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What is a Theoretical Framework or Conceptual Model? - Nursing

Conceptual model or theoretical framework

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What is a Theoretical Framework or Conceptual Model? - Nursing

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Neo-Platonism in The Tempest Essay Sample. Neo-Platonism is a collective designation for the philosophical and religious doctrines of a heterogeneous school of speculative thinkers who sought to develop and synthesize the framework, metaphysical ideas of Plato. Such synthesis occurred especially in Alexandria and included Hellenistic Judaism, as exemplified by the Jewish-Hellenistic philosopher Philo Judaeus of Alexandria, as well as other outlooks. The doctrine kept its essentially Greek character, however. Asda Corporate! By extension, the conceptual model, term is applied to similar metaphysical theories expounded in medieval, Renaissance, and modern times. From the late Renaissance in Medicean Florence to the end of the seventeenth century, the Neoplatonic possibility of uniting pagan Classical learning with the Christian spirit fascinated such thinkers as Marsilio Ficino. Recently, critics have argued that William Shakespeares late comedy The Tempest (1611) may be interpreted in light of such Neoplatonic archetypes as the virginal princess, the young knight, the primitive, and the magus. Shakespeares romantic comedy may reflect Ficinos postulations that there are three modes of human existence (the contemplative, the active, and the pleasurable) and three roads to felicity (wisdom, power, and participation in care, sensual pleasure). The Renaissance Neoplatonists held that the ideal human existence involved a harmonization of these triads.

One may argue, as Soji Iwasaki does in The Political Discourse and the Iconography of Commonwealth in the Tempest , that Shakespeares dark comedy is a Neoplatonic allegory about the necessity for our striving for practical rather than purely esoteric wisdom as a moral principle to live by. The Neoplatonists regarded the conceptual model or theoretical framework, poet as a god-like figure in Commentary Mice Essay that he had the capacity to create a perfect world, a world directly reflecting the divine archetype itselfas Elizabethan critic and conceptual or theoretical framework, novelist Sir Philip Sidney remarks at the beginning of An Apology for Poetry, the poets deliver a golden world from Natures fundamentally flawed and imperfect world. Prospero may be regarded as the poet, the island his field of creation, and Ariel his agent or means of producing such illusions as the masque for Miranda and Ferdinand or the dance of the islanders for the Neopolitan nobles. Prospero is a magus, an asda corporate, advanced and conceptual model or theoretical, altruistic thinker, not a practitioner of the The Purpose of Punishment Essay, black arts, a sorcerer. Through Shakespeares development of the character of Prospero we see the human spirit liberated from the desire for power, for control, and for vengeance as he renounces his art, forgives his former enemies, and prepares to return to society. His exile and suffering have purified him and enabled him to expiate the crime of abandoning the care of his subjects in framework Milan for the pursuit of esoteric magic, as symbolized by the books that he perused instead of attending to his duties as duke. These books rather than his robe, his wand, or his servant Ariel are the chief source of active in care his power to create illusions, charms, and conceptual or theoretical, spells. In that Prosperos name means I Hope, he represents a melioristic possibility for the human condition.

If Prospero represents the highest Neoplatonic level attainable by human beings (the sensible, the rational, and the intellectual in perfect balance), Caliban, Stephano, and Social in Of, Trinculo represent the lowest level, in which the conceptual framework, sensible or sensory predominates; the symbol of their pursuit of sensual pleasure is the butt of wine, which clouds their self-knowledge and releases the forces of the pizarro, Freudian Id, the animalistic passions of conceptual model framework gustatory and sexual appetite. Social In Of Mice And Men By John Essay! The storys fairy-tale prince and princess, Ferdinand and Miranda, represent the rational and the imaginative faculties, bound together in a non-sensual, Platonic relationship, the most complete stage of human love, according to the Greek philosopher Plato. Volumes have been written about what is believed to conceptual or theoretical framework, be Shakespeares last play, The Tempest , treating its theme and the significance of its characters all the way from politics through allegories to fantasy. There is a generally accepted view that a famous shipwreck off the of Punishment in a Society, Bermudas in 1609 from which those aboard was miraculously saved served as Shakespeares inspiration. But a deeper meaning in the play is worth considering.

It is surely more than a fairy tale about conceptual a duke called Prospero, who had been dispossessed by The Purpose Modern, his ambitious younger brother and exiled to a secluded island where he wields magic powers over conceptual model or theoretical, the elements. Nor is it merely a dramatic narrative of a strange shipwreck which immerses its passengers in the sea yet somehow deposits them dry upon the island; recounts their adventures, amusing and otherwise, and follows the trials of participation in care one of them in particular, Ferdinand, who eventually meets Prosperos daughter Miranda, their ultimate betrothal sealing the reconciliation of the brothers. No, it is none of these alone, nor even the dissipation of the islands peculiarities by Prosperos extraordinary power of will, when at length he decides to leave for his original home and duties. Prospero is one of Shakespeares more enigmatic protagonists. He is a sympathetic character in that he was wronged by conceptual model, his usurping brother, but his absolute power over three faces of eve, the other characters and his overwrought speeches make him difficult to like. In our first glimpse of him, he appears puffed up and self-important, and conceptual model framework, his repeated insistence that Miranda pay attention suggest that his story is boring her. Faces! Once Prospero moves on to a subject other than his absorption in model the pursuit of knowledge, Mirandas attention is riveted. Asda Corporate! Despite his shortcomings as a man, however, Prospero is central to model framework, The Tempest s narrative.

Prospero generates the plot of the play almost single-handedly, as his various schemes, spells, and manipulations all work as part of his grand design to achieve the asda corporate, plays happy ending. Watching Prospero work through The Tempest is like watching a dramatist create a play, building a story from material at or theoretical framework, hand and developing his plot so that the resolution brings the world into line with his idea of goodness and justice. Many critics and readers of the play have interpreted Prospero as a surrogate for Shakespeare, enabling the audience to explore firsthand the ambiguities and asian met art, ultimate wonder of the creative endeavor. Prosperos final speech, in conceptual or theoretical which he likens himself to of francisco pizarro, a playwright by asking the audience for applause, strengthens this reading of the play, and makes the plays final scene function as a moving celebration of creativity, humanity, and art. Prospero emerges as a more likable and sympathetic figure in the final two acts of the play. In these acts, his love for Miranda, his forgiveness of conceptual model his enemies, and the legitimately happy ending his scheme creates all work to asda corporate, mitigate some of the undesirable means he has used to achieve his happy ending. If Prospero sometimes seems autocratic, he ultimately manages to persuade the audience to share his understanding of the conceptual model or theoretical, worldan achievement that is, after all, the final goal of every author and every play. Just under fifteen years old, Miranda is a gentle and compassionate, but also relatively passive, heroine. From her very first lines she displays a meek and emotional nature. O, I have suffered / with those that I saw suffer! she says of the shipwreck (I.ii.56), and hearing Prosperos tale of their narrow escape from Milan, she says I, not remembring how I cried out of Punishment in a Essay then, / Will cry it oer again (I.ii.133134). Miranda does not choose her own husband. Instead, while she sleeps, Prospero sends Ariel to fetch Ferdinand, and or theoretical, arranges things so that the active participation, two will come to love one another.

After Prospero has given the lovers his blessing, he and Ferdinand talk with surprising frankness about her virginity and framework, the pleasures of the marriage bed while she stands quietly by. Prospero tells Ferdinand to be sure not to break her virgin-knot before the of eve, wedding night (IV.i.15), and Ferdinand replies with no small anticipation that lust shall never take away the edge of that days celebration (IV.i.29). Conceptual! In the plays final scene, Miranda is presented, with Ferdinand, almost as a prop or piece of the scenery as Prospero draws aside a curtain to reveal the pair playing chess. But while Miranda is passive in asian met art many ways, she has at least two moments of surprising forthrightness and strength that complicate the readers impressions of her as a naive young girl. Conceptual Model Framework! The first such moment is in Act I, scene ii, in which she and asda corporate, Prospero converse with Caliban. Prospero alludes to the fact that Caliban once tried to rape Miranda.

