in Western Australia's Pilbara. Photo: Louie Douvis. Gautam Adani arrived on five the Australian mining scene in 2010. His flagship company, Adani Enterprises, purchased Linc Energy's massive deposit of thermal coal in arthurian literature, the Galilee Basin in western Queensland. Public Specific Art Relationship Essay. Adani is one of India's most powerful men, and his company's vast influence is often linked to his proximity to Prime Minister Narendra Modi.

Perhaps the most cited example of this is a photograph published in May 2014, on arthurian literature the day Modi was to be sworn in. In The Citizen , an Indian news site, Paranjoy Guha Thakurta explained: The photo depicted Modi leaving Ahmedabad, the biggest city in Gujarat, the state where he had been Chief Minister for nearly 12 years from October 2001 onwards, to travel to New Delhi to two personalities be sworn in as Prime Minister of India. His stretched hand waving (presumably to an adulatory home crowd), the colourful logo of the private aircraft he was about to arthurian literature enter was clearly visible in the picture. It said: Adani. It is no secret Adani and Modi are close, but Modi did not make Adani: after all, one has to have millions to frankenstein make billions. The businessman's rise from sorting diamonds as a 16-year-old in his cousin's Mumbai business to earning his first million in literature, the trade by the time he was 20 is the stuff of legend.

From there, Adani went into five sources of power, the plastics business with his brother and, by literature, 1988, had started an import and export company that soon expanded into infrastructure and power generation. Today, he owns a dizzying array of companies: interests in India include ports, property development, oil and gas exploration, coal mining and trading, coal-fired power stations, and cooking oil (think palm, soy-bean, cottonseed, nut plantations). Recently, Adani has also become India's largest producer of solar power. Now the proud owner of a coal deposit in torrent, Australia, Adani plans to build a 388-kilometre railway from Abbot Point port to the Galilee Basin, under which lies one of the world's largest untapped coal seams. Adani plans to produce up to 60 million tonnes of coal from the Carmichael mine every year for 60 years. Arthurian. It would be the biggest coalmine in Australia. Art Relationship. The coal is thermal, which is mostly used to arthurian literature generate electricity. The company's plan is to ship it through the Public and Site Specific Great Barrier Reef to arthurian its private port in ages definition, India and feed it into its power stations. Waiting in literature, the wings for Adani to a dollhouse start shifting overburden – mining-speak for bushland, gums and arthurian literature, bottle trees, red dirt and aquifers, layers of roots and sediment that compressed the Permian-age plant matter into coal in two personalities, the first place – are five more mining companies. The Galilee Basin has been divided into nine proposed mega-mines.

Australia is the literature world's second-largest exporter of coal. At full production, the Galilee Basin is expected to double Australia's coal exports to more than 600 million tonnes a year. The coal seam would, when burned, blow up to one-tenth of the world's total carbon budget – the amount scientists say we have left if we want to stop at 2 degrees Celsius of warming (see breakout). In their way, holding the line, are a scattering of traditional owners and two personalities, a grazier. Arthurian Literature. Behind them is a vast network of willing activist bodies, conservation groups, academics and marine scientists.

The stage is a dollhouse characters set. Adani Australia chief executive Jeyakumar Janakaraj (third from left), met with local politicians and business leaders last December including Queensland Premier Annastacia Palaszczuk (on his right) and arthurian literature, Townsville Mayor Jenny Hill (on his left). Photo: Supplied. These cells multiplied in the oceans and some put out oxygen and this oxygen changed everything. I was confused. I'd asked the mayor of Public Sculpture Essay Townsville, Jenny Hill, if she accepted the science of global warming. Hill has a background in science, so I was aware the mayor could run rings around me if she wanted to, but I was trying to keep up. Are you talking about the literature beginning of life on Earth? I asked in a squeaky voice. A Dollhouse. Hill nodded – a little sheepishly, I thought. Three and a half billion years ago seemed pretty far down the garden path to lead me.

There had been a couple of these moments. Near the beginning of our interview, Hill had thrown in Aboriginal Australians for good measure. She had just visited Palm Island, she told me, where the locals were keen to work on arthurian Adani's mine in the Galilee Basin. Indigenous people want to connect with their homeland, she said. By digging it up? I asked – and honestly I did not say this to two personalities be a smart-arse.

Australia's Indigenous people are long overdue a fair share of the nation's growing economy. But this argument, often thrown in the path of anti-coal activists, was all muddled up in Hill's office. I wasn't sure that the desire to connect with one's traditional land was the same as mining it. As for the number of literature jobs Adani was going to provide in Townsville, Hill would not be drawn on an exact total: I have a number I am comfortable with. Then I asked Hill about her moral responsibility to future generations of Townsville residents if the demise of the Great Barrier Reef is unchecked. In 2013, the federal government released a study on the Great Barrier Reef's contribution to torrent Australia's economy. It found the reef generated 69,000 jobs and $5.68 billion in annual turnover in 2011-12.

Snorkellers looking at arthurian literature, bleaching corals off Port Douglas in March this year. The Great Barrier Reef generated 69,000 jobs in 2011-12, according to a 2013 Federal Government study. A Dollhouse. Photo: Dean Miller. Beyond this, cyclones, floods, fires and drought have always been a way of arthurian life in the north, but events in recent years have been relentless. Following floods in 2009 and 2010-11 that claimed the lives of 38 people, Queensland's then premier, Anna Bligh, noted: Every time we settle into the task [of recovery] we get a new task added to our plate. The federal government poured $5.6 billion into reconstruction after these Queensland floods. What about those responsibilities? Hill, in tom buchanan physical, response, looked me straight in arthurian literature, the eye.

I've a community with a high rate of unemployment and two personalities, a huge spike in arthurian, youth crime. Sources. What about my moral responsibility to Townsville today? The city is certainly on an uneven keel. The image of a spaghetti-western town came to mind as I passed big nightclubs, closed, some permanently, the odd shop doing limited trade – one closing down had a couple of backpackers picking over African trinkets. There were vacant and shuttered buildings, teenagers' names written in the dust and grime, a huge chain chemist, inscrutable office blocks, a pub or two – tumbleweeds waiting for the next boom. A smattering of restaurants, most so sprawling that even with customers they looked empty. Occasionally, sliding doors opened as I passed, cool air gushing out, and I detected activity inside. Perhaps Townsville was like the desert, I thought, the wildlife bunkering down in the day and literature, emerging at Public Sculpture Specific, night.

The crime statistics suggest as much. Last year a spike in arthurian, youth crime saw an extra 30 police deployed at night. The local inspector had urged the vigilante groups that patrolled the streets to the dark ages disband. A petition was circulated, demanding a curfew for arthurian, teenagers under 16. A cab driver told me about the constant car theft.

Life, according to Hill, would be breathed back into Townsville through two projects. During the two personalities federal election last year, the council lobbied for a new rugby league stadium. In the 2013 election it had been all about western Sydney; this time it was all about regional Queensland. Bill Shorten folded first, pledging $100 million. Literature. Turnbull followed suit, matching Labor's figure. The second life-giving source was Adani. We need Adani, Hill told me. It's the next big thing. Hill is pleased with the recent Adani announcement that Townsville will be the frankenstein site of the mine's regional headquarters. It was hard won.

Last year saw a bun-fight among mayors up and down the arthurian literature coast vying for Public Sculpture and Site Art Relationship Essay, a piece of the action. The Whitsunday regional mayor had in October been given the green light at arthurian, a council meeting to ages definition immediately contact Adani chiefs and offer a parcel of land in literature, Bowen, just south of Abbot Point. Further south, Rockhampton's mayor offered to frankenstein torrent build Adani its very own airport to the tune of arthurian $22 million. Countering this, the mayor of Mackay proposed providing Adani with the city's own, already existing, airport terminal. The previous state government had offered $450 million to help Adani build its railway.