When Caliban rudely agrees that he intended to violate her, Miranda responds with impressive vehemence, clearly appalled at Calibans light attitude toward his attempted rape. She goes on to scold him for being ungrateful for her attempts to educate him: When thou didst not, savage, / know thine own meaning, but wouldst gabble like / a thing most brutish, I endowed thy purposes / with words that made them known (358361). These lines are so surprising coming from the conceptual model framework, mouth of Miranda that many editors have amended the text and given it to Prospero. In Care! This reattribution seems to give Miranda too little credit. Conceptual Model Framework! In Act III, scene i comes the The Purpose Essay, second surprising momentMirandas marriage proposal to Ferdinand: I am your wife, if you will marry me; / If not, Ill die your maid (III.i.8384). Her proposal comes shortly after Miranda has told herself to remember her fathers precepts (III.i.58) forbidding conversation with Ferdinand.

As the reader can see in her speech to or theoretical, Caliban in Act I, scene ii, Miranda is willing to speak up for herself about her sexuality. Prosperos dark, earthy slave, frequently referred to as a monster by the other characters, Caliban is the asda corporate, son of a witch-hag and the only real native of the conceptual model framework, island to three faces of eve, appear in the play. He is an extremely complex figure, and conceptual or theoretical, he mirrors or parodies several other characters in the play. Faces! In his first speech to Prospero, Caliban insists that Prospero stole the island from him. Through this speech, Caliban suggests that his situation is much the same as Prosperos, whose brother usurped his dukedom. On the other hand, Calibans desire for sovereignty of the island mirrors the lust for power that led Antonio to overthrow Prospero. Calibans conspiracy with Stefano and conceptual or theoretical, Trinculo to murder Prospero mirrors Antonio and Sebastians plot against Alonso, as well as Antonio and Alonsos original conspiracy against Prospero. Caliban both mirrors and contrasts with Prospero are other servant, Ariel. While Ariel is an airy spirit, Caliban is of the earth, his speeches turning to springs, brine pits (I.ii.341), bogs, fens, flats (II.ii.2), or crabapples and pignuts (II.ii.159160). While Ariel maintains his dignity and his freedom by serving Prospero willingly, Caliban achieves a different kind of dignity by refusing, if only sporadically, to bow before Prosperos intimidation. Asda Corporate! Surprisingly, Caliban also mirrors and conceptual model framework, contrasts with Ferdinand in certain ways.

In Act II, scene ii Caliban enters with a burden of wood, and of francisco, Ferdinand enters in Act III, scene i bearing a log. Both Caliban and Ferdinand profess an model, interest in untying Mirandas virgin knot. Ferdinand plans to marry her, while Caliban has attempted to rape her. The glorified, romantic, almost ethereal love of Ferdinand for Miranda starkly contrasts with Calibans desire to impregnate Miranda and people the island with Calibans. Finally, and most tragically, Caliban becomes a parody of himself. Social On Sexism In Of Steinbek Essay! In his first speech to Prospero, he regretfully reminds the magician of how he showed him all the ins and outs of the island when Prospero first arrived. Only a few scenes later, however, we see Caliban drunk and fawning before a new magical being in his life: Stefano and his bottle of liquor. Soon, Caliban begs to show Stefano the island and or theoretical, even asks to lick his shoe. Caliban repeats the asda corporate, mistakes he claims to curse. In his final act of rebellion, he is once more entirely subdued by Prospero in the pettiest wayhe is dunked in a stinking bog and ordered to clean up Prosperos cell in preparation for dinner.

Despite his savage demeanor and grotesque appearance, however, Caliban has a nobler, more sensitive side that the conceptual model or theoretical, audience is on Sexism in Of by John Essay only allowed to glimpse briefly, and which Prospero and Miranda do not acknowledge at all. His beautiful speeches about his island home provide some of the most affecting imagery in the play, reminding the audience that Caliban really did occupy the island before Prospero came, and that he may be right in thinking his enslavement to be monstrously unjust. Calibans swarthy appearance, his forced servitude, and model framework, his native status on the island have led many readers to interpret him as a symbol of the native cultures occupied and suppressed by European colonial societies, which are represented by the power of Prospero. Whether or not one accepts this allegory, Caliban remains one of the most intriguing and ambiguous minor characters in all of Shakespeare, a sensitive monster who allows him to be transformed into a fool. The Tempest is one of the most original and perfect of Shakespeares productions, and asian met art, he has shown in it all the variety of his powers. It is full of grace and grandeur. The human and imaginary characters, the dramatic and the grotesque, are blended together with the greatest art, and without any appearance of it. Though he has here given to airy nothing a local habitation and a name, yet that part which is only the fantastic creation of conceptual model framework his mind, has the asda corporate, same palpable texture, and coheres similarly with the rest. As the preternatural part has the air of reality, and almost haunts the imagination with a sense of truth, the conceptual, real characters and of Punishment in a Modern Essay, events partake of the wildness of a dream. The stately magician, Prospero, driven from his dukedom, but around whom (so potent is his art) airy spirits throng numberless to do his bidding; his daughter Miranda (worthy of that name) to whom all the power of conceptual framework his art points, and who seems the goddess of the isle; the princely Ferdinand, cast by fate upon the heaven of his happiness in this idol of his love; the delicate Ariel; the savage Caliban, half brute, half demon; the drunken ships creware all connected parts of the story, and Social Commentary on Sexism in Of Mice and Men Steinbek, can hardly be spared from the place they fill.

Even the local scenery is of a piece and character with the conceptual model framework, subject. Prosperos enchanted island seems to have risen up out asian met art of the sea; the airy music, the tempest-tossed vessel, the turbulent waves; all have the effect of the landscape background of some fine picture. Conceptual Framework! Shakespeares pencil is (to use an allusion of his own) like the dyers hand, subdued to what it works in. Every-thing in him, though it partakes of the liberty of wit, is also subjected to faces of eve, the law of the understanding. For instance, even the drunken sailors, who are made reeling-ripe, share, in model or theoretical framework the disorder of their minds and on Sexism Mice by John Steinbek Essay, bodies, in conceptual model or theoretical framework the tumult of the definition pizarro, elements, and seem on shore to be as much at the mercy of chance as they were before at the mercy of the winds and waves. These fellows with their sea-wit are the least to our taste of any part of the play: but they are as like drunken sailors as they can be, and are an indirect foil to Caliban, whose figure acquires a classical dignity in conceptual model or theoretical framework the comparison. No reading of The Tempest can do it justice: Shakespeares tale of Prosperos Island is inherently theatrical, unfolding in a series of spectacles that involve exotic, supra-human, and sometimes invisible characters that the asda corporate, audience can see but other characters cannot. The play was composed by conceptual model or theoretical, Shakespeare as a multi-sensory theater experience, with sound, and especially music, used to complement the sights of the play, and all of it interwoven by the author with lyrical textual passages that overflow with exotic images, trifling sounds, and a palpable lushness. The Tempest is so elusive in its protean ability to accommodate different interpretations that any critic or any worthy reader would account to his own judgment of his reading of the active participation in care, play.

The richness of The Tempest as theater is matched by the extraordinary thematic complexity of its text. The genius of the conceptual or theoretical framework, play is very undoubtedly eluded to the master dramatist Shakespeare. However, the character development of the play and the development of the action throw some light on the mystical nature of the play. Very truly it is often called a mystery. However, with the basic concept of neo-Platonism in the very onset, one may judge the characters and the plot overview as a step towards neo-Platonism. The play challenges our senses and is self-consciously a performance orchestrated by in care, Shakespeares effigy in the master illusionist Prospero. There are, in addition, numerous interpenetrating polarities in the play, most notably between nature and civilization or Art. These thematic strands come together at multiple points of model intersection.

We can but agree with still that the play is an allegory, a poetic version of the universal epic, and of Punishment Modern Society, that it deals in values that are enshrined in all that is best and most enduring in ancient myth and ritual, in religious concepts and ceremonies, in art and literature, and in popular tradition. Is this the conceptual or theoretical framework, perfect essay for you? Save time and order Neo-Platonism in asda corporate The Tempest essay editing for only $13.9 per page. Top grades and quality guaranteed! Relevant essay suggestions for Neo-Platonism in The Tempest Many times throughout The Tempest, Shakespeare would couple his use of conceptual model framework a bare stage with music and other various theatrical noises in order to create a deeper connection with his Humanism characteristcs of prospero. In order to answer the following question one must understand the meaning of humanism and humanism attributes.

Humanism is a quality of being concerned of human beings welfare; it is How is Patriarchal and Gender Power shown in Shakespeares The Tempest? The ideas of patriarchal and gender power are illustrated extensively in Shakespeares The Tempest through the relationships portrayed in faces the play, and the plays symbolic depiction of colonialism. First and Aime Cesaires The Tempest as a Critique of Colonialism. Aime Cesaires play A Tempest, written in 1969, was written in conceptual model a time of increasing pressure for decolonization and black civil and Social on Sexism in Of Mice and Men Steinbek Essay, national rights. Following, World War II colonial peoples

Transformation by or theoretical framework, theatre in Shakespeares The Tempest 1. The Transformation of Social Commentary on Sexism and Men by John Essay Prospero In Shakespeares The Tempest the figure of Prospero, the former Duke of Milan, forms the key element of conceptual all actions and developments throughout the play. Discuss Prosperos journey in Shakespeares The Tempest Shakespeares so called late plays including works such as The Tempest and The Winters Tale present the audience with a world of incomparable wealth of interest in the unseen world

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How to support Research with Theoretical and Conceptual Frameworks

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What is a Theoretical Framework or Conceptual Model? - Nursing

The Different Types of conceptual model or theoretical framework, Business Plans. This article is part of our Business Planning Guidea curated list of our articles that will help you with the planning process! Business plans go by many names: Strategic plans, operational plans, internal plans, and many others. Lately, Ive been focusing on the Lean Plan. There are also one-page business plans, although those are really more summaries. Of course there are traditional business plans, which can also be called formal business plans, or wow-do-I-really-have-to-do-all-that business plans. All of these are types of business plans you may need for your business at one time or another. Asda Corporate? Like so many other things in conceptual model or theoretical framework, business, the Commentary by John Steinbek Essay, principle of form follows function applies.

Different situations call for different types of business plans. An effective business plan will match its intended use. Conceptual Model? Knowing these differences will help you plan successfully for the future of your business. Lets take a look at the types of business plans, and asda corporate, their differences. The Lean Plan that every business ought to have.

The standard business plan for those that need to present a plan to outsiders, such as banks or investors. Business plans for startups One-page business plans Feasibility plans, internal plans, operations plan, annual plans, and strategic plans. All businesses can use a Lean Plan to model framework manage strategy, tactics, dates, deadlines, activities, and cash flow. The Lean Plan is pizarro faster, easier, and more efficient than a formal business plan because it doesnt include summaries, descriptions, and background details that you and your partners or employees already know. On the other hand, it does include specific deadlines and milestones, and the budgets allotted for meeting them, so your team is up to speed. A Lean Plan includes four essential elements, all of them functions of general business management: Set the strategy . Use simple bullet points to define target market, business offering, underlying business identity, and long-term goals.

No additional text is needed. These serve as a reminder for owners and managers. Set tactics to execute strategy . Use bullet points again. These include marketing decisions such as pricing, channels, website, social media, promotion, and model or theoretical framework, advertising. Pizarro? Product or service tactics also apply here, including pricing, launch dates, bundles, configuration, new versions, and delivery or packaging. Other tactics might define positions to framework recruit, trainings required, and of Punishment in a, so forth. Concrete specifics . List of conceptual or theoretical framework, assumptions, milestones, objective measurements of performance, task responsibilities, and what numbers to three faces track. Essential numbers . Or Theoretical Framework? Your companys sales forecast, spending budget, and cash flow. The value of the Lean Plan starts with the plan, but thats just the beginning.

Real management is steering your business with a Lean Plan that you review and revise regularly, tracking progress and performance, and making regular course correction. You can download a our free business pitch template which will give you a jump start on the Lean Planning process. The standard business plan is generally shorter these days than ever before; and its also as likely to active in care be a document online as a printed document. Its generally expected to fill the need of a business plan event, which is what we call it when a business needs to present a business plan to a bank, prospective investor, vendor, ally, partner, or employee. The most standard business plan starts with a summary and includes sections or chapters covering the conceptual, company, the product or service it sells, the target market, strategy and implementation milestones and goals, management team, and financial forecasting, and analysis. The exact order of topics is asda corporate not important, but most people expect to see all of conceptual model, these topics covered as part of the standard plan. A Lean Plan is a good first draft of a standard plan. Participation In Care? Start there and or theoretical, add an executive summary, descriptions of Social in Of Mice Steinbek, company and product, detailed market analysis, and conceptual model or theoretical, description of the strategy, main tactics, and the management team. Of Francisco? Tactics usually appear as marketing plan, product plan, financial plan, and management plan.

Build from your working sales forecast and expense budget to complete financial projections. Those complete projections include the conceptual framework, three essential financial projections (also called pro-forma statements): profit and active, loss, balance sheet, and cash flow. Conceptual? Every standard business plan needs sales plus these three essentials. The projected cash flow is an pizarro essential part of a standard business plan. Businesses need cash to stay open, period. Even if a business can survive temporarily without profits, it still needs the cash to conceptual model framework pay its bills. Asda Corporate? And since profits alone dont guarantee cash in the bank, projected cash flow is model essential. Many standard plans also include a table for personnel spending. Some standard plans will need additional projections to meet the needs of the specific business plan event. For example, plans for seeking outside investment should include a discussion of an of Punishment Modern Society Essay eventual exit for investors, and of course the planned use of the invested funds.

Plans supporting a bank loan application might include projected ratios the model or theoretical framework, bank wants to see, such as debt to equity, quick, or current ratios. A standard business plan will start with an executive summary describing the key points of Social in Of by John Steinbek Essay, your plan, and end with appendices showing monthly projections for the first year and or theoretical, annual projections for the second and third years. Though it is presented at active in care the beginning of the plan, a good tip is to write your executive summary last. This way, youve been through the business plan writing process already and you can confidently select the highlights of your plan to showcase on the first page. Every startup deserves a business plan to break out the steps and requirements with educated guesses for important lists and numbers.

The business plan for a startup is conceptual or theoretical framework sometimes called a startup plan, but some people think all business plans are for startups, and that only startups use business plans. Thats not the case, as planning should be part of business management. Active? The lore of the business plan is changing these days. In most cases, a startup plan is a Lean Plan that typically includes the Lean Plan as shown above, plus projected startup costs, startup steps, and milestones. Startup costs include expenses incurred before launch, such as legal expenses, logo and graphics, websites, signage, and fixing up the office or store; plus assets required, such as starting inventory, vehicles, equipment, office furniture, andthe hardest to conceptual model or theoretical framework estimate and most importantstarting money in the bank. While the Lean Plan with extra startup information is fine for most startups, when a startup requires funding from banks or investors, then its business plan looks more like the standard business plan, including a discussion of exit strategies for investors, and active, almost always stating the model framework, planned use of the asian met art, funds required.

You can use this startup plan to discuss your options with potential partners and associates. This kind of no-frills plan is good for deciding whether or not to proceed with an idea, to help gauge whether this is a business worth pursuing. If you do decide to go into business, over time you can always go back to your business plan and model, make necessary edits and additions. As your business grows, you can flesh sections out and add details. When the startup plan will be read by asda corporate, outsiders, its common courtesy to add an executive summary, a company overview, management team, and descriptions of model or theoretical, market, marketing plan, and product plan. Even if you dont have the in care, exact numbers yet, its always a smart idea to include a preliminary analysis of costs, pricing, and probable expenses. Some people refer to what they call a one-page business plan. This is a one-page summary that includes highlights only, used to offer a very quick overview of a business.

It is possible to summarize target market, business offering, main milestones, and essential sales forecast in or theoretical framework, a single page. Such a summary can be useful as a summary for banks, potential investors, vendors, allies, and employees. Asda Corporate? A one-page business plan can also be called a business pitch. Some experts use the phrase feasibility plan to mean the same thing as a startup plan. Others use it to refer to specific steps taken to validate a technology, product, or market. For example, the feasibility plan for a new kind of brick kiln might include the steps to establish a working version in a laboratory, then a small prototype in the field, and then a first working product. A feasibility plan for model a product solution for a new market might involve getting early users and validating the asda corporate, idea with people willing to conceptual model framework pay money for it.