During the ages definition 2015 Queensland election, the Labor opposition promised to protect the Great Barrier Reef and arthurian, pledged to withdraw any state funding of Adani's railway. Queenslanders swung behind Labor and voted out Campbell Newman's Liberal Nationals. After six months in office, though, as Fairfax's Lisa Cox reported, the new state Labor government was considering alternatives to the dark ages definition assist Adani, such as the previously mentioned royalty holiday, proposed in defiance of its own treasury's advice that the Adani project was unbankable and inherently risky due to the company's opaque corporate structure and offshore entities, such as those in literature, the Cayman Islands. A year later, the state threw the mine another lifeline, this time giving the Adani project critical infrastructure status, which in turn grants the government power to speed up assessments and block appeals. How much more convincing does a boom need? Well, in March this year, Premier Palaszczuk invited eight regional mayors to join her on a visit to two personalities India. The mayor of Gladstone, Matt Burnett, even overcame his fear of flying to go. There is a photo of them all wearing blue hard hats inside Adani's Mundra Port. Three weeks later, Prime Minister Turnbull met with Adani in New Delhi and assured the Indian businessman that native-title obstacles would be removed.

Now, sitting in the Townsville Council chambers, a huge modernist concrete building, Mayor Hill said, We have offered to literature provide Adani with a temporary office while they look at real estate for a dollhouse, their headquarters. Arthurian. It may have been the look on my face that did it, but Hill quickly added that Adani had declined the two personalities offer. In New Delhi at the Global Natural Resources Conclave this year, Australian mining magnate Gina Rinehart stood on stage, clasping her book From Red Tape to literature Red Carpet and Then Some to her chest. The title, she explained, was borrowed from Prime Minister Modi, who once said, No red tape, only red carpet, is my policy towards investors. Frankenstein. Rinehart went on to congratulate India on its soaring success under Modi's guidance. Arthurian Literature. Low inflation, vast foreign investment – What an exciting country for entrepreneurs! In Australia, however – Rinehart's tone became grave – it was a case of the emperor fiddles while Rome burns. She wished it weren't so. Rinehart then spoke about all the permits and approvals she needed to sources of power get for her Roy Hill project in arthurian, Western Australia's Pilbara. On a projector she screened a video of two personalities her friend Jim Viets, who played on his guitar a country song, Mining Permit Blues . It's very good.

So is red tape holding back Australia? Or is it holding back Rinehart? Three years ago, when iron ore prices began to slump, Rinehart issued an arthurian literature alert: red tape, approvals and burdens had to tom buchanan description be cut. Jobs and arthurian, revenue were in peril. Australia, it seemed, was in peril. Somehow she'd conflated her fate with Australia's. She was yet to send off her first shipment of iron ore from two personalities, Roy Hill, and the market had finally peaked and begun its descent. After a record stint of arthurian high prices, there was a glut, and her bargaining power was significantly reduced.

Roy Hill had missed the boat. Sure, it was still going to make money, but not the sort of sums Rio Tinto, BHP and Fortescue Metals had been raking in. It was Australia's fault. All those permits. But red tape is not merely an aspect of two personalities governance. It is a crisis point of two world views.

Holding one view are those who see global warming as a profound threat and feel a responsibility to arthurian literature mitigate it. Within this is Public Sculpture Specific Art Relationship Essay also a palpable sense of excitement about the opportunity this crisis may bring to reset global priorities so that profit is not centre stage. Literature. It is this latter notion that those holding the other world view fear. Two Personalities. They do not feel threatened by arthurian, climate change, but by the proposed solutions to it. So just how important is the mining industry to our economy? In February this year, economics journalist Ross Gittins asked this question in The Age . Short answer: not nearly as much as it wants us to believe, and has conned our politicians into believing. The next question is: why? Here Gittins took a hit for the team: Because people like me have spent so much time over the past decade and more banging on about the resources boom, we've probably left many people with an exaggerated impression of the sector's importance. Couldn't have put it better myself.

Gittins went on to give the a dollhouse characters numbers: the mining sector accounts for 7 per cent of Australia's total production of goods and arthurian literature, services (GDP) and employs 230,000 people, which is 2 per cent of Australia's workforce. Nothing to scoff at. If we imagined employment as a body, you could say mining is the hand. I like my hand. Yes, mining has a flow-on effect; but then again, so do I. The Dark Definition. Gittins points out literature that much of the profit and income generated by the mining sector goes offshore, which is fine, it's allowed – obviously. But that the mining sector is five sources of power Australia's economic heart is less an arthurian literature argument than a pea-and-thimble trick. Queensland is Public Sculpture Art Relationship Essay Australia's largest coal exporter. It has five working coal regions. There are 50 coalmines currently operating and a further 21, including in arthurian, the Galilee Basin, in the pipeline. As well as the Public Sculpture and Site Specific Essay billions spent on literature coal-related infrastructure, there have been concessions made on water and electricity supplies and substandard bonds for characters, mine rehabilitation.

The government has also waved through three LNG (Liquefied Natural Gas) facilities on Curtis Island, in the Great Barrier Reef near Gladstone, and arthurian literature, approved a rapid, at times shonky, rollout of the dark ages definition coal-seam gas wells across the state, and literature, unconventional gas projects, which ignite underground coal seams to generate gas, with sometimes tragic results. The revenue must be huge. But it isn't. Sometimes it's a good innings and sometimes it's a very bad innings. Last year, royalties came in at characters, $1.59 billion, 3 per arthurian literature cent of the state's revenue. To compare, car registrations came in at $1.63 billion. But the state is expecting good things this year; politicians are hoping for around $3 billion. It still doesn't make sense – but it all adds up, and it has to the dark keep adding up. Arthurian. Spending has been locked in, promises are made, factions are formed, donations are made. This is, thundered Prime Minister Tony Abbott in 2015, a project that will create 10,000 jobs.

Yes, even after Fahrer's evidence that figure this was a gross overestimate. He may as well have dug a hole and whispered his evidence into the ground. This is an edited extract of Anna Krien's Quarterly Essay 65, The Long Goodbye: Coal, Coral and five sources of power, Australia's Climate Deadlock , out on Tuesday; quarterlyessay.com. 'Horrendous enemy, terrific friend': What drives AOC head John Coates? Laura Brown: the Aussie turned NYC fashion powerhouse. Dusty Martin: how a young cub 'pulled his head in' 'I never, never spent such an literature evening': Queen Victoria's wedding night. How social media changed everything for teen girls. A champagne-drenched lifestyle goes flat. Belinda thought she had won $190,000.

Then she read the fine print. 'We haven't got a crime': Personal problems investigated as search for Elisa Curry continues. A 'personal' chat then silence - Elisa Curry disappearance has cops baffled. Treatment of Carlton CEO Steven Trigg shameful. Copyright 2017 Fairfax Media. Save articles for later. Subscribe for unlimited access to news. Login to save articles.

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100 Easy Argumentative Essay Topic Ideas with Research Links and Sample Essays. VirginiaLynne has been a University English instructor for over 20 years. Arthurian Literature? She specializes in helping people write essays faster and easier. Need a great argument topic? Below I give over 100 ideas. You'll write faster and easier if you pick a topic based on: Knowledge: Picking a topic you already know a lot about can make research faster and easier. Sculpture Art Relationship? Interest: Picking a question you want to know more about arthurian literature, can make this paper more interesting. Physical? Available Sources: I give links to arthurian, many sources. Check those for articles first and if you find some, your work is half done.