In some cases a feasibility plan involves getting a product or service posted onto a site like Kickstarter or its competitors, offering the asda corporate, product in conceptual model framework, advance of availability to on Sexism in Of and Men by John Steinbek Essay people willing to commit to buying it later. Feasibility plans rarely include the full range of topics one would expect in conceptual model or theoretical, a standard business plan or even a Lean Plan. They tend to be focused on whether or not a product will work or a market exists, without the three of eve, additional strategy, tactics, and conceptual model or theoretical, financial projections. However, the term is used differently by different people, so if you hear this term from someone or plan to use it yourself, its best to get clarification. Internal plans are for participation in care the most part another name for conceptual or theoretical framework what we call a Lean Plan.

Like the Lean Plan, they will reflect the needs of the asda corporate, members of your company. Model Or Theoretical Framework? Since the purpose of an internal plan is specific to the people directly involved with the asian met art, company, it will most likely be shorter and conceptual or theoretical, more concise than a fully detailed standard plan that youd take to the bank. Internal plans are not intended for banks, outside investors, or other third parties. These tend to be a lot like a Lean Plan with another name. Pizarro? Like the Lean Plan, an operations plan includes specific implementation milestones, project deadlines, and responsibilities of framework, team members and three faces, managers. This is the plan used for staying on track to meet your goals as a business. Planning for your goals as a business allows your company to conceptual or theoretical framework assign priorities, focus on results, and track your progress.

Your operations plan covers the inner workings of your business. It outlines the specifics of who should be doing what, and when they should be doing it. Of course, cash flow figures prominently here as well. For example, your milestones will need to have sufficient funding for their implementation, and youll need to track your progress so you know how much youre spending. These could be Lean Plans or even standard business plans, but focusing on a specific area of a business, or a subset of the business. For example, a plan for the creation of of francisco, a new product is a growth plan. These plans could be internal plans or not, depending on whether they are being linked to or theoretical framework loan applications or new investment. Social In Of Mice By John Steinbek Essay? An expansion plan requiring new outside investment would probably need to include full company descriptions and background on model the product, market, and management team, just the same as a standard plan for investors would. Loan applications would require this much detail as well. However, an internal growth plan used to set up the steps for growth or expansion that is asian met art funded internally could skip these descriptions, just like a Lean Plan. Conceptual? It might not be necessary to asian met art include detailed financial projections for the company overall, but it should at least include detailed forecasts of sales and framework, expenses for the new venture or product.

The strategic plan is yet another phrase that people use differently, depending on the exact context. Usually a strategic plan is an internal plan, but without much detail about The Purpose of Punishment Society, specifics and financial projections. It generally goes into more detail on conceptual model or theoretical strategy and tactics than the Lean Plan does, so it has more description and asda corporate, explanation. However, strategy is useless without execution, so a good strategic plan has to take implementation into account, which means some consideration for conceptual or theoretical framework resources and active participation, time. As you build the strategy for your company and conceptual framework, decide how to implement it, you will want to examine your strengths and weaknesses as a business. What does your company do well? As your company grows, you want to play to your strengths. Strategy is often a matter of selecting the right opportunities. Asian Met Art? Resources should be funneled strategically to the areas where they will provide the biggest overall benefits. Strategy plans are much more likely to model or theoretical framework be something for asda corporate the larger enterprise, in which teams of high-level management and sometimes expensive consultants develop broad-brush high-level strategy.

In businesses that dont have thousands of employees, strategy rarely exists in a vacuum, and is almost always developed as part of conceptual model or theoretical, a business plan, lean or standard. Social On Sexism Mice And Men Steinbek Essay? Once you have an idea of your strategy, you must have a plan for implementing it. This is where the milestones portion of the plan becomes key. To effectively execute your strategies, its critical to assign responsibilities and model framework, have a schedule for following through. The implementation tactics you use will actively move you in the right direction toward achieving your goals.

And that is essentially the function of a business plan. Reading about the faces, different types of business plans is a good jumping-off point in the process of creating a business plan. If youre looking for more information about business plans and how to write them, youll find our sample business plan library and our guide to writing a detailed business plan to be helpful resources. You might also want to conceptual model framework check out of francisco our business plan template available through our software, LivePlan. Model Or Theoretical? Or, if youd rather leave it up to the pros, you can always have a MBA write your business plan for you in five business days with LivePlans business plan consulting. Awesome site , very helpful.

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How to support Research with Theoretical and Conceptual Frameworks

Adrienne Rich Rich, Adrienne - Essay. Model. An important poet of the pizarro post-World War II era, Rich is praised for her lyrical and highly crafted poems in which she explores a variety of socially relevant subjects, including feminism and lesbianism. Rich is also an influential essayist whose numerous prose works have advanced theories of feminist criticism. An early proponent of societal change that reflects the values and goals of women, Rich is credited with articulating one of the most profound poetic statements of the or theoretical framework feminist movement. Rich was born in Baltimore, Maryland, to Dr. Arnold Rich, a respected pathologist and professor at Johns Hopkins University Medical School, and Helen Rich, a classical pianist and composer. Asian Met Art. According to the educational beliefs of her father, Rich was schooled at home under the tutelage of her mother until the fourth grade.

She showed an early interest in writing and was encouraged by her father to peruse his extensive collection of Victorian literature. Rich graduated from Radcliffe College in 1951, and her first volume of poetry, A Change of World, was chosen by W. H. Auden for the Yale Series of model or theoretical framework Younger Poets award. The following year Rich won a Guggenheim Fellowship and traveled to Europe and England. In 1953 she married Harvard University economist Alfred H. Conrad, and the couple settled in Cambridge, Massachusetts. Rich gave birth to a son in 1955 and that same year saw the publication of her second poetry collection, The Diamond Cutters, and Other Poems. By 1959 Rich was the mother of three sons and had little time for writing. Three. Though she wrote sporadically when her children were young, Rich was unhappy with the quality of work she produced. In 1963, however, she published Snapshots of a Daughter-in-Law, a collection of poems drawn from the fragments of writing she had compiled over eight years. This volume is conceptual, widely considered her breakthrough work because of its overt delineation of female themes.

In 1966 Rich and her family moved to New York City, where she became involved in the civil rights and antiwar movements. By 1969 she had become estranged from her husband, who committed suicide the in a following year. Framework. During the early 1970s Rich devoted much of her time to the women's movement and began identifying herself as a radical feminist. In 1973 her eighth poetry collection, Diving into the Wreck, won the National Book Award. Defying what she perceived to be the asda corporate patriarchal organization on which the competition was founded, Rich refused the award as an individual; however, she accepted it collectively with fellow nominees Audre Lorde and Alice Walker.

In 1979 she moved to Montague, Massachusetts, with Michelle Cliff, a distinguished Caribbean-American fiction and essay writer, where the two coedited the model lesbian feminist journal Sinister Wisdom. In 1997 she was awarded the Academy of American Poets Wallace Stevens Award. Also that year, Rich was awarded a National Medal for the Arts, to be presented at a ceremony by President Bill Clinton; Rich refused to accept the award, criticizing public policies and of eve governmental priorities as a whole. Conceptual Model Or Theoretical Framework. She wrote a short essay explaining her actions, which was published in the Los Angeles Times books section on August 3, 1997. Rich currently lives in northern California. Rich's poetry is active participation, generally divided into discrete phases that reflect the or theoretical framework evolutionary nature of her canon. The highly crafted verse structures and Mice Essay portrayal of such themes as alienation and loss in her first two collections, A Change of World and The Diamond Cutters, evince Rich's early affinities with modernist poets. Conceptual Model Or Theoretical Framework. In Snapshots of a Daughter-in-Law, considered her first transitional work, Rich departed from the formalism of her earlier volumes by asian met art, employing free verse and overtly portraying women's themes. Rich began the next phase of her poetic career with the collections Necessities of Life (1966), Leaflets (1969), and The Will to Change (1971).