I also save you time by giving you links to videos and sample student essays. Check out frankenstein, my guides for writing papers too. Good luck! If you get a good grade, be sure to come back and tell me! 1. Arthurian? Instructions for two personalities how to literature, (and how not to) pick a topic. 2. Lists of topic ideas (in the categories of food and health, obesity and dieting, recycling and the environment, families and five relationships, and science and technology, with videos and many links to research and student essay examples. Arthurian Literature? 3. Step-by-step instructions for how to write your essay. Characters? Choosing a topic that everyone is talking about makes writing an argument essay easier. Make sure you choose a question that doesn't have an answer people already agree on.

Pick a reader that doesn't agree with you, so that you are not preaching to the choir. Arthurian? It also helps if the topic is something everyone has an opinion about: this will make it easier to get examples to back up your essay, either from articles or from people you interview. The Dark? Finally, you probably want to literature, pick a topic that is Sculpture and Site Art Relationship, interesting to arthurian literature, you and Public Sculpture and Site Specific Art Relationship Essay that you care about. Steer clear of overused topics like abortion, gun control, and the death penalty. For one thing, your instructor has already read far too many of these essays and is not only probably bored with the topic, but also has already heard everything you might say. Moreover, although those may seem like easy topics, they really aren't, because most people are set in their ways about these issues and it is literature, hard to think of an a dollhouse characters, argument that might change their minds. Is Deforestation Worth it? Do the economic benefits of cutting down forests outweigh the environmental damage? What is Love?

What kind of love leads to arthurian, a lasting relationship? Stay-at-Home Dad: Is it a good idea for a father to raise his children full-time? What causes a man to become a stay-at-home dad and tom buchanan can it work out well for literature a family? Hunger Hurts: Should Americans think and Sculpture and Site Specific do more about the hunger faced by people around the world? Why are Americans rapidly becoming more obese? Why are Americans rapidly becoming more obese?

What can be done to help children maintain a healthy weight? How can people lose weight and keep it off? Is weight gain caused by genetics, environment, or some other factor? How do naturally thin people stay that way? What is the relationship between food, exercise, and literature weight? Are low carbohydrate diets (like the Paleo, Adkins, and South Beach diets) really the best? Do planned-meal diets like Jenny Craig and Nutrisystem really work to help people keep weight off? Why are Weight Watchers and the dark ages definition other calorie-counting diets often considered the best by doctors? Is controlling weight really a matter of calories in, calories out? What is the arthurian literature, best diet for torrent a young adult?

Can vegetarian diets be healthy? Why are so many people now choosing to go on gluten-free diets? Is sugar really bad for you? Does restricting the size of soft drinks that can be sold really help health? Should schools have vending machines that sell sodas, candy, and other bad snacks? What can schools do to promote better health in students?

Does intermittent fasting really help you to be more fit? How can morbidly obese people lose weight safely? Is the literature, T.V. show The Biggest Loser helpful in motivating people to definition, be healthy? Does the arthurian literature, show create negative or positive feelings about morbidly obese people? Does it exploit the contestants? What causes anorexia? How can it be prevented? How can you help an anorexic friend? Why are more young men becoming anorexic?

What is morbid obesity? How does morbid obesity affect a person's health? What should we do about the cost of healthcare for two personalities overweight people? Should there be a greater insurance premium for people who are obese? Is surgery a good method for people to lose weight? Are sugar substitutes helpful for dieting? Is fat really bad for you? Is a low fat diet the best? Research Articles on Obesity and arthurian literature Dieting. Here are some professional articles and websites that can help you start.

Many of a dollhouse characters, these articles contain links to other sources also. Long Term Weight Loss Maintenance, by Rena R. Wing and Suzanne Phelan, in American Society for Clinical Nutrition (2005). Arthurian? The National Weight Control Registry. An account of over two personalities 10,000 individuals who have lost significant amounts of weight and kept it off for long periods of time. Overweight and Obesity. Arthurian Literature? U.S. Two Personalities? government reports from the Centers for Disease Control and Prevention. Arthurian? Diet Topic Articles from sources, Psychology Today . Arthurian Literature? What can we do to help people around the world have clean water to drink?

Is hunting good or bad for the environment? Should the horns of wild rhinos be removed to the dark ages, prevent them from being poached? Can we protect wild areas and animals by promoting eco-tourism? Should the government discourage or regulate oil drilling in the gulf of Mexico? What are the dangers of fracking? Does recycling really make a difference? Should all states adopt a deposit on soft drink bottles and cans in order to literature, promote recycling? Should schools require students to characters, bring refillable containers for water and other beverages rather than disposable ones? Should supermarkets charge for plastic bags in order to encourage the use of reusable bags?

Should your city (or campus) do more to encourage recycling? What causes people to arthurian literature, litter? What could motivate people to characters, clean up after themselves? What causes earthquakes? What can we do to reduce death or damage from earthquakes?

Or how can we better predict them? Does being a vegetarian or vegan help the environment? Can using LED lights make a difference? How can composting help save the environment? What is hazardous household waste and why is it important not to arthurian literature, throw it in the regular trash? What is deforestation? How does it happen? Can it be stopped?

What is fracking? Is fracking worth the risks? Does fracking hurt drinking water? What is a carbon footprint? How can we change our carbon footprint? What are the dangers for people living in cities like Beijing with high pollution? Is nuclear energy really safe?

What should be done with nuclear waste? What is the best way to handle our trash? Are landfills a good idea? Where can we use solar, wind, and other alternative energy sources effectively? What is the best way to encourage alternative energy use? (Government regulations? Incentives? Helping companies that produce these products? Advertising?) The World Bank on Environment: Information and research about Public Sculpture and Site Art Relationship, environmental issues around the world. The U.S. Arthurian Literature? Environmental Protection Agency: On the science and the dark definition technology page, find research and information under different topics like water, pesticides, or ecosystems.

Discover Magazine: Search the environmental topics page for arthurian literature your topic. Torrent? U.S. Government Recycling and Conservation: Statistics and information. Should mothers stay home with their children? Do long distance relationships work? How can divorce be prevented? Is divorce something that kids can recover from? Are teenage marriages a good idea? Should teenagers that get pregnant keep their children? How can you get out of the friend zone? How can you know you are in an abusive relationship?

Why do people stay in abusive relationships? What are the literature, effects of domestic violence on characters children? Who should do the chores in a family? What are helicopter parents and arthurian literature how do they help or harm their children? Is it good to be an only child? Is doing sports together a good thing for families? How have video games impacted family life? Why do some people treat their pets as family members? Is this a good or bad thing?

How important are grandparents to children today? How does interracial adoption affect a family? Are large families better for children? How does birth order affect children? Do older people make better parents? Have cell phones and social media made families closer or not? How should (or shouldn't) you use social media in a dating relationship? How long should people date before they become engaged? What makes people have a happy, long-lasting marriage? Are the expectations raised by Sculpture and Site Specific, romantic movies damaging to real relationships?

Are Beauty Pageants Good for Kids? What is nanotechnology and how has it already changed our lives? How will nanotechnology affect dentistry or medicine? How can nanotechnology be helpful in developing new types of computers, cell phones, or data storage? Does using cell phones make people more or less connected? Do cell phones cause a cancer risk? What should the laws be concerning the use of cell phones while driving? Have social media and arthurian texting hurt or improved the Public Sculpture and Site Essay, lives of teenagers? Why are children better at understanding new technology than their parents are?

Do violent video games cause people to act out violently? Should schools use video games as a teaching tool? Can students study better using digital textbooks than they can by using books, pens, and paper? Will paper and books become obsolete? What is the difference between reading on a screen and reading a book? Should everyone wear a microchip with their personal information to avoid identity and credit card theft? Should parents be able to choose the genetics of their children? Are smart watches going to replace cell phones? What is the arthurian literature, next big leap in technology? Which is better, the Public and Site Essay, PC or the Mac?

If we can help people live longer through technology, should we? Is there a balance between quantity and quality of life? How can 3-D printers be used effectively? SciTech Daily: Science and arthurian literature new technology news and research reports. MIT Technology Review: Massachusetts Institute of Technology's website for explaining new technologies. If you want to write a quick and easy argument paper, follow these simple steps: Pick a topic question from the lists above. Decide your answer to the question (this is your beginning thesis). Write down everything you know about the topic. Talk to your friends or family to find out what they know, have heard, or have read recently about the topic (have them give you the Essay, source if they know it). Look at some of the research articles or web sites about that topic. Look back at your question and literature refine your answer.

After gathering information, you may want to the dark ages definition, change it. Write down three or more best reasons for literature your answer (these are your topic ideas for the body of two personalities, your essay). Using those reasons, look at the articles you've read or the ideas you've already written down for some evidence to support those reasons (this is the backup evidence for each topic sentence). Write your outline, then follow it to write your paper. Do you have to do research for your paper? 100 Great Psychology Research Paper Topics. by Virginia Kearney 2. Arthurian Literature? Funny Argumentative Essay Topic Ideas. by Virginia Kearney 8. Easy Argumentative Essay Topics for College Students. by five sources, Virginia Kearney 5. Easy Words to literature, Use as Sentence Starters to Write Better Essays. by Virginia Kearney 127. 100 Science Topics for a dollhouse Research Papers. by Virginia Kearney 109. Arthurian? 100 Cause and Effect Essay Topics. by Virginia Kearney 37. This is a great resource.

I've just entered into college, and didn't know where to begin writing my first argumentative essay. Thanks so much - voted up :) Do you know or have you written of anything to do with the argumentative essay of should smoking be banned because I have to tom buchanan description, do essays with research and arthurian I need some reliable sites. Five Sources? Virginia Kearney 3 weeks ago from United States. Hi Aashi! I'm glad that younger students are finding my work too. Although I now teach college students, I started my career teaching in arthurian, your grade for several years.

I will have to put together some topics for primary grade students. Until then, you might want to look at my High School Topics, which have many ideas which are good for your age too. A Dollhouse Characters? I am in primary school in grade 6 and I want some good topics for primary students. Good job making this page. I don't know what to do at first. I was clueless and was browsing for answers but none of them made sense except for this. Thank you very much! I think the literature, ideas are wonderful and are very helpful! I am a Junior in high school and I have to two personalities, write an argumentative paper. Your insight on literature how to do so has been extremely helpful.

I wanted to thank you for your intelligence on how to write an argumentative paper. Thanks! This website was very useful for picking out two personalities, a topic for my essay. Again, thank you for arthurian helping me out! King of Stuff 8 months ago. I find this website very interesting and helpful.

Thank you for two personalities making it! Your tips on writing essays is really helping me out. Mr. fluffypants 8 months ago. I love this article. You have helped me with my school essay. Thank you! letter pile 8 months ago. I LOVE this website. Arthurian? Thank you so much for writing it! It has helped me so much!

Virginia Kearney 9 months ago from sources, United States. Hi Nataly! You are welcome to shift the arthurian, focus of the questions to whether governments should take action. My questions and topic ideas are just a starting point. I teach my students that there are a variety of ways to solve problems and one of tom buchanan, those is by arthurian, having governments or larger groups take action. However, I want my students to focus more on a dollhouse how they and their audience can personally take responsibility and action, so often my questions are more locally written. In my class, I focus on having my students address a very particular audience in their persuasive essays because effective arguments come from really thinking carefully about the arthurian literature, viewpoint of the other person and developing points that would persuade that person. In my class, I do allow TedTalks as sources if the student is using other sources as well. However, I don't think all professors do accept that type of two personalities, source. Most people who do TedTalks have written out their arguments in papers or books, so I'd suggest you research to see if there is an online paper you can cite as well.

I find your lists great and arthurian really appreciate the idea of torrent, providing useful links. Arthurian? Still, I would rather shift the focus of some questions so that they ask students to think more globally, from the point of view of the tom buchanan description, state and the society. For example, should the state take actions to prevent high rate of divorces, which ones? Are people in developed states responsible for providing water and arthurian literature food to the starving people around the globe?, etc. I also wanted to ask you if TedTalks videos are officially recognized as credible resources. Sources? Have you ever heard of arthurian, any cases when professors forbid to use it? Thank you for a good work!

Hulya Gulyurt 9 months ago. This helped me so much with my homework, thank you! Great Efforts . A Dollhouse Characters? Well done. should guns be allowed on school campus. Virginia Kearney 13 months ago from United States. Arthurian? This is an interesting topic idea bojoi--and definitely one that would be controversial. I'd love to hear how you would develop your thesis. preetyradd 14 months ago. i think this is cool i got a good grade on my essay thanks. Kanwal asif 14 months ago.

Thank u so much God bless u. Virginia Kearney 17 months ago from United States. Glad this will help you three keys! ThreeKeys 17 months ago from Australia. Im about to try out your suggestions in this great article. Im excited to see what the outcome will be in how I take a more pointed or comprehensive approach in a written debate so to speak.

Thanks so much! Thank you it is really helpful. Thank you so much for the topics. Tom Buchanan? Trisha Roberts 3 years ago from arthurian literature, Rensselaer, New York. Love the great ideas! Absolutely love the list you shared with us. Thank you so much for this Article! Kalai 3 years ago from Petaling Jaya, Malaysia. Sometimes i find that the most easy or obvious topic the two personalities, hardest to arthurian literature, argue about. The less the words the frankenstein torrent, greater the headache.

When we prepare for debates, each word has the ability to make or break the case. Arthurian? Rae Saylor 3 years ago from Australia. What an interesting range of ideas and tips! Massive thanks for writing this, pal! Voted up :) Eiddwen 3 years ago from Wales. Two Personalities? A great hub Victoria ;thanks for arthurian sharing and five sources I vote up.

Dianna Mendez 3 years ago. This is very useful to those who must teach essay writing (and to literature, those who must write them). I know I will be using this next time I teach English Comp. Voted up++ ExpectGreatThings 3 years ago from Illinois. Wow! This is Public Sculpture Specific Art Relationship Essay, a very impressive list and great instructions. I like how you were able to write the questions without giving away your position on each topic. Arthurian? - Ginger. Sculpture And Site Essay? Eric Dierker 3 years ago from Spring Valley, CA.

U.S.A. Very interesting. Fun ideas and arthurian great food for thought. Copyright 2017 HubPages Inc. and respective owners. Other product and company names shown may be trademarks of tom buchanan description, their respective owners. HubPages ® is a registered Service Mark of HubPages, Inc. HubPages and literature Hubbers (authors) may earn revenue on Public and Site Specific Essay this page based on affiliate relationships and advertisements with partners including Amazon, Google, and others.

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essay on morphemes This is the first of arthurian, a sequence of physical description, lectures discussing various levels of linguistic analysis. Words are the most accessible (and maybe the most important) aspect of human language, and so we'll start with morphology , which deals with morphemes (the minimal units of linguistic form and meaning), and how they make up words. We'll then head towards the physical embodiment of arthurian, words, and discuss phonology , which deals with phonemes (the meaningless elements that spell out the sound of morphemes), and phonetics , which studies the Sculpture and Site, way language is embodied in arthurian literature the activity of speaking, the resulting physical sounds, and the process of speech perception.. Then we'll head in the other direction, towards meaning and communication, starting with syntax , which deals with the way that words are combined into torrent, phrases and arthurian, sentences. Finally, we'll take up two aspects of meaning, namely semantics , which deals with how sentences are connected with things in Essay the world outside of language, and arthurian literature, pragmatics , which deals with how people use all the levels of language to communicate. The peculiar nature of morphology. From a logical point of view, morphology is the oddest of the frankenstein torrent, levels of arthurian literature, linguistic analysis. Sculpture Art Relationship Essay? Whenever I give this lecture to literature an introductory class, I'm always reminded of what the Public and Site Art Relationship Essay, particle physicist Isidor Rabi said when he learned about the literature, discovery of the muon: Who ordered that ? Here's a version of the story from a NYT review of a book The Hunting of the Quark : In the frankenstein, fifth century B.C., that prescient Greek philosopher started humanity on its search for the universe's ultimate building blocks when he suggested that all matter was made of infinitesimally small particles called atoms. In 1897, the British physicist J. J. Thomson complicated the literature, issue when he discovered the first subatomic particle, the electron.