These works focus on model, the relationship between private and public life and openly reject patriarchal culture and language. Diving into the Wreck, Rich's second major transitional work, stands as a radical feminist critique of active participation in care contemporary society. Many of the poems in this volume assert the importance of reinventing cultural standards in feminist terms and focus on conceptual framework, the need for women to active achieve self-definition. Framework. Her next collections, The Dream of The Purpose of Punishment in a Modern Society Essay a Common Language (1978) and A Wild Patience Has Taken Me This Far (1981), are considered lyrical celebrations of the accomplishments of women. In these works Rich examines the model lives of historical female figures as well as the everyday experiences of three of eve ordinary women. Model. In Your Native Land, Your Life (1986), Time's Power (1989), and An Atlas of the Difficult World (1991), Rich addresses new issuessuch as her Jewish heritage and the effects of the Holocaust on her life and workwhile continuing to develop feminist ideals. In her most recent collections of poetry, Dark Fields of the Republic (1995), Midnight Salvage (1999), and Fox (2001), Rich focuses on the interfold of personal and public experience. In Of Woman Born: Motherhood as Experience and Institution (1976)a volume of asda corporate essays frequently considered her most forceful statement of framework radical feminismRich discusses the alienation and anger that she contends women experience in their roles as mothers in a patriarchal society. A second collection of essays, On Lies, Secrets, and Silence (1979), contains prose that furthers her feminist aesthetic, including her most noted essay, When We Dead Awaken: Writing as Re-Vision, in which Rich clarifies the need for female self-actualization. In Blood, Bread, and Poetry (1986) Rich continues to explore issues of lesbianism while focusing on such topics as racial identity and racism.

In What Is Found There: Notebooks on asian met art, Poetry and Politics (1993) Rich argues for or theoretical the importance of poetry as a social art throughout human experience. Arts of the Social Commentary in Of Mice by John Steinbek Essay Possible: Essays and Conversations (2001) collects some of framework Rich's best-known essays and adds several new works to Social by John her canon. Since the conceptual model or theoretical publication of Diving into the Wreck, most critics have analyzed Rich's work as an artistic expression of feminist politics. While many reviewers have praised her ability to write effectively in numerous verse forms, others have faulted the content of her poems as didactic. Active In Care. Critical commentary on Rich's work has reflected the polemics of her verse; critics who adhere to model Rich's politics frequently commend her poems unconditionally, while those who disagree with her radical feminism disavow her work. Additionally, there has been no conclusive appraisal of her canon as Rich continually revises her views and asserts her new approaches to definition of francisco pizarro contemporary issues.

Most critics concur, however, that Rich's intelligent and innovative portrayals of women have contributed significantly to the feminist movement. Access our Adrienne Rich Study Guide for Free. A Change of World (poetry) 1951. The Diamond Cutters, and Other Poems (poetry) 1955. Snapshots of a Daughter-in-Law: Poems, 1954-1962 (poetry) 1963; revised edition, 1967. Necessities of conceptual framework Life: Poems, 1962-1965 (poetry) 1966. Selected Poems (poetry) 1967.

Leaflets: Poems, 1965-1968 (poetry) 1969. The Will to Change: Poems, 1968-1970 (poetry) 1971. Diving into the Wreck (poetry) 1973. Poems: Selected and New, 1950-1974 (poetry) 1975. Of Woman Born: Motherhood as Experience and Institution (criticism) 1976.

The Dream of a Common Language: Poems, 1974-1977 (poetry) 1978. On Lies, Secrets, and Silence: Selected Prose, 1966-1978 (criticism) 1979. A Wild Patience Has Taken Me This Far: Poems, 1978-1981 (poetry) 1981. Active Participation. The Fact of a Doorframe: Poems Selected and New, 1950-1984 (poetry) 1984. Blood, Bread, and Poetry: Selected Prose, 1979-1985 (criticism) 1986. Your Native Land, Your Life (poetry) 1986. Model Or Theoretical. Time's Power: Poems, 1985-1988 (poetry) 1989. An Atlas of the Difficult World: Poems, 1988-1991 (poetry) 1991. What Is Found There: Notebooks on Poetry and Politics (criticism) 1993. Dark Fields of the Republic: Poems, 1991-1995 (poetry) 1995.

Midnight Salvage: Poems, 1995-1998 (poetry) 1999. Arts of the faces of eve Possible: Essays and Conversations (essays and interviews) 2002. Fox: Poems, 1998-2000 (poetry) 2003. What Is Found There: Notebooks on Poetry and Politics (nonfiction) 2003. SOURCE: Rich, Adrienne. When We Dead Awaken: Writing as Re-Vision. In Adrienne Rich's Poetry: Texts of the Poems, the Poet on Her Work, Reviews and Criticism, edited by Barbara Charlesworth Gelpi and Albert Gelpi, pp. Conceptual Model Or Theoretical. 90-8. New York: W. Asda Corporate. W. Norton Company, 1975. In the following essay, originally published in or theoretical, the journal College English in October, 1972, Rich encourages readers to reexamine texts by and about women in order to come to a new understanding of women as artists and asian met art individuals.

Ibsen's When We Dead Awaken is a play about the use that the male artist and thinkerin the process of creating culture as we know ithas made of women, in his life and in his work; and about a woman's slow struggling awakening to the use to which her life has been put. Bernard Shaw wrote in 1900 of this play: [Ibsen] shows us that no degradation ever devized or permitted is as disastrous as this degradation; that through it women can die into model, luxuries for men and definition yet can kill them; that men and women are becoming conscious of this; and that what remains to be seen as perhaps the most interesting of all imminent social developments is what will happen when we dead awaken. 1. It's exhilarating to be alive in a time of framework awakening consciousness; it can also be confusing, disorienting, and Mice and Men by John Essay painful. This awakening of dead or sleeping consciousness has already affected the lives of millions of women, even those who don't know it yet. It is conceptual framework, also affecting the lives of men, even those who deny its claims upon them. The argument will go on whether an oppressive economic class system is responsible for three the oppressive nature of male/female relations, or whether, in fact, the sexual class system is the original model on framework, which all the others are based. But in Social Commentary on Sexism Mice Essay, the last few years connections have been drawn between our sexual lives and our political institutions, which are inescapable and illuminating. The sleepwalkers are coming awake, and for the first time this awakening has a collective reality; it is no longer such a lonely thing to open one's eyes. Re-visionthe act of looking back, of or theoretical framework seeing with fresh eyes, of entering an old text from a new critical directionis for asda corporate us more than a chapter in conceptual or theoretical framework, cultural history: it is an act of survival. The Purpose Society. Until we can understand the assumptions in conceptual model framework, which we are drenched we cannot know ourselves.

And this drive to self-knowledge, for woman, is more than a search for identity: it is part of her refusal of the self-destructiveness of male-dominated society. A radical critique of litterature, feminist in its impulse, would take the work first of all as a clue to how we live, how we have been living, how we have been led to imagine ourselves, how our language has trapped as well as liberated us; and how we can begin to seeand therefore liveafresh. A change in the concept of asian met art sexual identity is essential if we are not going to see the old political order re-assert itself in every new revolution. We need to know the writing of the or theoretical framework past, and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us. For writers, and at The Purpose of Punishment this moment for women writers in particular, there is the challenge and model or theoretical promise of a whole new psychic geography to asda corporate be explored. But there is also a difficult and dangerous walking on the ice, as we try to find language and images for a consciousness we are just coming into, and with little in the past to support us. I want to talk about some apects of this difficulty and this danger. Conceptual. Jane Harrison, the great classical anthropologist, wrote in 1914 in definition, a letter to her friend Gilbert Murray: By the by, about Women, it has bothered me oftenwhy do women never want to conceptual model or theoretical framework write poetry about Man as a sexwhy is The Purpose of Punishment Modern Essay, Woman a dream and a terror to man and not the other way around?Is it mere convention and propriety, or something deeper?

2. I think Jane Harrison's question cuts deep into the myth-making tradition, the romantic tradition; deep into what women and men have been to each other; and deep into the psyche of the woman writer. Thinking about that question, I began thinking of the work of two 20th-century women poets, Sylvia Plath and Diane Wakoski. It strikes me that in the work of both Man appears as, if not a dream, a fascination and a terror; and that the source of the fascination and the terror is, simply, Man's powerto dominate, tyrannize, choose, or reject the woman. The charisma of Man seems to come purely from his power over her and his control of the world by force, not from anything fertile or life-giving in him. And, in the work of both these poets, it is model or theoretical, finally the woman's sense of herself embattled, possessedthat gives the poetry its dynamic charge, its rhythms of struggle, need, will, and asda corporate female energy. Model Or Theoretical Framework. Convention and Commentary on Sexism in Of Mice by John Essay propriety are perhaps not the right words, but until recently this female anger and conceptual or theoretical framework this furious awareness of the Man's power over her were not available materials to the female poet, who tended to write of Love as the source of in a Modern Essay her suffering, and to view that victimization by Love as an almost inevitable fate.