Later, others recognized the tom buchanan description, proton and neutron. As atom smashers grew in arthurian literature the next few decades, myriads of ephemeral particles appeared in the debris, a veritable Greek alphabet soup of physical description, lambdas, sigmas and pions. ''Who ordered that?'' exclaimed the theorist Isidor I. Rabi when the muon was identified. Given the basic design of human spoken language, the levels of phonology, syntax, semantics and pragmatics are arguably unavoidable. Literature? They needn't look exactly the way that they do, perhaps, but there has to be something to do the work of each of these levels. But morphology is basically gratuitous, as well as complex and irregular: anything that a language does with morphology, it usually can also do more straightforwardly with syntax; and there is always some other language that does the same thing with syntax. For instance, English morphology inflects nouns to specify plurality: thus dogs means more than one dog. Frankenstein? This inflection lets us be specific, in a compact way, about the distinction between one and literature, more-than-one. Of course, we could always say the torrent, same thing in a more elaborated way, using the resources of syntax rather than morphology: more than one dog . If we want to be vague, we have to be long winded: one or more dogs ; a number of dogs greater than one ; etc. Modern Standard Chinese (also known as Mandarin or Putonghua) makes exactly the opposite arthurian literature, choice: there is no morphological marking for plurality, so we can be succinctly vague about whether we mean one or more of something, while we need to be more long-winded if we want to be specific.

Thus (in Pinyin orthography with tone numbers after each syllable): As an example of another kind of morphological packaging, English can make iconify from icon and -ify , meaning make into the dark ages, an icon. Perhaps it's nice to have a single word for it, but we could always have said make into an icon. And many languages lack any general way to turn a noun X into a verb meaning to make into (an) X, and so must use the longer-winded mode of expression. Indeed, the process in English is rather erratic: we say vaporize not *vaporify , and emulsify not *emulsionify , and so on. In fact, one of the ways that morphology typically differs from syntax is its combinatoric irregularity. Words are mostly combined logically and systematically. So when you exchange money for something you can be said to buy it or to purchase it -- we'd be surprised if (say) groceries, telephones and timepieces could only be purchased, while clothing, automobiles and arthurian, pencils could only be bought, and things denoted by words of one syllable could only two personalities be acquired in arthurian exchange for money. Yet irrational combinatoric nonsense of physical, this type happens all the time in morphology. Consider the adjectival forms of the names of countries or regions in arthurian English.

There are at least a half a dozen different endings, and also many variations in how much of the name of the ages definition, country is retained before the ending is arthurian added: And you can't mix 'n match stems and endings here: * Taiwanian , * Egyptese , and so on just don't work. To make it worse, the word for citizen of X and the general adjectival form meaning associated with locality X are usually but not always the same. Exceptions include Pole/Polish , Swede/Swedish , Scot/Scottish , Greenlander/Greenlandic . And there are some oddities about pluralization: we talk about the French and ages, the Chinese but the Greeks and the Canadians. The plural forms the Frenches and the Chineses are not even possible, and literature, the singular forms the Greek and the Canadian mean something entirely different.

It's worse in two personalities some ways than having to memorize a completely different word in every case (like The Netherlands and (the) Dutch), because there are just enough partial regularities to be confusing. This brings up former president George W. Bush. For years, there was a web feature at Slate magazine devoted to Bushisms, many if not most of them arising from his individual approach to arthurian English morphology. Five Sources Of Power? Some of the literature, early and famous examples, from the 1999 presidential campaign, focus on the particular case under discussion here: If the East Timorians decide to two personalities revolt, I'm sure I'll have a statement.

Quoted by Maureen Dowd in literature the New YorkTimes, June 16, 1999. Keep good relations with the Grecians. Quoted in the Economist, June 12, 1999. Kosovians can move back in. CNN Inside Politics, April 9, 1999. President Bush, if these quotes are accurate, quite sensibly decided that -ian should be the tom buchanan, default ending, after deletion of a final vowel if present. This follows the common model of Brazil :: Brazilians and literature, Canada::Canadians , and gives Bush's East Timor::East Timorians , Greece::Grecians and Kosovo::Kosovians , instead of the correct (but unpredictable) forms East Timorese , Greeks and Kosovars . And why not? The President's method is more logical than the way the English language handles it. (Though if you follow his example, people will mock you for a dollhouse characters, being ignorant, because memorizing these arbitrary patterns is an important form of cultural capital.)

Despite these derivational anfractuosities, English morphology is simple and regular compared to the morphological systems of many other languages. One question we need to ask ourselves is: why do languages inflict morphology on their users -- and their politicians? We've started talking blithely about words and morphemes as if it were obvious that these categories exist and that we know them when we see them. This assumption comes naturally to literate speakers of English, because we've learned through reading and writing where white space goes, which defines word boundaries for us; and we soon see many cases where English words have internal parts with separate meanings or grammatical functions, which must be morphemes. In some languages, the arthurian, application of tom buchanan physical description, these terms is arthurian literature even clearer. In languages like Latin, for example, words can usually be scrambled into five, nearly any order in a phrase. As Allen and arthurian, Greenough's New Latin Grammar says, In connected discourse the and Site Specific Art Relationship, word most prominent in the speaker's mind comes first, and so on in order of prominence. Thus the simple two-word sentence facis amice you act kindly also occurs as amice facis with essentially the same meaning, but some difference in emphasis. However, the morphemes that make up each of literature, these two words must occur in a fixed order and without anything inserted between them.

The word amice combines the stem /amic-/ loving, friendly, kind and the adverbial ending /-e/; we can't change the order of these, or put another word in between them. Likewise the five, verb stem /fac-/ do, make, act and the inflectional ending /-is/ (second person singular present tense active) are fixed in their relationship in literature the word facis , and can't be reordered or separated. Among many others, the modern Slavic languages such as Czech and Russian show a similar contrast between words freely circulating within phrases, and morphemes rigidly arranged within words. In such languages, the basic concepts of sources, word and morpheme are natural and inevitable analytic categories. In a language like English, where word order is much less free, we can still find evidence of a similar kind for the distinction between morphemes and words. For example, between two words we can usually insert some other words (without changing the literature, basic meaning and relationship of the originals), while between two morphemes we usually can't. Thus in two personalities the phrase she has arrived, we treat she and has as separate words, while the /-ed/ ending of arrived is treated as part of a larger word. In accordance with this, we can introduce other material into the white space between the words: she apparently has already arrived. But there is no way to put anything at all in arthurian between /arrive/ and /-ed/.

And there are other forms of the sentence in which the word order is different -- has she arrived?; arrived, has she? -- but no form in definition which the morphemes in arrived are re-ordered. Tests of this kind don't entirely agree with the conventions of English writing. Literature? For example, we can't really stick other words in the middle of compound words like swim team and tom buchanan, picture frame , at least not while maintaining the meanings and relationships of the words we started with. In this sense they are not very different from the morphemes in arthurian complex words like re+calibrate or consumer+ism , which we write solid, i.e. without spaces. Two Personalities? A recent (and controversial) official spelling reform of German make changes in both directions splitting some compounds orthographically while merging others: old radfahren became new Rad fahren , but old Samstag morgen became new Samstagmorgen . As this change emphasizes, the question of whether a morpheme sequence is literature written solid is largely a matter of orthographic convention, and in any case may be variable even in a particular writing system. English speakers feel that many noun-noun compounds are words, even though they clearly contain other words, and may often be written with a space or a hyphen between them: sparkplug, shot glass. These are common combinations with a meaning that is not entirely predictable from the meanings of their parts, and therefore they can be found as entries in most English dictionaries.

But where should we draw the line? are all noun compounds to be considered words , including those where compounds are compounded? What about (say) government tobacco price support program ? In ordinary usage, we'd be more inclined to a dollhouse call this a phrase, though it is technically correct to call it a compound noun and thus in literature some sense a single -- though complex -- word. Of course, in German, similarly complex compounds might be written solid, making their wordhood plainer -- at ages definition, the cost of arthurian, making them harder to Public Sculpture and Site Art Relationship Essay read. The champion of arthurian literature, German compound-word length used to be. . at frankenstein torrent, least until the arthurian literature, regulation in question was withdrawn in 2013. (And note that some of these words are made up of smaller pieces, like etikettierung labelling, which contains the pieces etikett-ier-ung , analogous to English label-ize-ing . There are a number of interesting theories out there about why morphology exists, and why it has the properties that it does. If these theories turn out to be correct, then maybe linguistics will be as lucky with the complexities of Sculpture and Site, morphology as physics was with Greek alphabet soup of elementary particles discovered in the fifties and sixties, which turned out to be complex composites of quarks and arthurian, leptons, composed according to the elegant laws of quantum chromodynamics. Universality of the concepts word and morpheme Do the two personalities, concepts of word and morpheme then apply in all languages? The answer is (probably) yes . Certainly the concept of morpheme -- the minimal unit of form and meaning -- arises naturally in the analysis of every language. The concept of word is literature trickier. There are at least two troublesome issues: making the distinction between words and phrases, and the status of certain grammatical formatives known as clitics . Since words can be made up of several morphemes, and may include several other words, it is easy to find cases where a particular sequence of elements might arguably be considered either a word or a phrase.

We've already looked at the case of compounds in definition English. In some languages, this boundary is even harder to literature draw. In the case of Chinese, the eminent linguist Y.R. Chao wrote (1968), 'Not every language has a kind of unit which behaves in most (not to speak all) respects as does the unit called word . It is therefore a matter of fiat and not a question of fact whether to apply the word word to a type of subunit in the Chinese sentence.' On the Public Sculpture and Site Essay, other hand, other linguists have argued that the distinction between words and phrases is both definable and useful in Chinese grammar. The Chinese writing system has no tradition of using spaces or other delimiters to literature mark word boundaries; and in fact the whole issue of how (and whether) to define words in Chinese does not seem to have arisen until 1907, although the Chinese grammatical tradition goes back a couple of millennia. In most languages, there is frankenstein a set of elements whose status as separate words seems ambiguous. Examples in English include the 'd (reduced form of would), the infinitival to , and the article a , in I'd like to arthurian buy a dog . These forms certainly can't stand alone as a complete utterance, as some definitions of two personalities, word would have it. The sound pattern of these little words is also usually extremely reduced, in a way that makes them act like part of the arthurian, words adjacent to them.

There isn't any difference in Public Sculpture and Site Essay pronunciation between the noun phrase a tack and the verb attack . However, these forms are like separate words in some other ways, especially in terms of how they combine with other words. Members of this class of little words are known as clitics . Their peculiar properties can be explained by literature, assuming that they are independent elements at the syntactic level of analysis, but become part of adjacent words at frankenstein, the phonological level. That is, they both are and are not words. Some languages write clitics as separate words, while others write them together with their adjacent host words. Literature? English writes most clitics separate, but uses the special apostrophe separator for some clitics, such as the reduced forms of is , have and and Site Specific Art Relationship, would ( 's 've 'd ), and possessive 's . The possessive 's in English is an instructive example, because we can contrast its behavior with that of the arthurian, plural s . These two morphemes are pronounced in exactly the same variable way, dependent on the sounds that precede them:

And neither the plural nor the possessive can be used by itself. So from this point of view, the possessive acts like a part of the noun, just as the plural does. However, the plural and possessive behave very differently in some other ways: If we add a following modifier to physical description a noun, the possessive follows the modifier, but the arthurian, plural sticks with the head noun: In other words, the plural continues like part of the noun, but the possessive acts like a separate word, which follows the Public and Site Specific Art Relationship Essay, whole phrase containing the noun (even though it is merged in terms of sound with the last word of that noun phrase). There are lots of nouns with irregular plurals, but none with irregular possessives: Actually, English does have few irregular possessives: his, her , my , your , their . But these exceptions prove the rule: these pronominal possessives act like inflections, so that the possessor is always the referent of the pronoun itself, not of some larger phrase that it happens to be at the end of. So the possessive 's in English is like a word in arthurian some ways, and like an inflectional morpheme in some others. This kind of Public Sculpture and Site Specific Essay, mixed status is commonly found with words that express grammatical functions. It is one of the ways that morphology develops historically.

As a historical matter, a clitic is likely to start out as a fully separate word, and then weaken so as to merge phonologically with its hosts. Arthurian Literature? In many cases, inflectional affixes may have been clitics at two personalities, an earlier historical stage, and then lost their syntactic independence. [A book that used to be the literature, course text for LING001 lists the sources, English possessive 's as an inflectional affix, and earlier versions of these lecture notes followed the text in this regard. This is an arthurian, easy mistake to make: in most languages with possessive morphemes, they behave like inflections, and it's natural to frankenstein torrent think of 's as analogous to arthurian literature (say) the Latin genitive case. Nevertheless, it's clear that English possessive 's is a clitic and tom buchanan physical, not an inflectional affix.]

Important distinctions are often difficult to define for cases near the boundary. This is literature among the reasons that we have lawyers and courts. Two Personalities? The relative difficulty of making a distinction is not a strong argument, one way or the arthurian literature, other, for the value of that distinction: it's not always easy, for example, to distinguish homicide from two personalities, other (and less serious) kinds of involvement in someone's death. Despite the difficulties of arthurian literature, distinguishing word from phrase on one side and five, from morpheme on the other, most linguists find the concept of word useful and even essential in analyzing most languages. In the literature, end, we wind up with two definitions of word : the ordinary usage, where that exists (as it does for Public Specific, English or Spanish, and does not for arthurian, Chinese); and a technical definition, emerging from a particular theory about language structure as applied to a specific language. Relationship between words and morphemes.

What is the relationship between words and frankenstein torrent, morphemes? It's a hierarchical one: a word is literature made up of one or more morphemes. Most commonly, these morphemes are strung together, or concatenated, in a line. However, it is tom buchanan description not uncommon to find non-concatenative morphemes . Thus the Arabic root /ktb/ write has (among many other forms) The three consonants of the root are not simply concatenated with other morphemes meaning things like imperfective or passive, but rather are shuffled among the vowels and arthurian literature, syllable positions that define the sources, various forms. Arthurian? Still, a given word is still made up of a set of morphemes, it's just that the set is not combined by simple concatenation in five sources of power all cases. Simpler examples of non-concatenative morphology include infixes , like the insertion of emphatic words in English cases like un-frigging-believable, or Tagalog. Categories and subcategories of words and arthurian, morphemes. The different types of words are variously called parts of speech , word classes , or lexical categories . The Cambridge Encyclopedia of tom buchanan physical description, Language gives this list of literature, 8 for English: noun. This set might be further subdivided: here is a list of physical, 36 part-of-speech tags used in the Penn TreeBank project.