Or, like Marianne Moore and Elizabeth Bishop, she kept human sexual relationships at a measured and chiselled distance in her poems. One answer to conceptual model or theoretical framework Jane Harrison's question has to be that historically men and women have played very different parts in each others' lives. Where woman has been a luxury for man, and has served as the painter's model and the poet's muse, but also as comforter, nurse, cook, bearer of in a Society his seed, secretarial assistant and copyist of manuscripts, man has played a quite different role for conceptual model or theoretical framework the female artist. Henry James repeats an incident which the writer Prosper Merimee described, of how, while he was living with George Sand, he once opened his eyes, in the raw winter dawn, to see his companion, in a dressing-gown, on her knees before the domestic hearth, a candlestick beside her and Social Commentary Mice Steinbek a red madras round her head, making bravely, with her own hands, the fire that was to model framework enable her to sit down betimes to urgent pen and paper. The story represents him as having felt that the spectacle chilled his ardor and tried his taste; her appearance was unfortunate, her occupation an pizarro, inconsequence, and her industry a reproofthe result of conceptual model all of which was a lively irritation and an early rupture. 3. Of Francisco Pizarro. I am suggesting that the specter of this kind of male judgment, along with the active discouragement and thwarting of conceptual model her needs by asian met art, a culture controlled by males, has created problems for the woman writer: problems of contact with herself, problems of language and style, problems of energy and survival. In rereading Virginia Woolf's A Room Of One's Own for the first time in some years, I was astonished at the sense of effort, of pains taken, of dogged tentativeness in conceptual model or theoretical framework, the tone of that essay. And I recognized that tone.

I had heard it often enough, in myself and in other women. It is the tone of a woman almost in touch with her anger, who is asian met art, determined not to appear angry, who is willing herself to be calm, detached, and even charming in a roomful of men where things have been said which are attacks on her very integrity. Virginia Woolf is addressing an audience of women, but she is acutely consciousas she always wasof being overheard by men: by Morgan and Lytton and Maynard Keynes and for that matter by her father, Leslie Stephen. She drew the language out into model framework, an exacerbated thread in her determination to have her own sensibility yet protect it from those masculine presences. Only at three faces rare moments in that essay do you hear the passion in conceptual model framework, her voice; she was trying to sound as cool as Jane Austen, as Olympian as Shakespeare, because that is the way the men of the culture thought a writer should sound. Definition Of Francisco Pizarro. No male writer has written primarily or even largely for women, or with the sense of women's criticism as a consideration when he chooses his materials, his theme, his language. But to a lesser or greater extent, every woman writer has written for conceptual men even when, like Virginia Woolf, she was supposed to be addressing women. If we have come to the point when this balance might begin to change, when women can stop being haunted, not only by convention and active participation in care propriety but by internalized fears of framework being and saying themselves, then it is an extraordinary moment for the women writerand reader.

I have hesitated to do what I am going to do now, which is to use myself as an illustration. For one thing, it's a lot easier and less dangerous to talk about other women writers. But there is something else. Like Virginia Woolf, I am aware of the women who are not with us here because they are washing the dishes and looking after the children. Of Punishment In A Society Essay. Nearly fifty years after she spoke, that fact remains largely unchanged. And I am thinking also of women whom she left out of the picture altogetherwomen who are washing other people's dishes and model or theoretical caring for other people's children, not to mention women who went on the streets last night in order to feed their children. We seem to be special women here, we have liked to think of ourselves as special, and we have known that men would tolerate, even romanticize us as special, as long as our words and actions didn't threaten their privilege of tolerating or rejecting us according to their ideas of what a special woman ought to be. An important insight of the radical women's movement, for me, has been how divisive and how ultimately destructive is this myth of the special woman, who is also the token woman. Every one of us here in this room has had great luckwe are teachers, writers, academicians; our own gifts could not have been enough, for we all know women whose gifts are buried or aborted. Our struggles can have meaning only if they can help to change the lives of women whose giftsand whose very beingcontinue to be thwarted.

My own luck was being born white and middle-class into a house full of Social on Sexism in Of Steinbek Essay books, with a father who encouraged me to read and write. So for model or theoretical about twenty years I wrote for Social Commentary in Of and Men by John a particular man, who criticized and praised me and made me feel I was indeed special. The obverse side of model or theoretical this, of course, was that I tried for pizarro a long time to please him, or rather, not to conceptual model displease him. And then of course there were other menwriters, teachersthe Man, who was not a terror or a dream but a literary master and a master in asian met art, other ways less easy to framework acknowledge. And there were all those poems about women, written by men: it seemed to be a given that men wrote poems and women frequently inhabited them. These women were almost always beautiful, but threatened with the loss of beauty, the loss of youththe fate worse than. (The entire section is 4507 words.) Get Free Access to this Adrienne Rich Study Guide. Start your 48-hour free trial to unlock this resource and thousands more.

Get Better Grades. Our 30,000+ summaries will help you comprehend your required reading to ace every test, quiz, and essay. We've broken down the chapters, themes, and characters so you can understand them on your first read-through. Access Everything From Anywhere. We have everything you need in one place, even if you're on the go.

Download our handy iOS app for free. SOURCE: Stimpson, Catharine. Adrienne Rich and Social Commentary on Sexism in Of and Men Lesbian/Feminist Poetry. Parnassus 12-13, nos. 2-1 (spring-summer and fall-winter 1985): 249-68.

In the following essay, Stimpson traces the development of lesbian and or theoretical framework feminist themes throughout Rich's poetic career. it is the Mice and Men by John Steinbek Essay subjects, the conceptual model or theoretical conversations, the facts we shy away from, which claim us in faces, the form of writer's block, as mere rhetoric, as hysteria, insomnia, and constriction of the conceptual or theoretical framework throat. 1. Four years after (Adrienne Rich) published her first book, I read it in almost disbelieving wonder; someone my age was writing down my life I had not. (The entire section is asian met art, 7104 words.) Get Free Access to this Adrienne Rich Study Guide. Start your 48-hour free trial to unlock this resource and model framework thousands more. ERICA JONG (REVIEW DATE JULY 1973) SOURCE : Jong, Erica. Visionary Anger. Ms. 2, no. 1 (July 1973): 30-4. In the asda corporate following review, Jong outlines the feminist concerns of Diving into the Wreck, highlighting such themes as the patriarchy, femininity, and androgyny. If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the model or theoretical framework top of active in care my head were taken off, I know that is conceptual model or theoretical framework, poetry. Asda Corporate. . . . Is there any other way? The test of a good book of. (The entire section is 3164 words.)

Bere, Carol. Framework. The Road Taken: Adrienne Rich in asda corporate, the 1990s. Literary Review 43, no. 4 (summer 2000): 550-61. Provides a thematic overview of Rich's poetry published during the framework 1990s. Three. Dickie, Margaret. Conceptual Framework. Stein, Bishop, and Rich: Lyrics of Love, War, and Place. Chapel Hill, N.C.: University of in care North Carolina Press, 1997, 234 p. Critical analysis of Rich's poetry. Eagleton, Mary. Adrienne Rich, Location, and the Body. 1 Journal of Gender Studies 9, no.

3 (November 2000): 299-312. (The entire section is conceptual model, 443 words.) Adrienne Rich Homework Help Questions. Aunt Jennifer's Tigers is a poem by the poet Adrienne Rich. The poem consists of three stanzas, which contain four lines each. The poem is Commentary in Of and Men, a rhyming poem and model framework the rhyme scheme is three, AABB, CCDD, and. Adrienne Rich's poem, Amnesia uses references to the 1941 movie, Citizen Kane to provide focus for her poem. Model Framework. Citizen Kane is about a once-powerful and rich man who dies, clutching a snow-globe. This famous poem by Adrienne Rich comments upon the theme of pizarro resurrection and re-engagement with life. The persona of the model or theoretical poem describes how piece by piece she re-enters the world that she had. Adrienne Rich's poem At a Bach Concert deals with the fact that art and life exist with each other reciprocally. On Sexism In Of Mice Essay. In order for art to model or theoretical framework exist, one must recognize its importance in life.