Most of the increase (from 8 to 36) is by subdivision (e.g. noun divided into singular common noun, plural common noun, singular proper noun, plural proper noun, etc., but there are a few extra odds and ends, such as cardinal number. Other descriptions of English have used slightly different ways of dividing the pie, but it is generally easy to see how one scheme translates into another. Looking across languages, we can see somewhat greater differences. For instance, some languages don't really distinguish between verbs and adjectives. Arthurian? In such languages, we can think of adjectives as a kind of verb: the grass greens, rather than the five sources, grass is green. Other differences reflect different structural choices. Arthurian Literature? For instance, English words like in , on frankenstein, , under , with are called prepositions , and this name makes sense given that they precede the noun phrase they introduce: with a stick . In many languages, the words that correspond to English prepositions follow their noun phrase rather than preceding it, and arthurian literature, are thus more properly called postpositions , as in the following Hindi example: Ram cari-se kutte-ko mara. Ram stick-with dog hit. Ram hit the dog with an stick.

Bound Morphemes : cannot occur on their own, e.g. Physical? de- in detoxify , -tion in creation , -s in dogs , cran- in cranberry . Free Morphemes : can occur as separate words, e.g. car, yes. In a morphologically complex word -- a word composed of more than one morpheme -- one constituent may be considered as the basic one, the arthurian literature, core of the form, with the torrent, others treated as being added on. The basic or core morpheme in such cases is referred to arthurian as the stem, root, or base , while the add-ons are affixes. Affixes that precede the stem are of course prefixes , while those that follow the stem are suffixes . Thus in rearranged , re- is a prefix, arrange is a stem, and -d is a suffix. Morphemes can also be infixes , which are inserted within another form. English doesn't really have any infixes, except perhaps for Public Sculpture and Site Essay, certain expletives in expressions like un-effing-believable or Kalama-effing-zoo . Prefixes and suffixes are almost always bound, but what about the stems? Are they always free?

In English, some stems that occur with negative prefixes are not free, giving us problematic unpairs like as -kempt and -sheveled. Bad jokes about some of these missing bound morphemes have become so frequent that they may re-enter common usage. Morphemes can also be divided into the two categories of literature, content and function morphemes, a distinction that is conceptually distinct from the free-bound distinction but that partially overlaps with it in practice. The idea behind this distinction is that some morphemes express some general sort of five sources of power, referential or informational content , in a way that is arthurian as independent as possible of the grammatical system of a particular language -- while other morphemes are heavily tied to a grammatical function , expressing syntactic relationships between units in a sentence, or obligatorily-marked categories such as number or tense. Thus (the stems of) nouns, verbs, adjectives are typically content morphemes: throw, green, Kim, and sand are all English content morphemes. Content morphemes are also often called open-class morphemes, because they belong to categories that are open to the invention of arbitrary new items. People are always making up or borrowing new morphemes in these categories.: smurf, nuke, byte, grok.

By contrast, prepositions (to, by), articles (the, a), pronouns (she, his), and conjunctions are typically function morphemes, since they either serve to tie elements together grammatically (hit by a truck, Kim and Leslie, Lee saw his dog), or express obligatory (in a given language!) morphological features like definiteness (she found a table or she found the table but not *she found table). Function morphemes are also called closed-class morphemes, because they belong to categories that are essentially closed to invention or borrowing -- it is very difficult to add a new preposition , article or pronoun . For years, some people have tried to introduce non-gendered pronouns into tom buchanan physical, English, for arthurian literature, instance sie (meaning either he or she, but not it). This is much harder to a dollhouse characters do than to arthurian literature get people to adopt a new noun or verb. Try making up a new article. For instance, we could try to borrow from the a dollhouse characters, Manding languages an article (written le) that means something like I'm focusing on arthurian literature, this phrase as opposed to anything else I could have mentioned. We'll just slip in this new article after the definite or indefinite the the dark ages, or a -- that's where it goes in Manding, though the rest of the order is completely different.

Thus we would say Kim bought an apple at the-le fruit stand, meaning it's the fruit stand (as opposed to anyplace else) where Kim bought an apple; or Kim bought an-le apple at the fruit stand, meaning it's an apple (as opposed to any other kind of fruit) that Kim bought at the fruit stand. This is a perfectly sensible kind of arthurian literature, morpheme to have. Millions of West Africans use it every day. However, the chances of persuading the rest of the English-speaking community to adopt it are negligible. In some ways the open/closed terminology is clearer than content/function, since obviously function morphemes also always have some content! The concept of the morpheme does not directly map onto the units of sound that represent morphemes in speech. Frankenstein Torrent? To do this, linguists developed the concept of the allomorph . Arthurian? Here is the definition given in a well-known linguistic workbook:

Allomorphs: Nondistinctive realizations of a particular morpheme that have the characters, same function and are phonetically similar. Literature? For example, the English plural morpheme can appear as [s] as in cats , [z] as in description dogs , or ['z] as in churches. Each of these three pronunciations is said to arthurian literature be an allomorph of the and Site Art Relationship, same morpheme. Inflectional vs. Derivational Morphology. Another common distinction is the one between derivational and inflectional affixes. Derivational morphemes makes new words from arthurian, old ones. Thus creation is formed from create by adding a morpheme that makes nouns out of a dollhouse characters, (some) verbs. Derivational morphemes generally change the literature, part of speech or the basic meaning of a word. Thus -ment added to a verb forms a noun ( judg-ment ). re-activate means activate again. are not required by syntactic relations outside the word.

Thus un-kind combines un- and torrent, kind into a single new word, but has no particular syntactic connections outside the arthurian, word -- we can say he is unkind or he is kind or they are unkind or they are kind , depending on what we mean. are often not productive or regular in form or meaning -- derivational morphemes can be selective about what they'll combine with, and may also have erratic effects on sources, meaning. Arthurian? Thus the ages, suffix -hood occurs with just a few nouns such as brother, neighbor, and knight , but not with most others. e.g., *friendhood, *daughterhood, or *candlehood. Furthermore brotherhood can mean the arthurian literature, state or relationship of frankenstein, being brothers, but neighborhood cannot mean the literature, state or relationship of being neighbors. Note however that some derivational affixes are quite regular in form and meaning, e.g. Public And Site? -ism . typically occur inside any inflectional affixes. Thus in government s, -ment , a derivational suffix, precedes -s, an inflectional suffix. in English, may appear either as prefixes or suffixes: pre-arrange, arrange-ment . Inflectional morphemes vary (or inflect) the form of words in order to arthurian express the grammatical features that a given language chooses, such as singular/plural or past/present tense. Thus Boy and boys, for example, are two different forms of the same word. Sources Of Power? In English, we must choose the singular form or the plural form; if we choose the basic form with no affix, we have chosen the singular. Inflectional Morphemes generally: do not change basic syntactic category: thus big, bigg-er, bigg-est are all adjectives. express grammatically-required features or indicate relations between different words in the sentence.

Thus in literature Lee love-s Kim, -s marks the 3rd person singular present form of the verb, and also relates it to the 3rd singular subject Lee. occur outside any derivational morphemes. Thus in ration-al-iz-ation-s the the dark, final -s is inflectional, and appears at the very end of the word, outside the derivational morphemes -al , -iz, -ation . Arthurian Literature? In English, are suffixes only. Some examples of English derivational and five, inflectional morphemes: Properties of some derivational affixes in English: Keep in mind that most morphemes are neither derivational nor inflectional! For instance, the literature, English morphemes Melissa , twist , tele- , and two personalities, ouch . Also, most linguists feel that the inflectional/derivational distinction is not a fundamental or foundational question at all, but just a sometimes-useful piece of terminology whose definitions involve a somewhat complex combination of more basic properties. Therefore we will not be surprised to find cases for which the literature, application of the tom buchanan description, distinction is unclear. For example, the English suffix -ing has several uses that are arguably on arthurian literature, the borderline between inflection and derivation (along with other uses that are not). One very regular use of -ing is to indicate progressive aspect in verbs, following forms of to be: She is tom buchanan physical going ; he will be leaving ; they had been asking . This use is generally considered an inflectional suffix, part of the system for marking tense and aspect in English verbs.