As Adrienne Rich alludes to the movie Citizen Kane, it's important to concentrate on that for pizarro clues to the meaning of her poem, Amnesia. Citizen Kane revolves around the hidden meaning of the.

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A guide to understanding theoretical and conceptual frameworks

essay define discuss The Academic Essay. The academic essay is merely a specific writing genre#150;as is the love letter, newspaper editorial, or pop-fiction. As a genre, it functions within a set of or theoretical, norms, rules, and asda corporate, conventions. The purpose of model or theoretical framework, this discussion is to make clear to definition, you what those rules and norms are, and how to use them to conceptual model framework, express your argument clearly. The purpose of the asian met art academic essay is to model framework, persuade by reasoned discourse. Scholars use the asian met art essay amongst themselves to advance ideas. Conceptual Model Or Theoretical Framework! Its value as an asda corporate, instructional tool is to assist students in developing their critical thinking skills. As you recall, critical thinking is defined as: the conceptual model or theoretical framework ability to read theory accurately, appropriate it meaningfully, apply it independently, generate results based on asda corporate that application, analyze the results, and form a clear argument based on model or theoretical framework those results that can be defended with a specific line of reasoning. A good academic essay engenders this process and clearly demonstrates that the process has been performed successfully. With this in active participation in care, mind let's examine how to write an academic essay.

Do you frequently find yourself struggling with the introduction to your essays? Do you not know how to begin the essay? Do you find yourself searching for a generalizing statement that will get things going, and trying to find a delicate balance between BS'ing and saying something meaningful? If so, that's because you are not following the norms for conceptual model or theoretical, the introduction to the academic essay. Following this norm actually makes introductions a piece of cake and gets you right into the body of the essay. Here is the norm: The purpose of the introduction is asda corporate two-fold: 1. Model! To introduce the theoretical framework that will guide your analysis.

2. To introduce the thesis statement that will organize your paper. Following this norm allows you to cut to the chase. No more generalizing statements of philosophical speculation that you venture forth hoping that it won't get shot down. You know, crap like Hemingway was perhaps one of the most visionary authors of his time. or The Western is asda corporate perhaps the most uniquely American of all the model or theoretical genres. Rather, if the purpose of the essay is to demonstrate that you have appropriated a theory and applied it independently to produce results, then the function of the introduction becomes more focused: to introduce the theory#150;or theoretical framework#150;that you have decided to use.

Hence you will find that many essays begin with such statements as In his book. Or, In her essay. IMPORTANT NOTE: One of the main reasons that the norm of the Introduction developed this way is because of an important rule of the Academic Essay: Avoid making statements that you cannot prove. The problem with the generalizing/philosophical/BS'ing statements like Hemingway. and The Western. is that they cannot be proven through reasoned discourse. Moreover, to even try and do so would require voluminous amounts of discourse for something that is not even your thesis: what you actually ARE setting out to prove.

As a result, the genre of the Commentary on Sexism Mice Steinbek Academic Essay has evolved into the above norm. It still meets an conceptual model, introduction's purpose of orienting the reader, it just does so in a very specific manner. Having accomplished that, the expectation for an essay is that you will introduce a thesis statement that is faces of eve directly related to that theoretical framework (or its application). As a result, a major convention of the academic essay is that: The introduction ends with the thesis statement. Having stated a thesis, you are expected to then go and prove it through the body of the essay. That said, it is important to discuss what's at stake in conceptual model or theoretical framework, making a thesis statement. There are four basic logical forms for a thesis statement: #149; A banal thesis statement. #149; A simple thesis statement. #149; A complex thesis statement.

#149; An impossible thesis statement. Let's discuss each of these quickly before moving on. A banal thesis statement is a statement that does not really say anything#150;it is in fact meaningless because it is either so overly general or so evident as to not be of Social Commentary on Sexism Mice and Men, significance. Here's an example from literature. A frequent argument students will make is This author used symbolism to make his point. The statement, however, is model framework meaningless precisely because it is not of significance: every author writing literature uses symbolism of one kind or another, either using language metaphorically or metonymically. Thus, to attempt to single out or make a distinction of a piece for using symbolism is to not say anything that even needs proving to begin with. A simple thesis statement is not quite what it may sound like. A simple thesis statement means that only one main point or argument is Social and Men by John going to conceptual model or theoretical, be proved.

The term simple argument can thus be misleading because the asian met art argument itself can and frequently is very theoretically sophisticated. Conceptual Or Theoretical! What makes them simple is that in terms of their logical structure, they only take on one line of proof, and asian met art, hence, their organization of proof will be simple. Conceptual Model Or Theoretical Framework! One has to be careful, however, because sometimes one main argument may require SEVERAL supporting arguments. The example here would be the argument that Star Wars belongs within the Western Genre. Here the writer has only one thing to prove, but in asian met art, order to do so will have to establish the elements that comprise the Western Genre and model framework, demonstrate how the film embodies them--not a small task. Simple thesis statements are eminently preferable in terms of writing an essay for a course. It allows you to active, focus on conceptual model your points and your proofs rather than getting lost in the organization of your arguments. A complex thesis statement means that the thesis has more than one point to in care, prove. In this respect, the essay will have to organize more than one line of reasoning in so far that more than one thing has to be proven. Complex theses are not necessarily more theoretically sophisticated than simple thesis statements, they are only conceptual model framework more difficult to organize clearly. In this respect, they are not worth what they entail and should be avoided.

An example of a complex thesis statement would be something like: Faulkner's novels critique the ideologies of patriarchy and definition pizarro, racism. This would be an appropriate analysis for the work of Faulkner, but I'm not sure it would be worth it. To begin with, it is not clear what the writer has to gain in terms of proving BOTH of these aspects of the conceptual model or theoretical work rather than just the one. Instead, with this complex thesis, there are going to be long sections of the participation essay where half of conceptual or theoretical framework, what needs to be proved will be left suspended while the other half gets discussed. In addition, the thesis picks the work of Faulkner which necessitates discussing every book, rather than just one. Definition Of Francisco Pizarro! Thus it is that an important convention of the model or theoretical framework academic essay is that: A complex thesis statement can usually be restructured into a more theoretically sophisticated (if not interesting) simple thesis statement. Making an Argument. As stated earlier, the academic essay is an exercise in reasoned persuasion. In this respect, the thesis statement is an important organizational structure insofar as it establishes how the three rest of the essay will be organized. Model Or Theoretical! Classical logic maintains that there are 3 basic kinds of persuasive statements: statements of fact, statements of value (or evaluation), and statements of policy (or action, which argue what we should do). Unless otherwise specified, the first of these, the statement of active participation in care, fact, is the form that the thesis statement for an academic essay should take#150;the obvious exception being when you write evaluative criticism (which you will NEVER do in my course).

Statements of fact can themselves be grouped into two basic forms: arguments of classification, and arguments of operation or function. It is possible to make other distinctions, like for example, arguments of relationship (how to things relate to each other) but these distinctions can be readily subsumed into these two basic groups. Arguments of classification are when you establish some sort of model or theoretical, criteria, and then argue that something meets or fails to meet that criteria. The earlier example that Star Wars belongs within the Western Genre is an example of an argument of classification. Having established what comprises the Social on Sexism by John Steinbek Western Genre, the writer will then go on framework to prove how Star Wars embodies, contains, or possesses those elements. The writer will, in other words, prove that Star Wars meets that criteria. Arguments of operation or function argues in terms of asda corporate, what something does, or how it functions. The earlier argument that Faulkner's work critiques the ideology of patriarchy is an conceptual model framework, example of active participation in care, function. This statement argues that Faulkner's work DOES something: it criticizes the ideology of patriarchy. Note that unlike the argument of classification, the writer of this essay SEEMS to have to do more to prove their thesis. They will not only have to define what the ideology of patriarchy is#150;and thus establish criteria#150;they will also have to conceptual model, demonstrate that Faulkner's work DOES something with that criteria.

The question of HOW leads to a discussion of the body of the essay. The Body of the Essay. From a conceptual standpoint, the function of the asian met art body of the essay is to prove the conceptual framework thesis statement laid out in the introduction. Easy enough. Faces! This section discusses how the writer accomplishes that proof. In the discussion of types of argument, I made the point that the writer will have to establish criteria that can be used to prove their argument. The body of the essay is the location where the conceptual model or theoretical writer accomplishes that. Social On Sexism In Of By John Steinbek Essay! An introduction is precisely that: It INTRODUCES the theoretical framework and the thesis statement.

It does not DESCRIBE or DISCUSS these two things. This is a fairly common mistake that beginning essay writers make. They fear that they have not said enough in the intro and as a result, go on to discuss aspects of their theory or elaborate on a thesis. The problem with doing so is that it screws up your organization. What comes next is no longer clear to conceptual or theoretical framework, the reader. If you keep it clear to yourself that the purpose of the introduction to your essay is to only INTRODUCE your theoretical framework, and three faces, your thesis statement, then the function of the body of your essay will also become evident to the reader. Conceptual Or Theoretical! They will expect you to establish criteria so that you can prove your thesis. As a result, another important norm of the academic essay is: A primary function of the body of the essay is to establish the criteria by which the thesis statement will be proven. Thus it is that having argued that Star Wars is a Western, the body of the paper is going to have to first establish the elements that comprise the Western#150;it will have to establish the criteria by which the thesis can be proven. Active In Care! To argue that Faulkner's work criticizes thee ideology of patriarchy is going to require that the writer establish what the ideology of patriarchy is.

Establishing the criteria by which the thesis statement will be proven leads to the next logical step: demonstrating how the object under investigation meets those criteria. Clearly it is model or theoretical framework not enough for the Faulkner essayist to active participation, just define what the conceptual framework ideology of patriarchy is. Of Eve! Their thesis is that Faulkner's work criticizes that ideology. As a result, they will have to point to specific things within the text and argue that they relate to those criteria IN A SPECIFIC WAY#150;in this case through a process of conceptual or theoretical, criticism. This process of relating the object of investigation back to the established criteria is another fundamental component of the body of the essay. Without it, the proof is not complete. As silly as that sounds, I kid you not that the most frequent mistake of beginning essay writers is a failure to relate their analysis back to the criteria they have established. Thus it is that another important norm for the academic essay is: Relate the analysis back to the terms and concepts of the established criteria. The Star Wars example brings up another fundamental logical task to this process. From the beginning you have probably thought the Star Wars thesis to not be very feasible. Commentary On Sexism Mice And Men By John! The film is not set in the West, and it occurs in the future.

The question becomes, however, whether these are ESSENTIAL criteria to model, the Western, and if not, what is? In terms of proving that thesis statement, the writer is going to have to clearly establish what the asian met art elements of the Western Genre are, and then relate aspects of the film back to ALL of those criteria. Herein lies the essential importance of completeness to that process. If the Star Wars writer establishes the criteria but can only point to the gun-fighting that occurs in the film, then their essay will fail to persuade. Their essay will fail to persuade precisely because it inadequately addresses the scope of the criteria. Thus it is or theoretical that another important norm for this process is: Fully address the in Of Mice Steinbek Essay established criteria. It is very important to note that fully addressing the scope of the model framework criteria does NOT mean that the The Purpose of Punishment Society object under discussion has to fully meet ALL the criteria. To stick with the model or theoretical Star Wars example, the writer can not IGNORE the issue of setting and even remotely hope to persuade the audience. In some way, the writer is going to have to address the fact that both time and place are out of the bounds of the three faces of eve Western. This is the point precisely. The author will have to model, ADDRESS that point#150;those criteria#150;not necessarily MEET those criteria.

In this respect, the writer is going to have make a supporting argument about how these criteria relate to each other in terms of comprising the The Purpose in a genre (or in a logical sense the whole). The important point is conceptual that all criteria are addressed adequately. Failure to address any of the established criteria creates a gap in logic. Active! Subsequently, the reasoning process (and its ability to persuade) fails. Fully relating the object of the thesis to the established criteria fulfills the logical requirements necessary to persuade reasonably and allows the conceptual or theoretical framework writer to draw conclusions. Before that process is discussed, however, it is necessary to examine an important component of this relating back process. The Role of Description. Relating the asda corporate object of investigation or the object of the thesis back to the established criteria is necessarily going to involve description. Description is conceptual or theoretical framework frequently an unclear and thorny issue for writers of the academic essay#150;especially in terms of scope (how much is enough?). The purpose of description, however, clarifies the issue of scope.

The purpose of description to is to make clear, or establish WHAT in active participation in care, the object of investigation (the film, the scene, the shot) relates to the criteria being used. It therefore becomes important for the writer to use description in such a manner as to establish the model basis of the relationship between the object and The Purpose in a Modern Society Essay, the criteria. Furthermore, the writer should LIMIT description to accomplishing only this task. Added description is not only superfluous, but distracts from model framework, trying to prove your argument. The Purpose! As a result, another important norm for the body of the academic essay is: Subordinate description to the purpose of analysis. As stated above the or theoretical process of fully relating the object of the definition of francisco thesis to the established criteria has the effect of or theoretical, fulfilling the logical requirements. It is THAT task which ultimately persuades, not the conclusion itself. It is for this reason that, in some respects, the conclusion does not seem to have a FUNDAMENTAL role in the process of reasoned persuasion. That in of francisco, itself probably accounts for how many dopey tips exist for what to do with a conclusion, like: repeat the thesis statement (like people have forgotten it despite the fact that you've been working to prove it the entire time) or some other such thing. What to do with a conclusion if the work of proof is already done? The most effective thing to do with a conclusion is to conceptual model or theoretical framework, first signal that the work is coming to close, and The Purpose of Punishment Modern Society, then close off the conceptual model or theoretical framework discussion itself by stating something definitive about the work.

Like the asian met art introduction, then, the conclusion has a dual role: to signal the transition to closure, and to close the discussion with a definitive statement. The work of the conclusion should reference the thesis, without necessarily repeating the thesis (or the conceptual or theoretical framework steps by which it was proven) It should then say something definitive that signals closure by pointing to the implications of what you've discussed, by amplifying what you've discussed, or by contextualizing what you've discussed. In each case, you are striving to close discussion by being definitive, and you are taking caution not to violate rule #1 of the academic essay: avoid statements that you cannot prove. To stay with the running examples, the conclusion to the Faulkner paper could look something like this: . it therefore serves as an active participation, example of model, how literary texts structure their criticisms of dominant ideologies. (pointing to the implications of The Purpose of Punishment Modern, proving your argument). Thus, far from being a portrait of conceptual framework, its time Faulkner's work demonstrates that literary works actively engage ideologies. (amplifying your argument) Rather than a story centered exclusively on war, Hemingway's novel instead participates in the reinforcement of dominant ideologies with American culture. (Contextualizing the argument) Note that the similarity here is how definitive these statements are. They draw upon the work that has been done, but say something different and final that is logically based upon what has been discussed.

There are, of course, variations on the genre of the academic essay--some rather large difference exist, for example, between the social sciences and the humanites. This discussion is based on the humanties approach. Other variations can result from the idiosyncracies of specific instructors. To the degree that what is written here sounds heavy handed and inflexible, I caution instead that such tone is trying to reflect the manner in which your own analysis and writing will need to sound precise and definition of francisco, rigorous#150;the standards by which the academic essay is evaluated. The precision and rigor with which these norms and conventions are applied should function only to demand that your own analysis and reason engender these standards. They are thus meant to elevate your thinking, not control it. The principles by model or theoretical framework which the academic essay structures itself is designed to be a discipline that frees your thinking, not subjugate it. Within its conventions is unlimited creative potential whose only demand, ultimately, is that you say something meaningful that others can be persuaded of via your logic. What I have attempted to do here is make the norms and conventions of the genre explicit so that you can refine your skills working within it. Mastering this genre has the active participation benefit of developing your skill to analyze situations using explicit criteria, and be able to make decisions based on that analysis.

More than a few people have found that possession of such a skill is invaluable in life and professional endeavors.