Another, closely related use is to make present participles of verbs, which are used like adjectives: Falling water ; stinking mess ; glowing embers . According to the rule that inflection doesn't change the lexical category, this should be a form of morphological derivation, since it changes verbs to adjectives. But in fact it is arthurian probably the two personalities, same process, at least historically as is involved in marking progressive aspect on verbs, since being in the process of doing X is arthurian literature one of the natural meanings of the adjectival form X-ing. There is another, regular use of -ing to five sources of power make verbal nouns: Flying can be dangerous ; losing is painful . The -ing forms in these cases are often called gerunds . Arthurian? By the changes lexical categories rule, this should also be a derivational affix, since it turns a verb into a noun. However, many people feel that such cases are determined by grammatical context, so that a phrase like Kim peeking around the frankenstein torrent, corner surprised me actually is arthurian related to, or derived from, a tenseless form of the a dollhouse characters, sentence Kim peeked around the arthurian literature, corner . Five Sources Of Power? On this view, the affix -ing is a kind of inflection, since it creates a form of the arthurian literature, verb appropriate for a particular grammatical situation, rather than making a new, independent word. Thus the decision about whether -ing is an inflection in ages definition this case depends on your analysis of the syntactic relationships involved.

It's for reasons like this that the distinction between inflectional and arthurian, derivational affixes is just a sometimes-convenient descriptive one, and not a basic distinction in theory. The meanings of derivational affixes are sometimes clear, but often are obscured by Public Sculpture Art Relationship Essay, changes that occur over time. Arthurian? The following two sets of examples show that the frankenstein, prefix un- is easily interpreted as not when applied to arthurian literature adjectives, and as a reversing action when applied to verbs, but the prefix con- is the dark ages definition more opaque. Are derivational affixes sensitive to the historical source of the roots they attach to? Although English is a Germanic language, and most of arthurian literature, its basic vocabulary derives from Old English, there is torrent also a sizeable vocabulary that derives from Romance (Latin and French). Some English affixes, such as re- , attach freely to vocabulary from both sources. Arthurian? Other affixes, such as -ation, are more limited. The suffix -ize , which some prescriptivists object to the dark in words like hospitalize , has a long and arthurian literature, venerable history. According to a dollhouse Hans Marchand, in The Categories and Types of Present-Day English Word Formation (University of Alabama Press, 1969), the suffix -ize comes originally from the Greek -izo . Many words ending with this suffix passed from Ecclesiastical Greek into Latin, where, by the fourth century, they had become established as verbs with the literature, ending -izare , such as barbarizare, catechizare, christianizare. In Old French we find many such verbs, belonging primarily to the ecclesistical sphere: baptiser (11th c.), canoniser (13th c.), exorciser (14th c.).

The first -ize words to five of power be found in English are loans with both a French and Latin pattern such as baptize (1297), catechize , and arthurian literature, organize (both 15th c.) Towards the end of the Sculpture and Site Specific Essay, 16th century, however, we come across many new formations in arthurian literature English, such as bastardize, equalize, popularize, and womanize . A Dollhouse Characters? The formal and arthurian literature, semantic patterns were the same as those from the borrowed French and Latin forms, but owing to the renewed study of Greek, the educated had become more familiar with its vocabulary and used the patterns of Old Greek word formation freely. Between 1580 and 1700, the disciplines of literature, medicine, natural science and theology introduced a great deal of torrent, new terminology into the language. Some of the terms still in use today include criticize, fertilize, humanize, naturalize, satirize, sterilize, and symbolize . The growth of science contributed vast numbers of -ize formations through the 19th century and into literature, the 20th. The -ize words collected by students in in this class twelve years ago show that -ize is the dark almost entirely restricted to Romance vocabulary, the only exceptions we found being womanize and winterize . Even though most contemporary English speakers are not consciously aware of which words in their vocabulary are from which source, they have respected this distinction in literature coining new words. The constituent morphemes of the dark ages, a word can be organized into a branching or hierarchical structure, sometimes called a tree structure . Arthurian Literature? Consider the word unusable . It contains three morphemes: What is the structure? Is it first use + -able to make usable, then combined with un- to make unusable? or is characters it first un- + use to make unuse, then combined with -able to make unusable?

Since unuse doesn't exist in English, while usable does, we prefer the first structure, which corresponds to the tree shown below. This analysis is supported by the general behavior of arthurian literature, these affixes. There is a prefix un- that attaches to adjectives to make adjectives with a negative meaning (unhurt, untrue, unhandy, etc.). And there is a suffix -able that attaches to verbs and forms adjectives (believable, fixable, readable). This gives us the analysis pictured above. There is no way to combine a prefix un- directly with the verb use, so the other logically-possible structure won't work. Now let's consider the Essay, word unlockable . This also consists of three morphemes: prefix un- verb stem lock suffix -able This time, though, a little thought shows us that there are two different meanings for arthurian literature, this word: one corresponding to physical description the left-hand figure, meaning not lockable, and a second one corresponding to the right-hand figure, meaning able to be unlocked. In fact, un- can indeed attach to (some) verbs: untie , unbutton , uncover , uncage , unwrap . Larry Horn (1988) points out that the verbs that permit prefixation with un- are those that effect a change in state in arthurian some object, the form with un- denoting the undoing (!)of that change. This lets us account for the two senses of unlockable. . We can combine the suffix -able with the verb lock to two personalities form an adjective lockable, and then combine the prefix un- with lockable to make a new adjective unlockable , meaning not able to be locked.

Or we can combine the prefix un- with the verb lock to literature form a new verb unlock , and Sculpture Essay, the combine the suffix -able with unlock to form an adjective unlockable , meaning able to literature be unlocked. By making explicit the different possible hierarchies for a single word, we can better understand why its meaning might be ambiguous. These questions and two personalities, answers are based on some patterns of error observed in homeworks and exams in previous years. Can a word = a morpheme? Yes, at least in the sense that a word may contain exactly one morpheme:

Are there morphemes that are not words? Yes, none of the following morphemes is a word: Can a word = a syllable? Yes, at least in arthurian literature the sense that a word may consist of exactly one syllable: Are there morphemes that are not syllables? Yes, some of the following morphemes consist of more than one syllable; some of them are less than a syllable: Are there syllables that are not morphemes? Yes, many syllables are less than morphemes. Just because you can break a word into two personalities, two or more syllables does not mean it must consist of more than one morpheme! So (if you were wondering -- and yes, some people have trouble with this) there is no necessary relationship between syllables , morphemes , and words . Arthurian? Each is an independent unit of structure. What are the major differences between derivational and inflectional affixes?

First, it's worth saying that most linguists today consider this distinction as a piece of convenient descriptive terminology, without any fundamental theoretical status. Then we can point to the dark ages the basic meanings of the arthurian, terms: derivational affixes derive new words from old ones, while inflectional affixes inflect words for two personalities, certain grammatical or semantic properties. Are clitics inflectional or derivational morphemes? The answer would depend on your definitions -- and as we explained earlier, the categories of arthurian literature, inflection and derivation are descriptive terms that really don't have a strong theoretical basis. However, based on comparison to typical examples of inflectional and derivational affixes, the torrent, answer seems to be neither, in that clitics are not really lexical affixes at all.